Two attractive young lesbians, Maggie and Kim, meet in Vancouver, develop a passionate romance, and move in together. Meanwhile, Maggie's well-meaning but naive mother Lila gets divorced ... See full summary »
Bound is a fast-paced, sexually-charged, psychological thriller set amongst the popular cityscapes and landmarks of Dallas, TX. This character driven story follows a culturally-diverse cast... See full summary »
Robert Rath is a seasoned hitman who just wants out of the business with no back talk. But, as things go, it ain't so easy. A younger, peppier assassin named Bain is having a field day ... See full summary »
An uptight and conservative woman, working on tenure as a literacy professor at a large urban university, finds herself strangely attracted to a free-spirited, liberal woman who works at a local carnival that comes to town.
Corky, a lesbian ex con hired to work in an apartment as a plumber, meets neighbors Caesar, who launders money for the Mafia, and his girlfriend Violet. The two women have a love affair and decide to steal $2,000,000 that Caesar has in custody before he gives them back to Mafia boss Gino Marzone. Caesar is set up by the two scheming women as a scapegoat but things start to go wrong when he reacts in an unexpected way... Written by
Giancarlo Cairella <firstname.lastname@example.org>
The film was financed with the understanding that Jennifer Tilly was to play the role of Corky. The actress playing Violet dropped out of the project shortly before shooting began, however. At this point Gina Gershon became available to do the film. At first she was to play Violet; but since she was better suited to Corky, she and Tilly switched roles. See more »
When Gino talks to Caesar and Johnny, he asks if they 'cameesh,' that is, if they understand. The correct expression is 'capisce' or 'capeesh' for the verb form 'capisci' from the Neopolitan dialect of Italian. See more »
I can fuck someone I just met. But to steal I have to know someone like I know myself.
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I can only hope the Wachowski brothers next foray into writing and directing, THE MATRIX, fulfills the promise they show here. This is a well-done example of film noir, one of my favorite genres, with a twist; it's got a lesbian romance at the center. Yet the film is smart enough not to depend on the novelty of it being a "lesbian" film, but takes time to develop both the story and the romance, so we're caught up. I also liked how Violet (the Jennifer Tilly) character turned out; she at first seemed like a pushover but turned out to be the strongest character in the movie.
If I had a quibble, it's that Corky (Gina Gershon, who is very good), is inactive for a crucial, and lengthy, part of the film, which slows things down a little. Also, the way we first see Corky in the film sort of promises a twist that the story doesn't deliver. Still, this is a gripping film, to be sought out by fans of this genre. Oh yeah, and Joe Pantoliano was quite good too.
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