Her name is Mina, but she is called Bambola (doll). Upon the death of her mother, she and her homosexual brother, Flavio, open a pizzeria. A man named Ugo loans Bambola the money, but is ...
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Maria de Medeiros,
Her name is Mina, but she is called Bambola (doll). Upon the death of her mother, she and her homosexual brother, Flavio, open a pizzeria. A man named Ugo loans Bambola the money, but is then killed in a fight with another one of her boyfriends, Settimio. While visiting Settimio in jail, she meets a sadistic man named Furio, and they begin a relationship. Written by
This movie could pretty well be described as the weakest, less inspired work of Bigas Luna in the last few years. All the freshness, irony, and visual appeal of "Jamon, Jamon" is missing, unfortunately replaced by a direction more focused on the "shock factor" than on creating a more solid structure.
As far a "values" go, the movie contains some disturbingly twisted messages that most people could find indeed offensive. I seriously doubt any victim could fall so deeply in love with her cruel torturer, as Bambola does. From that point on, the movie loses all credibility, and everything starts going downhill. Bigas Luna pretends to shock you with a display of disturbing imagery and disturbed characters, but in the process forgets how to make the movie consistent. A wasted opportunity.
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