| Photos (See all 48 | slideshow) | Videos (see all 4) |
Directed by | |||
| Ben Stiller | |||
Writing credits(WGA) | ||
| Lou Holtz Jr. | (written by) | |
Produced by | |||
| Judd Apatow | .... | producer | |
| William S. Beasley | .... | co-producer (as William Beasley) | |
| Bernie Brillstein | .... | executive producer | |
| Brad Grey | .... | executive producer | |
| Marc Gurvitz | .... | executive producer | |
| Andrew Licht | .... | producer | |
| Jeffrey A. Mueller | .... | producer | |
Original Music by | |||
| John Ottman | |||
Cinematography by | |||
| Robert Brinkmann | |||
Film Editing by | |||
| Steven Weisberg | |||
Casting by | |||
| Juel Bestrop | |||
Production Design by | |||
| Sharon Seymour | |||
Art Direction by | |||
| Jeff Knipp | |||
Set Decoration by | |||
| Maggie Martin | |||
Costume Design by | |||
| Erica Edell Phillips | |||
Makeup Department | |||
| Pauletta O. Lewis | .... | hair stylist: Mr. Carrey | |
| Christy Ann Newquist | .... | makeup artist (as Christy Newquest) | |
| Nina Paskowitz | .... | key hair stylist | |
| Sheryl Ptak | .... | key makeup artist (as Sheryl Leigh Ptak) | |
| Nancy Tong | .... | hair stylist | |
| Candy L. Walken | .... | hair stylist (as Candy Walker) | |
| James Ryder | .... | makeup artist: Eric Roberts (uncredited) | |
Production Management | |||
| William S. Beasley | .... | unit production manager (as William Beasley) | |
Second Unit Director or Assistant Director | |||
| Frank Davis | .... | second assistant director | |
| Stuart B. Hagen | .... | second second assistant director | |
| Nilo Otero | .... | first assistant director | |
Art Department | |||
| Richard K. Buoen | .... | storyboard artist (as Rick Buoen) | |
| Steve A. Hagberg | .... | construction coordinator (as Steve Hagberg) | |
| Teri Anne Kopp | .... | assistant property master | |
| Randlett King Lawrence | .... | general foreman | |
| Patrick Lees | .... | lead man | |
| Steven M. Levine | .... | property master | |
| Lori Rowbotham | .... | assistant art director | |
| Jason Weil | .... | set designer | |
| Maike Both | .... | buyer (uncredited) | |
| Jeff Brown | .... | greens coordinator (uncredited) | |
| Tim Castagnola | .... | laborer (uncredited) | |
| Andy Chung | .... | concept designer (uncredited) | |
| Doug Crawford | .... | carpenter (uncredited) | |
| Elixandro Diaz Jr. | .... | plaster foreman (uncredited) | |
| Damon Hight | .... | propmaker (uncredited) | |
| Richard W. Jones | .... | on-set greens foreperson (uncredited) | |
| Allen Lafferty | .... | propmaker (uncredited) | |
| Scott Lafferty | .... | carpenter (uncredited) | |
| Jason Sweers | .... | graphic designer (uncredited) | |
Sound Department | |||
| David W. Alstadter | .... | foley mixer (as Dave Alstadter) | |
| G.W. Brown | .... | adr editor (as Gregory Brown) | |
| Chris David | .... | sound re-recording mixer | |
| Yann Delpuech | .... | sound effects editor | |
| Ryan Eldred | .... | assistant sound editor | |
| Alison Fisher | .... | dialogue editor | |
| Galen Goodpaster | .... | assistant sound editor | |
| Robert Grieve | .... | supervising sound editor (as Bob Grieve) | |
| Michael Haight | .... | dialogue editor | |
| Gregory King | .... | supervising sound editor | |
| Scott Kinzey | .... | boom operator (as Scott Kingzey) | |
| Andy Malcolm | .... | foley artist | |
| Scott Millan | .... | sound re-recording mixer | |
| John Murray | .... | foley editor | |
| Rob Nokes | .... | sound effects editor | |
| Michele Perrone | .... | adr editor | |
| Tom Perry | .... | sound re-recording mixer | |
| Joel Shryack | .... | assistant sound editor | |
| John Sisti | .... | adr editor | |
| Alicia Stevenson | .... | foley artist | |
| Nelson Stoll | .... | production sound mixer | |
| Daniel Yale | .... | foley editor | |
| Tom Lalley | .... | sound re-recording engineer (uncredited) | |
| Thomas Needell | .... | sound editor (uncredited) | |
Special Effects by | |||
| Steve Luport | .... | special effects | |
| Bob Stoker | .... | set effects | |
| Lucinda Strub | .... | special effects | |
| Matt Sweeney | .... | special effects coordinator | |
| Gary Zink | .... | special effects | |
Visual Effects by | |||
| Ted Alexandre | .... | systems administrator/resource manager: SPI | |
| Kevin Bales | .... | second assistant camera: SPI | |
| Bill Houston Ball | .... | technical assistant: SPI | |
| Jennifer C. Bell | .... | visual effects producer: SPI (as Jennifer Bell) | |
| Audrey Chang | .... | visual effects editor: SPI | |
| Kyle Clark | .... | film recording technician: SPI | |
| Michael Condro | .... | motion control programmer: SPI | |
| Katya Culberg | .... | systems administration coordinator: SPI | |
| Mike Curtis | .... | gaffer: SPI | |
| Heather Davis Baker | .... | 2D digital artist: SPI (as Heather Davis) | |
| David Drzewiecki | .... | visual effects director of photography: SPI | |
| Sheena Duggal | .... | lead digital compositor: SPI | |
| Allen Edwards | .... | 3D digital artist: SPI | |
| Thomas F. Ford IV | .... | technical assistant: SPI | |
| Lisa Foster | .... | 3D digital artist: SPI | |
| Dawn Guinta | .... | compositing production manager: SPI | |
| Ivo Horvat | .... | digital matte painter: SPI | |
| Joni Jacobson | .... | digital compositor: SPI | |
| Stephen Kennedy | .... | 2D lead digital artist: SPI | |
| Scott Kilburn | .... | 3D digital artist: SPI | |
| Martin A. Kline | .... | art director: SPI (as Marty Kline) | |
| Kenneth Kurras | .... | film recording technician: SPI (as Ken Kurras) | |
| Chuck Larson | .... | stage technician: SPI | |
| Alan Latteri | .... | junior digital compositor: SPI | |
| Christopher Leone | .... | lead film recording technician: SPI | |
| Charles Linehan | .... | visual effects coordinator: SPI | |
| Ned Martin | .... | first assistant camera: SPI | |
| John Mauvezin | .... | model maker: SPI | |
| Ann Monn | .... | digital compositor: SPI | |
| Craig Moore | .... | key grip: SPI | |
| Ray Moore | .... | model maker: SPI (as Raymond D. Moore) | |
| Raquel Morales | .... | digital matte painter: SPI | |
| John Nelson | .... | visual effects supervisor: SPI | |
| Megan Omi | .... | 2D digital artist: SPI | |
| Mike Perry | .... | computer graphics technical director: SPI | |
| Derrick Quarles | .... | film recording technician: SPI | |
| Jamie Rama | .... | assistant art director: SPI | |
| Tim Teramoto | .... | computer graphics technical director: SPI | |
| Lynn Tigar | .... | 2D digital artist: SPI | |
| Michael Tigar | .... | computer graphics supervisor: SPI | |
| Stephen Vincent | .... | production assistant: SPI | |
| Frank Vittori | .... | model coordinator: SPI | |
| Peter Warner | .... | 3D lead digital artist: SPI | |
| Manny Wong | .... | 3D digital artist: SPI | |
| Lou Zutavern | .... | model supervisor: SPI (as Louis Zutavern) | |
| David Cornelius | .... | motion control technician (uncredited) | |
| Audrea Topps Harjo | .... | software production coordinator (uncredited) | |
Stunts | |||
| Bob Brown | .... | stunt double: Cable Guy (as Bobby Brown) | |
| Danny Costa | .... | utility stunts | |
| Tom Elliott | .... | stunt double: Matthew Broderick | |
| Eddie Hice | .... | utility stunts (as Edward Hice) | |
| Freddie Hice | .... | stunt coordinator | |
| Norman Howell | .... | utility stunts | |
| Bob MacDougall | .... | utility stunts (as Bob McDougall) | |
| Darwin Mitchell | .... | utility stunts | |
| Bennie Moore | .... | utility stunts (as Bennie E. Moore) | |
| Erin Ricotti | .... | stunt double: Robin | |
| Erik Rondell | .... | stunt double: Ray | |
| Jack Carpenter | .... | stunts (uncredited) | |
| Jon H. Epstein | .... | stunts (uncredited) | |
| Robert 'Bobby Z' Zajonc | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Kenny Davis | .... | dolly grip (as Ken Davis) | |
| Joseph Dianda | .... | key grip | |
| David Gamerman | .... | assistant chief lighting technician | |
| Kirk R. Gardner | .... | Steadicam operator (as Kirk Gardner) | |
| Melinda Sue Gordon | .... | still photographer | |
| Michael J. Hogan | .... | video assist operator | |
| Jerry D. Knight | .... | first electrician | |
| Alex Leyton | .... | first assistant camera | |
| Scott Patten | .... | second grip | |
| Rick Pearmain | .... | film loader | |
| Reinhart 'Rayteam' Peschke | .... | chief lighting technician (as Reinhart G. Peschke) | |
| Michael Scott | .... | camera operator | |
| Robert J. Studenny | .... | dolly grip (as Robert Studenny) | |
| Thomas Vandermillen | .... | second assistant camera | |
| Richard Brooks Burton | .... | gyrosphere technician: aerial unit (uncredited) | |
| Shawn Ensign | .... | company grip (uncredited) | |
| Scott Medcalf | .... | rigging electrician (uncredited) | |
| Roger Meilink | .... | rigging electrician (uncredited) | |
| Ron Newburn | .... | lighting technician (uncredited) | |
| David Schmalz | .... | video assist operator (uncredited) | |
Casting Department | |||
| Karen Meisels | .... | casting associate | |
Costume and Wardrobe Department | |||
| Joseph T. Mastrolia | .... | costumer | |
| Katrina Mastrolia | .... | costumer | |
| Cheri Reed | .... | costumer | |
| Amy Stofsky | .... | costume supervisor | |
| Marilyn Madsen | .... | costume manufacturing foreperson (uncredited) | |
| Robin Richesson | .... | costume illustrator (uncredited) | |
Editorial Department | |||
| Edward R. Abroms | .... | assistant editor (as Ed Abroms) | |
| Camille Bourque | .... | assistant editor | |
| Sam Citron | .... | assistant editor | |
| Samuel Craven | .... | additional film editor | |
| Gail DuFosse | .... | first assistant film editor (as Gail du Fossé) | |
| Peter Devaney Flanagan | .... | assistant editor (as Peter Devaney) | |
| Mo Henry | .... | negative cutter | |
| Bob Kaiser | .... | color timer | |
| Paul Karasick | .... | first assistant film editor | |
| Richard B. Molina | .... | apprentice editor | |
Music Department | |||
| Robert Fernandez | .... | music mixer | |
| Robert Fernandez | .... | music recordist | |
| Amanda Goodpaster | .... | assistant music editor | |
| Taylor Graves | .... | playback singer | |
| Larry Groupé | .... | conductor | |
| Larry Groupé | .... | orchestrator | |
| Damon Intrabartolo | .... | orchestrator | |
| Juliana Roberts | .... | music supervisor | |
| Jeanette Surga | .... | music editor | |
| Lia Vollack | .... | supervising music editor | |
| Sandy DeCrescent | .... | orchestra contractor (uncredited) | |
| Bruce Donnelly | .... | orchestrator (uncredited) | |
| Frank Macchia | .... | orchestrator (uncredited) | |
| John Ottman | .... | orchestrator (uncredited) | |
| Rick Patterson | .... | orchestrator (uncredited) | |
| Lee Scott | .... | music editor (uncredited) | |
| James Thatcher | .... | musician: French horn (uncredited) | |
| Seth Wittner | .... | music proof reader (uncredited) | |
Transportation Department | |||
| Randy Burke | .... | transportation co-captain | |
| Dan Marrow | .... | transportation captain (as Daniel C. Marrow) | |
| Morris Bension | .... | driver (uncredited) | |
| Gregory Dultz | .... | driver (uncredited) | |
| J. Armin Garza II | .... | driver: camera car (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
When first released, Cable Guy was such an unusual departure for Jim Carrey and his usual slapstick, manic, goofy comedies that people just didn't understand it or like it. When word of Carrey's enormous $20 million paycheck for this film spread, hopes were high that Cable Guy would be smothered in Carrey's slice of hilarious dementia to the extreme.
Carrey certainly brought an air of craziness to Chip Douglas, a lonely, TV-addicted, and creepy cable installer who befriends the unwilling Matthew Broderick (here, looking just nervous and bewildered for the entire film). But something was missing from this Carrey vehicle from the others: he was not all fun and games. In fact, he was downright funny weird, not funny haha.
So here lies one of the major problems people have with this film: it veers from dark comedy into darkness, period. Carrey isn't making an ass of himself in every scene. No. Instead, Carrey's Chip Douglas is an obsessive, extreme, two-faced sociopath. The result? What would be Jim Carrey's best performance to date, surpassed only by his Truman Burbank in The Truman Show.
Sure, it's got a story that's been done to death: normal guy meets psycho and is stalked. But oh, what fun it is to see Jim drag Matthew Broderick into such uncomfortable situations as playing Porno Password with his parents (Carrey whispering "Nipple" into Broderick's ear is absolute brilliance).
Cable Guy is definitely not for fans who want to see Jim Carrey do what created his career; that is, silly, goofy, and flailing comedy. However, avid fans of black comedies will love seeing Carrey's first step in his evolution as a gifted, serious, and undeniably interesting actor.
8 out of 10.