| Photos (See all 11 | slideshow) | Videos (see all 3) |
| Trey Parker | ... | Alferd Packer (as Juan Schwartz) | |
| Ian Hardin | ... | Shannon Bell | |
| Matt Stone | ... | James Humphries (as Mathew Stone) | |
| Jon Hegel | ... | Isreal Swan | |
| Jason McHugh | ... | Frank Miller | |
| Dian Bachar | ... | George Noon | |
| Toddy Walters | ... | Polly Pry | |
| Andrew Kemler | ... | Preston Nutter | |
| Robert Muratore | ... | Frenchy Cabazon | |
| Edward Henwood | ... | O.D. Loutzenheiser / The Cyclops | |
| Stan Brakhage | ... | Noon's Father | |
| Stephen Blackpool | ... | Black Cat | |
| Dan Brother | ... | Guard #2 | |
| Duster | ... | Liane | |
| Brad Gordon | ... | Mills | |
| Dave Hardin | ... | Drummer | |
| Steve Jackson | ... | Sheriff of Lake City | |
| Jessica James Kelly | ... | Tiny Tim / Baby Packer | |
| M.K. | ... | 'The Dropout' (credit only) | |
| Marty Leeper | ... | Sheriff of Saguache | |
| Randy Parker | ... | Judge Jerry | |
| Masao Maki | ... | Indian Chief (as Maseo Maki) | |
| Dirk Martin | ... | Piano Player | |
| Joe McHugh | ... | General Store Clerk | |
| Carter Smith | ... | Guard #1 | |
| Aubrey Strafferd | ... | Voice of Doom (voice) | |
| Edith Swanson | ... | Tomato Thrower | |
| Cole Taylor | ... | Thug in Bar #1 | |
| Mark Welby | ... | Thug in Bar #2 | |
| Don Yannacito | ... | Humphrey's Father (as Don Yannnacito) | |
| Junichi | ... | Junichi | |
| Tomomi | ... | Tomomi | |
| Kevin Allen | ... | Confused Guy | |
| rest of cast listed alphabetically: | |||
| Liane Adamo | ... | 'Hang the Bastard' Dancer (uncredited) | |
| Jerry Aronson | ... | Miner (uncredited) | |
| Chris Graves | ... | Cow Bell Guy (uncredited) | |
| Kimberly Kidder | ... | Saloon Floozy (uncredited) | |
| Philip S. Solomon | ... | Miner (uncredited) | |
Directed by | |||
| Trey Parker | |||
Writing credits | ||
| Trey Parker | (screenplay) | |
| Matt Stone | uncredited | |
Produced by | |||
| Ian Hardin | .... | producer | |
| Edward Henwood | .... | associate producer | |
| Alexandra Kelly | .... | executive producer | |
| Alexandra Kelly | .... | producer | |
| Andrew Kemler | .... | executive producer | |
| Jason McHugh | .... | executive producer | |
| Jason McHugh | .... | producer | |
| Trey Parker | .... | producer | |
| Matt Stone | .... | producer (as Matthew Stone) | |
Original Music by | |||
| Trey Parker | |||
| Rich Sanders | |||
Cinematography by | |||
| Chris Graves | (director of photography) | ||
| Robert Muratore | (director of photography) | ||
Film Editing by | |||
| Ian Hardin | |||
Production Design by | |||
| David Hedge | |||
Art Direction by | |||
| Nathan Gaile | (as Nathan Galie) | ||
Costume Design by | |||
| Elki Neiberger | |||
Makeup Department | |||
| Kate Carney | .... | makeup artist | |
Production Management | |||
| Ian Hardin | .... | production manager | |
| Alexandra Kelly | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Alexandra Kelly | .... | assistant director | |
Art Department | |||
| Andrew Kemler | .... | assistant props | |
| Randy Pijoan | .... | artist: credits paintings | |
| Matt Stone | .... | assistant props (as Mathew Stone) | |
Special Effects by | |||
| Tim Drnec | .... | special effects | |
| Scott Thompson | .... | special effects assistant | |
| Rex Whitney | .... | special effects assistant (as Rex Whitnet) | |
Stunts | |||
| Amanda Aschinger | .... | stunt double: Mr. Schwartz | |
| Kate Carney | .... | stunt double: Dian Bachar | |
Camera and Electrical Department | |||
| Robert Brown | .... | grip | |
| Mark Feijo | .... | second assistant camera | |
| Sam Hill | .... | grip | |
| Andrew Kemler | .... | camera crew: second unit | |
| Andrew Kemler | .... | first assistant camera | |
| Dana Kroeger | .... | camera operator: second unit | |
| Dana Kroeger | .... | first assistant camera | |
| Marty Leeper | .... | gaffer | |
| David McLaughlin | .... | gaffer (as Dave McLaughlin) | |
| Chris Reudy | .... | still photographer | |
| Carter Smith | .... | camera crew: second unit | |
| Carter Smith | .... | first assistant camera | |
| Nigel Stewart | .... | camera crew: second unit | |
| Nigel Stewart | .... | first assistant camera | |
| Tobin Taylor | .... | second assistant camera | |
Costume and Wardrobe Department | |||
| Damla Dogan | .... | wardrobe | |
Editorial Department | |||
| Steve Cox | .... | on-line assembly editor | |
| Phil Lauter | .... | supervising editor: avid | |
| Chris Offutt | .... | avid editor | |
| Wendel Williams | .... | video colorist | |
Music Department | |||
| Ellen Bay | .... | music scoring recordist | |
| Ellen Bay | .... | scoring mixer | |
| Jonathan Null | .... | scoring mixer (as Jon Null) | |
| Trey Parker | .... | songs by | |
| Rich Sanders | .... | music producer | |
Other crew | |||
| Liane Adamo | .... | choreographer: finale | |
| Kevin Allen | .... | production assistant | |
| Jerry Aronson | .... | production advisor | |
| Dan Brother | .... | production assistant | |
| Michael Flanagan | .... | caterer | |
| Jacques Hinkley | .... | production assistant | |
| Eileen Lieberman | .... | production assistant | |
| Dirk Martin | .... | publicity advisor | |
| Troy McGatlin | .... | script supervisor | |
| Jason McHugh | .... | publicist | |
| Simon Rae | .... | production assistant | |
| Chad Roark | .... | title designer | |
| Philip S. Rosemund | .... | ballet choreographer | |
| Steve Salada | .... | continuity | |
| Eric Stough | .... | production assistant | |
Thanks | |||
| Michael Aisner | .... | special thanks | |
| Jerry Aronson | .... | special thanks | |
| Ellen Bay | .... | special thanks | |
| Bryan Booth | .... | special thanks | |
| Amy Brooks | .... | special thanks | |
| Lewis Cardinal | .... | special thanks | |
| Kristin Coel | .... | special thanks | |
| James Corbridge | .... | special thanks | |
| Randy Eubaks | .... | special thanks | |
| Steve Evans | .... | special thanks | |
| David R. Goodman | .... | special thanks (as Dave Goodman) | |
| Virgil Grillo | .... | special thanks | |
| Laura Guetara | .... | special thanks: director, CU-Denver, School of the Arts | |
| Amy Hansen | .... | special thanks | |
| Amy Hardin | .... | special thanks | |
| David Hardin | .... | special thanks | |
| Patricia Hardin | .... | special thanks | |
| Phillip Lloyd Hegel | .... | special thanks (as Phil Hegel) | |
| Jan Henwood | .... | special thanks | |
| Mike Henwood | .... | special thanks | |
| Buckskin Joe | .... | special thanks | |
| Donna Kelly | .... | special thanks | |
| Richard Kelly | .... | special thanks | |
| Phil Lauter | .... | special thanks | |
| Jim Lija | .... | special thanks | |
| Barclay Lottimer | .... | special thanks | |
| Dave Lukas | .... | special thanks | |
| Debbie Luntsford | .... | special thanks | |
| Marty Mapes | .... | special thanks | |
| Dirk Martin | .... | special thanks | |
| Casey Masterson | .... | special thanks | |
| Eric May | .... | special thanks | |
| Brody McHugh | .... | special thanks | |
| Joe McHugh | .... | special thanks | |
| Randy Parker | .... | special thanks | |
| Sharon Parker | .... | special thanks | |
| Jessica Pijoan | .... | special thanks | |
| Randy Pijoan | .... | special thanks | |
| Verl Plum | .... | special thanks | |
| Rollie Rogers | .... | special thanks | |
| Carter Smith | .... | special thanks | |
| Philip S. Solomon | .... | special thanks (as Phil Solomon) | |
| Stacy Steers | .... | special thanks | |
| Gerald Stone | .... | special thanks | |
| Rachel Stone | .... | special thanks | |
| Shelia Stone | .... | special thanks | |
| Greg Tabuteau | .... | special thanks | |
| Cole Taylor | .... | special thanks | |
| David Walder | .... | special thanks | |
| Mark Webly | .... | special thanks | |
| Don Yannacito | .... | special thanks | |
| Danielle Zieg | .... | special thanks | |
| Recent Posts (updated daily) | User |
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| Screening | werewolfgal13 |
| Shpadoinkle theme rip? | meecrofilm |
| Am I imagining a gag? | WildArt |
| This movie... | jaycock8 |
| Where can i see it? | Xandersyard |
| This Should be PG-13 | Feez |
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| Full cast and crew | Company credits | External reviews |
| IMDb Biography section | IMDb USA section |
Yes, I have to say it, I am a South Park fan. I watch the show religiously, and that is the reason why I watched this brilliantly entertaining film. That's probably the only reason anyone ever watches it. This film is one that you either love or hate, and I can't imagine anything in between. It's wildly uneven, poorly paced, poorly acted, and has rather bad sound quality at times. And I love it for all those reasons. It's simply a student project that Trey Parker and his buddies put together over one spring break, and with such a small budget, and limited film-making skills, they created something brilliant, and inspirational.
Alfred Packer (Trey Parker) is a lonely miner who seems to be in love with his horse, Leanne, and has recently been put on trial for murdering his mining crew and eating them. He tells the real story to a reporter named Polly, and it goes like this. One shpadoinkle morning, he is chosen as a replacement guide for a gold mining expedition to Colorado, though he doesn't exactly know the way. With his five crew members, he sets off on the journey. Of course, when his horse runs away, he ends up leading his crew on an agonizing search in the wrong direction, which leads them into the cold, snowy mountains, becoming hopelessly lost. As they fight to survive, they soon realize that they may need to resort to eating each other...
This movie is a hysterical comedy with many big laughs, but I personally think it works better as a musical. A real challenge with this movie is to see it, and then try and get the songs out of your head. The music is so catchy, and if the film was really popular, I wouldn't have to constantly explain to the people around me what I'm whistling/humming. Sometimes, I leave my iPod playlist of the movie's songs running all night as I sleep, as they provide me comfort. Most people won't love the music that much, but you can't say the music isn't wonderfully catchy. "Shpadoinkle Day," That's All I'm Asking For," and Let's Build A Snowman" are my favorites, though I love them all. The first former and the latter would be considered classics if the film had a wide release.
Now, the main problem with the film that most people have is the pacing, which is extremely slow. The thing is, is that Trey Parker had little knowledge of making a film, and with a tiny budget, the film is of poor quality. The acting, sound, and agreeably the pacing, are all bad. But the film's bad quality is one of it's charms. Much of the humor is unintentional, due to some of the funniest, and most obvious errors ever put on film. They are easy to spot if you pay attention, and don't let the pacing get you down. By the way, if you don't like it the first time, try it again with the hilarious, and helpful directors commentary on the DVD in which Trey Parker, Matt Stone, and the rest of the main cast get drunk and watch the film. They point out many things that you probably couldn't care less about the first time, and their insight makes it really funny (not to mention, it helps the pace quite a bit
Cannibal! The Musical is one of my favorite comedies, and everyone should give it a try. It gets an 8/10 in my book.
It is rated R for Comic Gore/Violence and some Language. Sex: 3/10 Violence: 9/10 Swearing: 6/10 Drugs: 1/10