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In 'Gegen die Wand' Cahit, a 40-something male from Mersin in Turkey has removed everything Turkish from his life. He has become an alcoholic drug addict and at the start of the movie wants... See full summary »
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
When a woman dying of cancer in turn-of-the century Sweden is visited by her two sisters, long repressed feelings between the siblings rise to the surface.
Director:
Ingmar Bergman
Stars:
Harriet Andersson,
Kari Sylwan,
Ingrid Thulin
Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.
19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a... See full summary »
Director:
Krzysztof Kieslowski
Stars:
Grazyna Szapolowska,
Olaf Lubaszenko,
Stefania Iwinska
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.
Director:
Todd Field
Stars:
Kate Winslet,
Jennifer Connelly,
Patrick Wilson
A young man and woman meet on a train in Europe, and wind up spending one romantic evening together in Vienna. Unfortunately, both know that this will probably be their only night together.
Drama set in a repressed, deeply religious community in the north of Scotland, where a naive young woman named Bess McNeil meets and falls in love with Danish oil-rig worker Jan. Bess and Jan are deeply in love but, when Jan returns to his rig, Bess prays to God that he returns for good. Jan does return, his neck broken in an accident aboard the rig. Because of his condition, Jan and Bess are now unable to enjoy a sexual relationship and Jan urges Bess to take another lover and tell him the details. As Bess becomes more and more deviant in her sexual behavior, the more she comes to believe that her actions are guided by God and are helping Jan recover. Written by
Jonathan Broxton <j.w.broxton@sheffield.ac.uk>
(at around 7 mins) When Bess is in bed with her sister-in-law, the blanket is on, then off, Bess' shoulder. See more »
Quotes
The Minister:
I would say to you that if there is one of these commandments you do not love and do not obey, you have no business at the Lord's table.
See more »
"Dogville" is one of my all-time favourite films, and the most disturbing film I've ever seen. I've wanted to see "Breaking the Waves" in quite a while, and recently I finally had the chance. Now I can't say which one is better. What a heartbreaking experience. Emily Watson had one of the best film debuts ever, and this is probably the most accomplished female performance I've seen since Julianne Moore in "The Hours". Actually, if I had to list 3 favourite female performances now, I'd mention Watson, Moore and Isabelle Huppert in "The Piano Teacher". Lars von Trier has a special talent to direct women: just remember Nicole Kidman's and Björk's remarkable performances in "Dogville" and "Dancer in the Dark", respectively.
"Breaking the Waves" tells the story of the pure Bess McNeill (Watson) and her unconditional love for Jan Nyman (Stellan Skarsgård), who is paralyzed after an accident at the oil-rig he works in. Then, Jan convinces Bess to have sex with other men and tell him the details of the sexual encounters, so he won't "forget" how to do it. Bess is determined to make Jan happy and to prove to God that she loves him, but she soon loses control of her actions. The storyline might sound absurd, but Von Trier isn't a joker and he takes us into a devastating journey. Katrin Cartlidge (1961-2002), an extremely gifted actress ("Naked", "Before the Rain", "Claire Dolan", "Career Girls", "Topsy-Turvy" and "No Man's Land") who died too young, delivers a captivating, discreet supporting performance as Dodo, Bess' loving sister-in-law.
I'd say "Breaking the Waves" and "Dogville" are opposite masterpieces: "Waves" being about love and goodness, "Dogville" being about hatred and evil, among other things, of course (nothing's easy or simple in Von Trier's universe). Both films are extremely dark and hard to watch, but "Waves" shows that Von Trier has faith in mankind. His detractors like to label him as a cynical atheist, but "Breaking the Waves" definitely proved me the opposite. Von Trier made a poignant epic about the struggle of an innocent, good-hearted woman who wants to do what God wants her to do (or, at least, what she thinks He wants her to do) and make her husband happy - even if she has to sacrifice herself for that. It's a leap of faith both for Bess and the watcher, who's got to decide if he's ready for such an experience. I wasn't disappointed at all. 10 out of 10.
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"Dogville" is one of my all-time favourite films, and the most disturbing film I've ever seen. I've wanted to see "Breaking the Waves" in quite a while, and recently I finally had the chance. Now I can't say which one is better. What a heartbreaking experience. Emily Watson had one of the best film debuts ever, and this is probably the most accomplished female performance I've seen since Julianne Moore in "The Hours". Actually, if I had to list 3 favourite female performances now, I'd mention Watson, Moore and Isabelle Huppert in "The Piano Teacher". Lars von Trier has a special talent to direct women: just remember Nicole Kidman's and Björk's remarkable performances in "Dogville" and "Dancer in the Dark", respectively.
"Breaking the Waves" tells the story of the pure Bess McNeill (Watson) and her unconditional love for Jan Nyman (Stellan Skarsgård), who is paralyzed after an accident at the oil-rig he works in. Then, Jan convinces Bess to have sex with other men and tell him the details of the sexual encounters, so he won't "forget" how to do it. Bess is determined to make Jan happy and to prove to God that she loves him, but she soon loses control of her actions. The storyline might sound absurd, but Von Trier isn't a joker and he takes us into a devastating journey. Katrin Cartlidge (1961-2002), an extremely gifted actress ("Naked", "Before the Rain", "Claire Dolan", "Career Girls", "Topsy-Turvy" and "No Man's Land") who died too young, delivers a captivating, discreet supporting performance as Dodo, Bess' loving sister-in-law.
I'd say "Breaking the Waves" and "Dogville" are opposite masterpieces: "Waves" being about love and goodness, "Dogville" being about hatred and evil, among other things, of course (nothing's easy or simple in Von Trier's universe). Both films are extremely dark and hard to watch, but "Waves" shows that Von Trier has faith in mankind. His detractors like to label him as a cynical atheist, but "Breaking the Waves" definitely proved me the opposite. Von Trier made a poignant epic about the struggle of an innocent, good-hearted woman who wants to do what God wants her to do (or, at least, what she thinks He wants her to do) and make her husband happy - even if she has to sacrifice herself for that. It's a leap of faith both for Bess and the watcher, who's got to decide if he's ready for such an experience. I wasn't disappointed at all. 10 out of 10.