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Klaus Maria Brandauer
Robert the Bruce unites the Scots in a rebellion against the hated English, led by Edward I. He is supported by various loyal followers, notably the bishop who agrees to recognize his claim and crown him as King of the Scots. Written by
A school girl in Dunfermline skipped school one day and landed a part in this, crowning Robert The Bruce. She then went on to film other scenes including a corpse. Although she never got paid she claims it was the most exciting thing that happened. Never been in front of cameras before ,she was shy but found it easy as set was closed when Oliver Reed was in the coronation scene. The crown on Sandy (Robert The Bruce) kept slipping off his wig . He told the school girl that inside was a dot which was supposed to sit at the back. This helped. The next scene was perfect and they kept it in movie where the school girl smiles at her friends next to her, happy it stayed on. See more »
'The Bruce' made me want to scoop my own eyes out...
What was the most irritating thing about this film?
The appalling acting? The revelation that medieval knights apparently fought with an assortment of *very* wobbly rubber axes and other assorted joke shop armaments (honestly, a Pythonesque cow flip would not have been misplaced). The fact that one of the most important battles in 14th century Europe looked more like a disorganised pub fight, with no discernible cues to the viewer as to who was English or Scottish? The incomprehensibly boring narrative? The most ham-fisted, cheesiest, cliché ridden 'tottie-scone' dialogue, ever?
Perhaps all of the above.
To me, however, there was a general eclipse of all that. It was the following.
The quest for Scottish Independence was decades in the making. It saw some of the most deftifying, heroic, savage, heartbreaking and bloodthirsty history that's ever been. We're talking about a time that, when the Scottish defensive wall at Berwick developed a weak spot, children and woman were sent to fill the place to keep the invader out. Every man, woman and child was at war.
In 1996 Scotland deserved a 'proper' movie. Yes, Braveheart was a movie that *deserved* to be made, in it's identification and selling of Scottish history - I applauded it's success - but in doing so I also openly acknowledged the fact that it was a bad film. A very bad film.
Consequently, 'The Bruce' served only to mutilate and befoul not only history itself, but the chance of one day exploring that history in a better capacity than Braveheart ever did - through film - by simply telling the story (trust me, a Screenwriter's dream - as it is, left well alone) on the back of a good budget and high-profile pitch.
The Director of the Bruce should be trialled for Cultural crimes and then, publicly, carted naked through the old streets of Edinburgh, before slowly being drawn against 'The Maiden'.
Shooting adverts for spam products might have been a challenge for him. Instead, he created the single worst movie on the planet (in every conceivable sense) with material that would have gifted a talented directorial new-start with a plethora of creative devices and opportunity.
In short, I wanted to scoop my own eyes out and replace them with cartoon bomb-jacks. And, in short, he ruined it for real directors of the future.
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