| Photos (See all 36 | slideshow) | Videos |
| Jennifer Tilly | ... | Violet | |
| Gina Gershon | ... | Corky | |
| Joe Pantoliano | ... | Caesar | |
| John P. Ryan | ... | Micky Malnato (as John Ryan) | |
| Christopher Meloni | ... | Johnnie Marzzone | |
| Richard C. Sarafian | ... | Gino Marzzone | |
| Mary Mara | ... | Sue, Bartender | |
| Susie Bright | ... | Jesse | |
| Margaret Smith | ... | Woman Cop | |
| Barry Kivel | ... | Shelly | |
| Peter Spellos | ... | Lou | |
| Ivan Kane | ... | Cop #1 | |
| Kevin Michael Richardson | ... | Cop #2 (as Kevin M. Richardson) | |
| Gene Borkan | ... | Roy |
Directed by | |||
| Andy Wachowski | (as The Wachowski Brothers) | ||
| Lana Wachowski | (as The Wachowski Brothers) | ||
Writing credits(WGA) | ||
| Andy Wachowski | (written by) (as The Wachowski Brothers) & | |
| Lana Wachowski | (written by) (as The Wachowski Brothers) | |
Produced by | |||
| Stuart Boros | .... | producer | |
| Andrew Lazar | .... | producer | |
| Jeffrey Sudzin | .... | co-producer | |
| Andy Wachowski | .... | executive producer | |
| Lana Wachowski | .... | executive producer (as Larry Wachowski) | |
Original Music by | |||
| Don Davis | |||
Cinematography by | |||
| Bill Pope | |||
Film Editing by | |||
| Zach Staenberg | |||
Casting by | |||
| Nancy Foy | |||
Production Design by | |||
| Eve Cauley | |||
Art Direction by | |||
| Andrea Dopaso | |||
| Robert C. Goldstein | |||
Set Decoration by | |||
| Kristen Toscano Messina | |||
Costume Design by | |||
| Lizzy Gardiner | |||
Makeup Department | |||
| David P. Barton | .... | prosthetic makeup artist | |
| Andre Blaise | .... | hair stylist | |
| Eloisa De Laurentiis | .... | assistant hair stylist (assistant makeup artist) | |
| Roland Eggler | .... | wig maker | |
| David Fields | .... | additional assistant hair stylist | |
| Suzanne Rodier | .... | key makeup artist | |
| Richard Rodier | .... | makeup artist (uncredited) | |
Production Management | |||
| Teresa Kelly | .... | post-production supervisor | |
| Pearl A. Lucero | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Wayne Gee | .... | second second assistant director | |
| Rip Murray | .... | first assistant director | |
| Toni Whiteman | .... | second assistant director | |
Special Effects by | |||
| Diane Carlucci | .... | special effects administrator | |
| John C. Carlucci | .... | special effects foreman | |
| Lou Carlucci | .... | special effects supervisor | |
| Jay Neyens | .... | special effects technician | |
| Robert Calvert | .... | special effects (uncredited) | |
| Ken Tarallo | .... | special effects crew (uncredited) | |
Stunts | |||
| Cliff Cudney | .... | stunt coordinator | |
| Tony Jefferson | .... | stunts | |
Casting Department | |||
| Suzy Sharp-Kane | .... | casting associate | |
| Rich King | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Nancy Malone | .... | key costumer (as Nancy Rhodes) | |
Editorial Department | |||
| Sharmila Ariathurai | .... | apprentice editor | |
| Tony Bacigalupi | .... | second assistant editor | |
| Dan Gutman | .... | first assistant editor | |
| Lisa Romaniw | .... | second assistant editor (as Lisa Mozden) | |
| Mike Stanwick | .... | color timer | |
| Rick Greenhead | .... | colorist (uncredited) | |
Music Department | |||
| Stan Jones | .... | music editor | |
| Armin Steiner | .... | score mixer | |
| David Sherr | .... | orchestra contractor (uncredited) | |
Transportation Department | |||
| Michael Foxworth | .... | driver | |
| Steve Lewis | .... | driver (as Stephen M. Lewis) | |
| Sean J. Moore | .... | driver | |
| J.D. Orlebeck | .... | transportation coordinator | |
| David Severin | .... | transportation captain | |
| Gary D. Stalker | .... | driver | |
| Greg Tacker | .... | driver | |
| Paul Tumber | .... | driver | |
| James Wakeman | .... | transportation co-captain | |
Other crew | |||
| Paul Belenardo | .... | production accountant | |
| Bo Berry | .... | craft service | |
| Timothy Blackton | .... | production assistant | |
| Susie Bright | .... | technical advisor | |
| Scott Browning | .... | assistant: Mr. Browning | |
| Dana Sue Collins | .... | stand-in: Violet | |
| Robert Duban | .... | assistant production accountant | |
| Juliana Duet | .... | production assistant | |
| Joe Gallo | .... | ceasar's stand-in | |
| Jody Hedien | .... | assistant: Mr. Lazar | |
| Gretchen Hyman | .... | production assistant | |
| Phil Oosterhouse | .... | assistant to wachowski's | |
| Patti Podesta | .... | title designer | |
| Jefferson Root | .... | set production assistant | |
| Cheryl Starbuck | .... | script supervisor | |
| Cid Swank | .... | unit publicist | |
| Jack R. Tate | .... | location manager | |
| J. Wachowski | .... | assistant production coordinator | |
| Amy Zasadny | .... | corky's stand-in | |
| Joy Zimmerman | .... | intern | |
| Andrew R. Gardiner | .... | additional location scout (uncredited) | |
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| The Departed | Sex and Fury | Ichi the Killer | The Professional: Golgo 13 | Scarface |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
I watched this because I'm a big fan of the Wachowskies, and after watching their first movie(Assassins, which they only wrote) I hoped to see another masterpiece from the makers of The Matrix that had nothing to do with it. It's no wonder the producers let them direct aforementioned sci-fi/action masterpiece after they did this. For such a little amount of money, they really made the most of it. Few characters, sets and occasionally limited camera-work is easy to look past(hard to notice, in fact). The movie is breathtaking. For the entirety of the last half I was literally at the edge of my seat, extremely excited and couldn't wait to find out what happened next. The first half is mostly a setup for the last half, but it isn't boring, and is well worth watching, as it makes the second half near-perfect in suspense. The lesbian subplot might throw some people off, and will definitely offend some people, but if you're aren't one of them, then you most likely will enjoy it, if you're into thrillers. The plot is very well-written, and with twists and turns thrown in every so often, it keeps you watching closely. The acting is mostly good, especially from the three leads. The characters are great... diverse, interesting and credible. The cinematography contains several of the same things later made famous in The Matrix... anyone who's seen both movies can tell that it's the same people behind the cameras. The action is really well-done. The story-telling is just slightly experimental... reminiscent of various heist flicks. This also contains some quite stylish visuals, though not as many as the brothers' later works. All in all, just works really well and keeps you entertained throughout. I recommend this to any fan of the Wachowski brothers, thrillers and/or the actors in it. 8/10