Playboy does to softcore sex films what HBO's Tales from the Crypt did for horror. Contains the stories: "Brush Strokes"; "Shrink Rap"; "Doubletalk"; "The Leda"; "My Secret Moments"; "Life ... See full summary »
Playboy does to softcore sex films what HBO's Tales from the Crypt did for horror. Contains the stories: "Dogs Playing Poker"; "The Branding"; "The Portal"; "The Perfect Woman"; "Within Ten... See full summary »
A middle-aged Japanese man travels to California to attend the wedding of his American-based friend. Prior to the big event, they take one last trip to Napa Valley, where they taste wine, dally with romance.
Ruth Stoops is a poor indigent drug-user (a huffer - inhaling glue and paint for a high) whose down and out existence is complicated once more by becoming pregnant (she has had and lost four children already). When a judge orders that she gets an abortion or face a felony charge, she is befriended by Gail Stoney, a pro-lifer whose husband is president of the local "Babysavers" group. Suddenly Ruth is thrust into the middle of the pro-choice/pro-life struggle, with each side wanting her to take their side as a "message" to others - and the situation escalates... Written by
Gary Dickerson <email@example.com>
This movie marks the reunion of Laura Dern and Burt Reynolds in a theatrical movie. The 1970s Reynolds movie White Lightning (1973) had been Dern's uncredited film debut. Dern was just six years old when she appeared in a brief non-speaking walk on bit part. In White Lightning (1973), Dern played the daughter of her real life mother Diane Ladd who played Maggie. This time around in Citizen Ruth (1996), it is Dern who has the main part with Reynolds playing a supporting role. See more »
When Norm is lying next to Ruth on her bed, there is a change of camera. He moves his hand to the center of his chest in each camera shot. See more »
[after seeing a movie about abortion]
I slept in a few dumpsters. Maybe I slept on some babies.
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About halfway through the credits, we hear the beginning of Tape 2, Side 1. See more »
A great, little satire that manages to make you identify with a homeless, hopeless druggie.
Laura Dern is perfect as the indigent & insatiable "Ruth". She brings an engaging hidden-beauty to the part, and with the help of Alexander Payne's brilliant direction, she nimbly walks the wire between comical hero and tragic pariah.
This gem clearly demonstrates that, even though the production budget may be lower than a republican's principles - when great talent and artistic enthusiasm couple, a work of genius is likely to be born.
Cheers, AB a staff member of Prospect Point Productions, Inc.
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