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The pathetically shy LV lives the life of a recluse listening to her late father's old records in her room and in the process driving her abusive, loud-mouthed mother, Mari Hoff, to ... See full summary »
Director:
Mark Herman
Stars:
Brenda Blethyn,
Jane Horrocks,
Ewan McGregor
Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does he know Sarah's traveling to the same resort as her ex ... and she's bringing along her new boyfriend.
High school student Nick O'Leary, member of the Queercore band The Jerk Offs, meets college-bound Norah Silverberg when she asks him to be her boyfriend for five minutes.
Lewis is a young Sydney amateur theater director at his first experience: he is offered a job with a Governmental program for the rehabilitation of mentally ill patients in a Sydney ... See full summary »
Based on Nick Hornby's best-selling novel, About A Boy is the story of a cynical, immature young man who is taught how to act like a grown-up by a little boy
In existence for a hundred years, Grimley Colliery Brass band is as old as the mine. But the miners are now deciding whether to fight to keep the pit open, and the future for town and band looks bleak. Although the arrival of flugelhorn player Gloria injects some life into the players, and bandleader Danny continues to exhort them to continue in the national competition, frictions and pressures are all too evident. And who's side is Gloria actually on? Written by
Jeremy Perkins {J-26}
A portion of Pete Postlethwaite's speech at the end of the film was sampled by the British group, Chumbawamba, for the beginning of their 1997 hit "Tubthumping." See more »
Quotes
Mother 2:
This isn't your main job, is it?
Phil:
I'm a miner.
Mother 2:
[incredulously]
A miner?
Phil:
You remember them, love? Dinosaurs, dodos, miners.
See more »
Crazy Credits
The beginning of the closing credits is headed by the silouhette of a trumpet. See more »
"En Aranjuez con tu amor"
Based on the theme from the second movement of "Concierto de Aranjuez"
Written by Joaquín Rodrigo
Solo flugel - Paul Hughes
Published by Ediciones Joaquin Rodrigo, Madrid See more »
A superb film. A film which did not seek to glamourise the effect of long term unemployment and the break up of communities. And a film which WAS based very closely on a true story. The band members you see actually playing the music? That's the Grimethorpe Colliery Band, winners of the national Battle of the Bands competition in the year that the colliery closed down. And they did turn professional too!
Films like Brassed Off, which seek to present a view of a sensitive issue, are often derided for not offering a solution which can be written on the back of a cereal box. Personally, I take that as a recommendation!
The point of the film is this: put people in situations that most of us will happily never face, and they react in extreme fashions. There was little or no 'political' argument, other than the fact that the Conservative Government of the time did destroy an entire industry. That same government them spent millions of pounds a year buying coal from Europe and South America. Angry? I would be.
I saw characters portrayed in their entirety, which meant 'scabs' and 'sellouts' rubbed shoulders with the committed and poor. I saw unflattering portraits of basically decent people, prepared to risk friendships and relationships to keep alive an industry which was killing them but without which they could not live. It was a desperate time, and the fact that families have been split since the 1984 strike shows just how deep feelings can run on this issue.
And I saw no skipping over the holes in the logic either. No mention of the 4-1 vote in favour of closing the mine? Half of the chuffing film was about that! What about the fate of Gloria's report? What about Phil, a striker from 1984, voting for closure? Did no-one notice that he was one of the major characters?
I do think that there were some problems with the structure of the film (although it was dramatically more satisfying than the Full Monty). Gloria was unconvincing; the wives were underused, and the speech at the end, yes, I found it embarrassing too!
But please, before you attack the veracity of such a rounded and honest film as Brassed Off, take the time and trouble to watch it properly first!
17 of 18 people found this review helpful.
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A superb film. A film which did not seek to glamourise the effect of long term unemployment and the break up of communities. And a film which WAS based very closely on a true story. The band members you see actually playing the music? That's the Grimethorpe Colliery Band, winners of the national Battle of the Bands competition in the year that the colliery closed down. And they did turn professional too!
Films like Brassed Off, which seek to present a view of a sensitive issue, are often derided for not offering a solution which can be written on the back of a cereal box. Personally, I take that as a recommendation!
The point of the film is this: put people in situations that most of us will happily never face, and they react in extreme fashions. There was little or no 'political' argument, other than the fact that the Conservative Government of the time did destroy an entire industry. That same government them spent millions of pounds a year buying coal from Europe and South America. Angry? I would be.
I saw characters portrayed in their entirety, which meant 'scabs' and 'sellouts' rubbed shoulders with the committed and poor. I saw unflattering portraits of basically decent people, prepared to risk friendships and relationships to keep alive an industry which was killing them but without which they could not live. It was a desperate time, and the fact that families have been split since the 1984 strike shows just how deep feelings can run on this issue.
And I saw no skipping over the holes in the logic either. No mention of the 4-1 vote in favour of closing the mine? Half of the chuffing film was about that! What about the fate of Gloria's report? What about Phil, a striker from 1984, voting for closure? Did no-one notice that he was one of the major characters?
I do think that there were some problems with the structure of the film (although it was dramatically more satisfying than the Full Monty). Gloria was unconvincing; the wives were underused, and the speech at the end, yes, I found it embarrassing too!
But please, before you attack the veracity of such a rounded and honest film as Brassed Off, take the time and trouble to watch it properly first!