Craig and Smokey are two guys in Los Angeles hanging out on their porch on a Friday afternoon, smoking and drinking, looking for something to do. Encounters with neighbors and other friends... See full summary »
When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship cause him to take a relatively green performer under his wing as his opening act.
Steven Kovak has been kicked out of his apartment by his girlfriend. Steven has a new apartment, and decides to slip the cable guy (Chip) $50 for free cable. Steven then fakes an interest in Chip's line of work. However Chip takes this to heart trying to become Steven's best bud. When Steven no longer wants to be Chips friend the man who can do it all goes on an all out assault to ruin Steven's life. In the backdrop is the delicate sub-plot of the trial of a former kid star for murdering his brother. Written by
Wayne Jamieson <jamtin@OntheNet.com.au>
Although Judd Apatow only received a credit as producer he also was one of the film's writers. He was denied a screenwriting credit by the Writers Guild of America and challenged the ruling, claiming that he wrote much of the movie's dialogue and many of the scenes. The novelization restores his credit as writer of the film. See more »
In the bathroom scene when Chip Douglas is beating up Ray (Owen Wilson) he throws him onto the hand dryer while it's on and makes him suck on it showing his face blowing up. When Ray takes his mouth off there was clearly no air coming out to begin with because his hair is standing still while he is standing in front of it. See more »
Humor is a matter of taste, but when it is as dependent on timing and tone as this is, one at least has to admire it.
You might consider this as rooted in a comic story of obsession.
Or you could easily ignore that and get into the posturing of Carey.
But what I see is an attempt at twisting noir: the idea that the viewer perturbs life, usually the life of a random innocent. Its a profound notion this noir idea that the watcher delivers the movie. Here the watcher is in the movie, delivering it via cable. He has the identity of past "movies."
Its amazingly clever.
I watched this because I recently saw Heath Ledger in Dark Night. As widely publicized, Ledger and Nolan drew heavily from "Clockwork Oragne." But Heath had a very hard time finding the voice. I believe this helped him. The similarities are striking.
Next up in this study; "Equus."
Ted's Evaluation -- 2 of 3: Has some interesting elements.
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