Corky, a tough female ex con and her lover Violet concoct a scheme to steal millions of stashed mob money and pin the blame on Violet's crooked boyfriend Caeser.
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A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in LA. He must find a way to save both himself and one last victim.
Guilt-stricken after a job gone wrong, hitman Ray and his partner await orders from their ruthless boss in Bruges, Belgium, the last place in the world Ray wants to be.
Director:
Martin McDonagh
Stars:
Elizabeth Berrington,
Colin Farrell,
Brendan Gleeson
A Puerto-Rican ex-con, just released from prison, pledges to stay away from drugs and violence despite the pressure around him and lead on to a better life outside of NYC.
Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.
Director:
Joel Coen
Stars:
William H. Macy,
Steve Buscemi,
Peter Stormare
Corky, a lesbian ex con hired to work in an apartment as a plumber, meets neighbors Caesar, who launders money for the Mafia, and his girlfriend Violet. The two women have a love affair and decide to steal $2,000,000 that Caesar has in custody before he gives them back to Mafia boss Gino Marzone. Caesar is set up by the two scheming women as a scapegoat but things start to go wrong when he reacts in an unexpected way... Written by
Giancarlo Cairella <vertigo@imdb.com>
When Caesar is yelling in the face of the dead body of Johnnie Caesar, he puts his hand in Johnnie's face. When he does this the dead body clearly blinks. See more »
Quotes
Corky:
To steal, I need to know someone like I know myself.
Violet:
You think you know me like that?
See more »
I can only hope the Wachowski brothers next foray into writing and directing, THE MATRIX, fulfills the promise they show here. This is a well-done example of film noir, one of my favorite genres, with a twist; it's got a lesbian romance at the center. Yet the film is smart enough not to depend on the novelty of it being a "lesbian" film, but takes time to develop both the story and the romance, so we're caught up. I also liked how Violet (the Jennifer Tilly) character turned out; she at first seemed like a pushover but turned out to be the strongest character in the movie.
If I had a quibble, it's that Corky (Gina Gershon, who is very good), is inactive for a crucial, and lengthy, part of the film, which slows things down a little. Also, the way we first see Corky in the film sort of promises a twist that the story doesn't deliver. Still, this is a gripping film, to be sought out by fans of this genre. Oh yeah, and Joe Pantoliano was quite good too.
8 of 9 people found this review helpful.
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I can only hope the Wachowski brothers next foray into writing and directing, THE MATRIX, fulfills the promise they show here. This is a well-done example of film noir, one of my favorite genres, with a twist; it's got a lesbian romance at the center. Yet the film is smart enough not to depend on the novelty of it being a "lesbian" film, but takes time to develop both the story and the romance, so we're caught up. I also liked how Violet (the Jennifer Tilly) character turned out; she at first seemed like a pushover but turned out to be the strongest character in the movie.
If I had a quibble, it's that Corky (Gina Gershon, who is very good), is inactive for a crucial, and lengthy, part of the film, which slows things down a little. Also, the way we first see Corky in the film sort of promises a twist that the story doesn't deliver. Still, this is a gripping film, to be sought out by fans of this genre. Oh yeah, and Joe Pantoliano was quite good too.