1987, love in time of war. A bus driver George Lennox meets Carla, a Nicaraguan exile living a precarious, profoundly sad life in Glasgow. Her back is scarred, her boyfriend missing, her ... See full summary »
This Ken Loach docu-drama relates the story of a British woman's fight with Social Services over the care of her children. Maggie has a history of bouncing from one abusive relationship to ... See full summary »
Angie gets the sack from a recruitment agency for bad behaviour in public. Seizing the chance, she teams up with her flatmate, Rose, to run a similar business from their kitchen. With ... See full summary »
This Ken Loach film tells the story of a man devoted to his family and his religion. Proud, though poor, Bob wants his little girl to have a beautiful (and costly) brand-new dress for her ... See full summary »
Spring 1936, a young unemployed communist, David, leaves his hometown Liverpool to join the fight against fascism in Spain. He joins an international group of Militia-men and women, the ... See full summary »
When an American human rights lawyer is assassinated in Belfast, it remains for the man's girlfriend, as well as a tough, no nonsense, police detective to find the truth... which they soon ... See full summary »
1987, love in time of war. A bus driver George Lennox meets Carla, a Nicaraguan exile living a precarious, profoundly sad life in Glasgow. Her back is scarred, her boyfriend missing, her family dispersed; she's suicidal. George takes her to Nicaragua to find out what has happened to them and to help her face her past. Once home, Carla's nightmarish memories take over, and Carla and George are thrown into the thick of the US war against the Sandinistas. A mystery develops over where Carla's boyfriend is, and the key to his whereabouts may be Carla's friend Bradley, a bitter American aid worker. She finds her family, the Contras attack, and she and the Scot face their choices. Written by
Ken Loach is a remarkable storyteller. Notice how subtly Carlyle's George changes from a loveable lout to noble lover; now find a recent Hollywood film that accomplishes something even close. Moving dramatically from the grey grime of Glasgow to the green pandemonium of Nicaragua in 1987, this film charts a remarkable story of how international politics becomes an international dance of love becomes international politics.
The reviewer who argues that the film glorifies the Sandinistas has it all wrong (except perhaps in the world of doublespeak where simply to treat the Sandinistas with sympathy is to glorify them . . .) Loach rather glorifies the kind of loving devotion that leads George to make a remarkable self-abnegating gesture at the end of the film. Even as I believe that the film is primarily about the love between Carla and George, I am happy for the legions of viewers in the U.S. who, upon watching this film, might be inspired to investigate what the U.s. was up to in Nicaragua in the 1980's. As Noam Chomsky so calmly puts it, U.S. involvement in sponsoring terrorism against the Sandinista government is a completely "non-controversial" issue (underlying strong, though naturally unenforceable acts of censure against the U.S. from both the World Court and U.N.). In the film, Scott Glenn has a few nice moments articulating this position. Very worthwhile. And when we finally hear Carla's song, it is moving indeed.
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