Steven Kovak has been kicked out of his apartment by his girlfriend. Steven has a new apartment, and decides to slip the cable guy (Chip) $50 for free cable. Steven then fakes an interest in Chip's line of work. However Chip takes this to heart trying to become Steven's best bud. When Steven no longer wants to be Chips friend the man who can do it all goes on an all out assault to ruin Steven's life. In the backdrop is the delicate sub-plot of the trial of a former kid star for murdering his brother. Written by
Wayne Jamieson <jamtin@OntheNet.com.au>
Although Judd Apatow only received a credit as producer he also was one of the film's writers. He was denied a screenwriting credit by the Writers Guild of America and challenged the ruling, claiming that he wrote much of the movie's dialogue and many of the scenes. The novelization restores his credit as writer of the film. Apatow lost an "intense" Writers Guild arbitration battle with Lou Holtz Jr. over credit for writing the script. Holtz's version was, according to Ben Stiller, "basically a silly buddy comedy." Apatow revised the script to make it bleaker, per Jim Carrey's request, going for a "funny version of the classic stalker films." Apatow claimed there was no physical humour for Carrey in Holtz's version of the script. Carrey described the finished product as "Hitchcock meets Jerry Lewis," and "Rosemary's Baby (1968) meets The Odd Couple (1968)." See more »
After Steven's mother incorrectly guesses during "Porno Password", Steven puts his hand to his head twice. See more »
To some people, movies are more than a passion. They are a way of life. For me, movies are not only one of my favorite hobbies, but I feel that all films express a certain reflection of the individual watching them. They say that you can tell a lot from a person by the way they act, talk, walk. I believe you can also tell a lot about a person from the sort of movies they like.
And I think that for Chip Douglas (Jim Carrey), movies and television are more than disposable entertainment. They are his entire life. He is consumed by film to such an extent that he creates multiple personas based on TV personalities. Many critics bashed Carrey's performance for being too sadistic. I think it's perfect because it's daring and hugely different than his other movies, and accurately reflects the mindset of a troubled individual who has grown up on his TV, rather than actually experiencing true life. Not many movies are like "The Cable Guy," and most of them don't have the guts to make a statement so bold and striking.
In "The Cable Guy" Carrey is the title character, his real name supposedly Chip Douglas, but towards the end we're not really sure what's true and false anymore. Chip works for a cable company and offers to hook up new apartment tenant Steven (Matthew Broderick) up with illegal cable. All Douglas asks for in return is a friendship, which Steven reluctantly agrees to. But what he doesn't realize is that Chip is an obsessive monster -- bred on films as a child and unable to separate celluloid from reality, he pursues a "Fatal Attraction" route and begins to stalk Steven. This is one of those movies, like "What About Bob?", where the hero is apparently the only one who realizes how crazy the "bad guy" is. Richard Dreyfuss went nuts trying to convince his family of Bill Murray's insanity in "Bob." In "The Cable Guy," Matthew Broderick has a tough time trying to expose Chip's sadistic side.
I am not Carrey's biggest fan. But I have to admit that over time the comedian has grown on me. And when I see him in "Dumb and Dumber" I can't picture anyone else taking on the role. Here he is in another role where I can see no one else portraying his character, and yet he still hasn't convinced me that he's a great talent. Strange.
I think Carrey's comedy is distinct and the reason his films have become more well-received over the years is because he has invented a certain area of modern-day comedy and thrived in that cubby hole for quite some time. I believe that humor is not existent; it is invented. Different forms of humor come and go. Right now, Adam Sandler and Jim Carrey are two of the highest-paid comedians the world, and yet in fifty years, where will they be?
Comedy is constantly changing. Humor is invented and re-invented to the point that what was once funny no longer is. That is why so many comedies from various eras of American history seem so outdated by today's standards. We are living in a world of Jim Carreys, Adam Sandlers, and Mike Myers. Although they still receive jobs, Steve Martin, Eddie Murphy, Bill Murray, and especially Dan Aykroyd -- some of the most popular comedians of the '80s -- have found themselves all stuck in ruts, filming kiddie movies for Disney and -- some of them (especially Murray and Aykroyd) -- departing comedy to pursue more serious careers in an area of film that will never become outdated: drama (for Murray, it is "Lost in Translation"; Aykroyd is less lucky with projects such as "Pearl Harbor," which might as well be classified as comedy).
The movie was directed by Ben Stiller, who carefully balances the neurotic against the sweet. The movie has its fair share of cameos, and in a great sequence Owen Wilson stars as a confident jerk who takes out Steven's girlfriend on a date. The Cable Guy finds out and, thinking he's doing Steven a favor, assaults Wilson in the bathroom of a fancy restaurant.
Perhaps the reason so many critics disliked "The Cable Guy" when it was released in 1996 was because they found themselves relating to Carrey's character. Maybe not. All I know is that it is one of the most daring and surprising comedies of the '90s -- not especially great but very unique and entertaining. I relate to its main character because we both love movies. My obsession is much calmer than Chip's. But the film does have a good eye for spotting good areas of satire. Yes, it's often rather dark and absurd. But isn't that the point?
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