This is the story of the two babies who were switched at birth. A few years later when one of the girls gets sick and tests revealed that she was not the daughter of the couple who raised ... See full summary »
John M. Jackson
Dianna Taylor and Michael Moore are two authors, who have a book and a film to publicize, try and out do each other by planning the perfect murder. Things start to go wrong when their ... See full summary »
Jane Morgan gives birth to her baby at the hospital. When she wakes up the next morning, the hospital tells her, that her son died at birth. However from ultrasound reading she had before, ... See full summary »
Based on the true story of Speed Skater Dan Jansen and the loving relationship with his sister Jane. We see Dan go through the motions before and after losing his sister, then see him rise ... See full summary »
Mel Harris is Liz Hammett, a pro-choice Los Angeles lawyer who sues her sister Kelly Porter (Valerie Bertinelli) so that she will follow the instructions of her doctor. Kelly is pregnant and suffering from a paracardial constriction that puts her life and that of her foetus at risk, but as a pro-lifer she refuses her doctor's recommendation of a therapeutic abortion to save her life.
Although Bertinelli is direct and simple, she spends most of her time bed-ridden, and she doesn't have Harris' Garbo-esque grandeur. Liz is dressed in a lot of black, and Harris looks particularly sensual in a floor-length low cut negligee for a drunk scene, and with a grey raincoat in another scene and nod to Garbo. For the trial, Harris is given a 60-ish beehive hairdo and she is presented unflatteringly in sunlight, but otherwise her shoulder length brown-streaked black hair is loose. She is funny in her anger at her `brain dead' family who are all pro-life except for her, and in retort to Kelly's husband Bob (Brian McNamara) who tells her she is on different plane to them when she replies `Yeah. Earth'.
The teleplay by Vickie Patik plays Liz off Kelly, with Kelly presented as an earth mother pregnant with her 5th child, and Liz chided for having had an abortion and accused of having no maternal instinct, which is patently not true when we see Liz babysitting and the way she contends with the tantrums of Kelly's children. Liz' legal stance is that Kelly's position deprives the rights of her living children, with Kelly's lawyer uses the pro-choice Roe vs Wade argument which ironically Kelly does not believe in. Patik doesn't submit to melodrama though `Natural childbirth is like playing Russian Roulette and this little bullet is gonna kill her' is regrettable. Director Eric Laneuville uses some subjective camera, and silence in an emergency room, and pro-life demonstrators co-ercing a woman who attempts to enter an abortion clinic seen to be more hostile than God-loving helpful.
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