Ivan is the fierce patriarch of a family of Croatian refugees in Auckland. Nina is his daughter, ready to live on her own, despite his angry objections. Eddie is the Maori she takes as her ... See full summary »
Patty Vare falls off a horse and is found unconscious by preparatory school student John Baker. He takes her to his dormitory. As he quickly discovers, she is hiding from something. For ... See full summary »
Dr. Lauren is staying in Prague for a conference and falls in love with Czech writer Jiri Kolmar. However, she learns some awful secrets about Jiri's family during the Nazi occupation and the concentration camps.
Roger L. Simon
Artemisia Gentileschi (1593-1653) was one of the first well-known female painters. The movie tells the story of her youth, when she was guided and protected by her father, the painter ... See full summary »
An intimate story set during the 1860s in which a young Irish woman Sarah and her family find themselves on both sides of the turbulent wars between British and Maori during the British colonization of New Zealand.
In 1952, as the Korean War rages on, American officers land in Kyoto. Among them are Major Ceve Saville, assigned to a fighter squadron, and Lieutenant Carl Abbott. The latter neglects his ... See full summary »
After robbing a bank, the robber hides out from the police in a seedy hotel where he is forced to bribe various tennants for protection as well as their silence which becomes more difficult... See full summary »
Ivan is the fierce patriarch of a family of Croatian refugees in Auckland. Nina is his daughter, ready to live on her own, despite his angry objections. Eddie is the Maori she takes as her lover. Nina works at a restaurant where Eddie cooks. For a price, she agrees to marry a Chinese, another restaurant employee, so that he (and his Chinese wife) can establish permanent residency. The money gives her the independence she needs to leave her parents' house and move in with Eddie. Complications arise when Eddie realizes the depth of her father's fury and the strength of Nina's family ties. Written by
Sometimes love means war - but only for the parents
Nina, young, beautiful and sexy, driven out from war-torn Croatia, has emigrated with her family to Auckland, New Zealand. Why New Zealand? Well it seems Mum was born there (there is an old established "Dalmatian" community in the region famously associated with the wine industry). Dad has quickly found work as a building contractor and seems to be doing well. Ironically, having been driven out of his own country by Serbian ethnic cleansing, he finds NZ's mild multi-racial society impossible to tolerate, at least when his gorgeous daughter falls seriously in lust with Eddie, a handsome Maori, in the kitchen of the Chinese restaurant where they both work. Being a fairly typical NZ movie, the theme is played for comedy rather than tragedy, though there is plenty of tension. An erotic scene early on dissolves into a minor domestic mishap. Cars get their windows smashed but no-one gets their head smashed in. The real tragedy is back home in Croatia via home videos from remaining relatives. The young couple progress from 90% lust /10% affection to about 50/50, though it's a rocky road. Dad however just can't adjust. Civil enough with his Tongan ("coconut") neighbours, the idea of his little girl having it off with any Maori sends him ballistic (it could have been worse - the lover might have been Serbian). With his knucklehead son, he attempts to break them up, with predictable lack of success. It's a great sketch of a tough, admirable (in some ways) but unadaptable man. Why is he like that? At the end we're none the wiser. Nor do we get to understand Mum's position, which seems to be total submission. She may be NZ born but she isn't a typical post 1960 NZ wife. There's a mildly amusing sub-plot regarding an immigration scam run by Nina and Eddies's employer, with the characters involved verging on caricature. But the main theme is that youth will do what it's going to do (sex, mostly) for good or ill and the oldies might as well stand clear. A nicely made and well paced light piece from the producers of the rather more serious "Once Were Warriors."
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