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38 out of 39 people found the following review useful:
Matters of music and of people, 3 August 1999
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Author:
Kyle Milligan (toldyaso@planeteer.com) from Toronto, Canada
You don't have to be a fan of brass bands to enjoy "Brassed Off", but it
couldn't hurt. The music is a central focus of the film, but not as a
compromise to the story of a town in turmoil. Coal mines being shut down
in
the name of progress puts many men out of work which naturally also
jeopardizes the existence of the colliery band. The music combined with
brilliant storytelling (and editing) is merely a platform for some superb
acting, particularly from Pete Postlethwaite.
Having lived all my life in a large metropolitan city, I cannot relate
first
hand to the plight of a small town community. Despite that, I found the
story intriguing even though it may seem the outcome is somewhat
predictable.
Having just purchased the DVD, I found the brief write-up on the box to be
way off the mark. It touts this film as some kind of romantic and
hilarious
comedy, never once even grazing past the real subject matter of the film.
This is another perfect example of the continued miscalculated promotion
of
a truly well crafted film that "Muriel's Wedding" also fell victim to. I'm
not sure what the promoters were thinking, but if you set someone up for a
hilarious romantic comedy and what they receive is a thoughtful serious
and
sometimes depressing film, are they going to be happy just the same? There
are graciously some light moments and humourous turns in this otherwise
sombre subject matter, but this film doesn't have a happy ending. But it
sure does have a moving one. Postlethwaite's performance hits you in an
unexpected way and you'd have to have a heart of stone to not be moved by
it.
Any success that the film enjoys now that's it's strictly on video, is
likely to come from very strong word of mouth. I had been told how good it
was and enjoyed it immensely. Now that I've seen it twice, and thus been
twice moved, I wait for a reasonable time to pass so that I may watch and
enjoy it again as I am bound to do.
35 out of 37 people found the following review useful:
Very moving and beautiful, 15 April 2003
Author:
grendelkhan from Xanadu
I was lucky enough to catch this movie in the theater and still
luckier
to come across it again on video. How anyone can call it a comedy is
beyond
me. Yes there are some laughs, but there are far more tears; some of
pain,
some of joy. This is a drama with a sense of humor. You have to keep a
sense of humor to survive when life kicks you in the gut.
I've read some reviews condemning the politics of this film. Well, I
applaud the political message. I grew up near an industrial town; one
centered on the auto industry, heavy machinery, and agri-business. As I
got
older, I watched it disintegrate, through the 70's and 80's, as the grain
embargo, auto industry woes and recession bled the life out of the town.
It
has never recovered. Many of us felt that Reagan and Thatcher, and their
descendants, were monsters who sold their people out for a quick buck;
while
the parties that were supposed to represent the workers and middle class
joined in the takings. To us, this isn't an anti-Thatcher film; it's the
truth.
The performances of this film, particularly Pete Postlethwaite and
Stephen Tompkinson, as well as Ewan McGregor and Tara Fitzgerald are top
notch. There is a sweet and painful romance here; but it is the
community
of the miners, through the life of the band, that is the center here.
The
music is beautiful and will move you. The piece played as the pit
closure
is finalized stirs so many emotions. The rendition of "Danny Boy" brings
tears to your eyes. The review in our local alternative paper said the
surprise near the end would reduce even the hardest heart to tears, and
they
were right.
There is so much to see and love about this film, regardless of your
political beliefs. Music does matter, but the people who create it
matter,
too. Communities matter, love matters. This is what good filmmaking is
all
about. See this film. You'll laugh a bit, cry a lot, get angry, become
sad; but, you'll never be bored.
27 out of 31 people found the following review useful:
Utterly wonderful in every way, 1 March 2003
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Author:
loz-1 from Leicester, England
This is British Cinema at its very best and has been my favourite film of all time since I first saw it on the big screen. I cannot think of two more powerful performances committed to celluloid than those of Peter Postlethwaite and Stephen Tompkinson. There is so much emotion in "Brassed Off" that anyone who fails to be moved must have a heart of stone...if indeed they have a heart at all. People I know (or reviews I have read) that didn't like the film have criticised the intense political messages within it, but in my opinion these folk are missing the point entirely. It's true that there is a fierce undercurrent of anti right wing leaning running through the movie, but to portray the characters any other way would be factually inaccurate. Some may view Thatcher as a Saint, but characters like those in Brassed Off can only ever view her as an evil tyrant. Anyway I'm going off on a tangent now. My point is this: Brassed Off is a very humane picture that paints a picture of early eighties folk who have been robbed of their livelihood, yet still manages to be funny, charming, heartwarming, heartbreaking and uplifting at the same time. A truly wonderful film.
15 out of 16 people found the following review useful:
Wonderful film with few weaknesses., 23 March 1999
Author:
Matt-225 from Sydney, Australia
A superb film. A film which did not seek to glamourise the effect of long
term unemployment and the break up of communities. And a film which WAS
based very closely on a true story. The band members you see actually
playing the music? That's the Grimethorpe Colliery Band, winners of the
national Battle of the Bands competition in the year that the colliery
closed down. And they did turn professional too!
Films like Brassed Off, which seek to present a view of a sensitive issue,
are often derided for not offering a solution which can be written on the
back of a cereal box. Personally, I take that as a recommendation!
The point of the film is this: put people in situations that most of us
will
happily never face, and they react in extreme fashions. There was little
or
no 'political' argument, other than the fact that the Conservative
Government of the time did destroy an entire industry. That same
government
them spent millions of pounds a year buying coal from Europe and South
America. Angry? I would be.
I saw characters portrayed in their entirety, which meant 'scabs' and
'sellouts' rubbed shoulders with the committed and poor. I saw
unflattering
portraits of basically decent people, prepared to risk friendships and
relationships to keep alive an industry which was killing them but without
which they could not live. It was a desperate time, and the fact that
families have been split since the 1984 strike shows just how deep
feelings
can run on this issue.
And I saw no skipping over the holes in the logic either. No mention of
the
4-1 vote in favour of closing the mine? Half of the chuffing film was
about
that! What about the fate of Gloria's report? What about Phil, a striker
from 1984, voting for closure? Did no-one notice that he was one of the
major characters?
I do think that there were some problems with the structure of the film
(although it was dramatically more satisfying than the Full Monty). Gloria
was unconvincing; the wives were underused, and the speech at the end,
yes,
I found it embarrassing too!
But please, before you attack the veracity of such a rounded and honest
film
as Brassed Off, take the time and trouble to watch it properly
first!
13 out of 15 people found the following review useful:
Wonderfully warm and human film, 13 January 2004
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Author:
rps-2 from Bracebridge Ont
This film has everything: Humour. Poignancy. A message. Human characters. Warmth. A great cast and good story. Interesting locales. Creative techniques. (Watch for the clown scenes and especially the one in the playground.) "Brassed Off" was (and is) a powerful editorial indictment of the Thatcher government of the time. Yet it does not preach other than in the opening and closing credits which are pithy and innovative. Anytime you see something with the Channel Four label on it, you know it will be interesting, provocative and a little different. They outdid themselves on this.
11 out of 12 people found the following review useful:
Almost perfect, 19 May 2002
Author:
moosic from England
I have seen Brassed Off many times, I do in fact own it, and every time
I watch it it never fails to move me. There are certain moments that
stick out to me as either breath taking or harrowing.
1) That famous 'Concierto d'Aranguez' scene. The first time I saw this
scene it took my breath away, literally. When used well music can move
you in a way words can't. The juxtaposing of this piece of music
against the union's meeting is one of them. I haven't been this moved
by a piece of music with actions since then apart from the Roxan
sequence in Moulin Rouge.
2) The scene where Phil loses it when playing Mr Chuckles I actually
can't sit through. I have to fast forward because the emotion the
Stephen Tompkinson manages to portray is so strong it's painful to
watch.
Through all of this though I think my favorite scene, the
aforementioned 1) excluded, is when they compete in all 14 tournaments
and get completely rat arsed. The sight of these brilliant musicians
trying to continue playing when they can't see straight, stop laughing,
or keep their instruments in one piece is one of the most honest,
amusing and humble moments in a film in recent years. there is no
flashy camera work, no deeper meaning, just something that says exactly
who these people are. Ordinary human beings, not super-heros, and just
trying to live life whilst having fun in difficult circumstances. And
you really can't play wind instruments drunk, I've tried.
The film is not perfect. It is a bit preachy, especially the end. And
McGregor's accent, although he plays the part beautifully, does slip at
time, especially in his longer speeches. But the humanity of the film
and it's charm out way all of it's faults.
12 out of 14 people found the following review useful:
the miners' political kick to the establishment, 25 April 2004
Author:
didi-5 from United Kingdom
'Brassed Off' came at just the right time for British politics, just as the
death knell for the Conservative Party as the main political force sounded;
the story fictionalises the troubles of the real-life Grimethorpe Colliery
Band (who you hear playing the great brass band tunes throughout).
There are pit closures all over Yorkshire, and 'Grimley' Band has one last
chance to triumph in the various band contests to end up playing at the
Royal Albert Hall. This being drama of course the path to victory isn't a
smooth one - there is bankruptcy, illness, broken marriages, and a clash
with the new executive power (represented by Tara Fitzgerald, also taking a
place in the band for her father). Romantic interest for Tara is present in
cute Ewan McGregor - an unusually quiet role for him.
Say what you like about the way this film portrays the North of England,
there is no denying the power of the final sequences as the triumph of
'William Tell' turns into Postlethwaite's power rant against the Government
and into the trip home's 'Land of Hope and Bloody Glory'. It really
couldn't have been done better.
6 out of 6 people found the following review useful:
Human and heartwarming, 28 March 2005
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Author:
antoniotierno from Italy
Director is Mark Herman but the movie themes remind Ken Loach and its stories about people losing jobs but keeping their dignity... Basically everything is inspired by events that really took place over Margaret Thatcher Government (when the film is set). Miners living in a Yorkshire small town (Grimley), when laid off, try to continue the activity of their band, though sadness due to economic repression is a real threat to it. But Ewan McGregor and Pete Postlewait (who on earth might forget him after "In the name of the father"?) are really powerful, two thumbs up. Altogether I really appreciated the way this film tells of fight for self-respect and courage.
10 out of 14 people found the following review useful:
How can people watch this & miss the point entirely?, 26 November 2006
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Author:
queen_of_anarchy from 'Nulla Beach Sydney Australia
Why did I say that? Because most of the negative comments come from
right wing liberal haters who have entirely missed the meaning behind
the film. I even read one which announced "keep politics out of my
entertainment"!!!
Sorry, but the story is based around real events & the politics of the
miners & the times are an integral part of that story. One poster (from
Scotland who should have known better) stated :
"I think the problem I have is this film really plays up to the clichéd
northern stereotypes it's almost offensive , the male characters all
work down the pit , play in a brass band etc that it's impossible to
believe in them as real human beings."
It was a colliery band - of course all the male band members worked
down the pit - that was the crux of the story. And why does working
down a pit & playing in a brass band diminish you as a real human
being?
According to a poster from Yorkshire, who lived through the pit
closures, it was VERY true to the times. Mr Scotland is being a bit
elitist I think. I'm an Australian who cringes (&, if comedy, laughs)
at the depiction of the stereotypical Aussie (think "Kath & Kim" if you
get it over there) but that's only because I'm not one. However, the
country's filled with them!!
It was a magnificent & moving film which captured the essence of the
Thatcher years of destruction. If your not familiar with the period
then do yourself a favour & read a bit about the history behind the pit
closures etc before you watch this film - you'll enjoy it a whole lot
more.
For you fellow Greenies out there, yes, I agree coal mining must cease
but you don't go and pull the safety net away from a community without
having something else to take its place. BTW. the closures didn't lower
the use of fossil fuels anyway - the UK just started to import coal
instead.
11 out of 18 people found the following review useful:
underground musical offering, 7 March 1999
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Author:
Philby-3 from Sydney, Australia
"The best thing about being working class is getting out of it" said a
notable Australian Labor politician (Neville Wran, premier of NSW
1976-1986). The coal miners in "Brassed Off" thought so too, but found
redundancy not what it was cracked up to be. At the start, pits are
closing all over Britain, but the Grimley colliery in South Yorkshire
is still open and making a profit. After a hard day's dirty work down
the mine there's nought like a session with the band to blow out the
dust. Let by total obsessive bandleader Danny (Peter Postlewaithe) the
boys play a surprising range - Rodrigo's "Aranjuez" (we call it "orange
juice" says Danny), Rossini's "William Tell" overture and lots of Elgar
and other English sentimental favourites - "Jerusalem," "Danny Boy,"
"Colonel Bogey" and "All Things Bright and Beautiful."
Though possible closure is on the horizon, things are fairly cozy until
pretty young Gloria (Tara Fitzgerald) walks in with a vintage obbligato
cornet and asks to join. She's a woman (shock, horror!) but
granddaughter of a former member and after a demonstration of her
musical prowess is allowed in. Brooding young Andy (Ewan McGregor,
unforgettable in "Trainspotting") has kissed the young lady years
previously and falls for her again.
The band have their problems, especially Phil (Stephen Tompkinson) son
of Danny the leader. Phil has an unfortunate gambling habit that keeps
him broke and his family on the financial edge. In the background the
future of the mine is becoming bleaker.
In the meantime Danny, who is developing a very bad cough, decides the
band can make the national championships at the Albert Hall, and
despite bailiffs, mendacious mine management, feral hospital matrons
and British weather they get there.
This film in many ways is an update of the fine, well crafted "Ealing"
comedy of the 1950s, celebrating the triumph of ordinary people over
adverse circumstances, officialdom and middle class pretentiousness,
through their own determination and talent. For the 90s the comedy has
a harder edge and the political element more overt. At the end we are
reminded of the hundreds of pits closed and 250,000 jobs lost in
Britain between 1984 (the year of the great miners' strike) and 1994.
But surely the filmmakers are not arguing the miners should still be
down below. Global warming alone means coal has had its day. The real
crime was the failure to invest in alternative employment and to allow
the destruction of the communities which had grown up around the mines.
The British State, which owned the mines for 40 years after World War
Two, proved a harsher master than the old private owners, especially
when the Bad Baroness herself, Margaret Thatcher, decided to sell.
On the strength of their performance here, the (mythical) Grimley band
could easily turn professional, like the similarly displaced workers in
"The Full Monty." Unlike "The Full Monty" the "Brassed Off" crowd don't
step outside their mind-set - they are still chained to their working
class attitudes and the future looks like happening without them. They
escape from the working class to the underclass, clutching a year's
salary most of them will soon be parted from. The traditional happy
ending of the Ealing comedy is here only symbolic. Still, the miners'
spirit shines through and you can't help admiring their grit. And the
music's nice.
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