An update of the 1977 comedy, Dick and Jane are living the good life. That is until Dick (Jim Carrey) loses his job shortly after getting a promotion that convinced his wife Jane (Téa Leoni) to quit her job. The money is gone, and the house ends up in foreclosure. Dick decides to turn to a hilarious life of crime to pay the bills with his lovely wife by his side. Then together they decide it's ... See full summary »
Steven Kovak has been kicked out of his apartment by his girlfriend. Steven has a new apartment, and decides to slip the cable guy (Chip) $50 for free cable. Steven then fakes an interest in Chip's line of work. However Chip takes this to heart trying to become Steven's best bud. When Steven no longer wants to be Chips friend the man who can do it all goes on an all out assault to ruin Steven's life. In the backdrop is the delicate sub-plot of the trial of a former kid star for murdering his brother. Written by
Wayne Jamieson <jamtin@OntheNet.com.au>
Some of the Cable Guy's predictions about what cable will do for the future came true. Like having the Internet, phone and TV through cable. And that we'll have the ability to play video games online. See more »
In the bathroom scene when Chip Douglas is beating up Ray (Owen Wilson) he throws him onto the hand dryer while it's on and makes him suck on it showing his face blowing up. When Ray takes his mouth off there was clearly no air coming out to begin with because his hair is standing still while he is standing in front of it. See more »
The Cable Guy:
Women are a labyrinth, my friend. Can I be frank? I don't think you listen to her. I think you tell her what she wants to hear. She wants you to thirst for knowledge about who she is, all the complicated splendor that is women. When your love is truly giving, it will come back to you ten fold.
You're right. That's incredibly insightful.
The Cable Guy:
I know. It was Jerry Springer's final thought on Friday's show.
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The Columbia logo at the beginning of the movie segues into static from Steven's cable TV. See more »
Humor is a matter of taste, but when it is as dependent on timing and tone as this is, one at least has to admire it.
You might consider this as rooted in a comic story of obsession.
Or you could easily ignore that and get into the posturing of Carey.
But what I see is an attempt at twisting noir: the idea that the viewer perturbs life, usually the life of a random innocent. Its a profound notion this noir idea that the watcher delivers the movie. Here the watcher is in the movie, delivering it via cable. He has the identity of past "movies."
Its amazingly clever.
I watched this because I recently saw Heath Ledger in Dark Night. As widely publicized, Ledger and Nolan drew heavily from "Clockwork Oragne." But Heath had a very hard time finding the voice. I believe this helped him. The similarities are striking.
Next up in this study; "Equus."
Ted's Evaluation -- 2 of 3: Has some interesting elements.
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