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Two attractive young lesbians, Maggie and Kim, meet in Vancouver, develop a passionate romance, and move in together. Meanwhile, Maggie's well-meaning but naive mother Lila gets divorced ... See full summary »
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A 2008 romance film adapted from a same name novel about a London-based Jordanian of Palestinian descent, Tala, who is preparing for an elaborate wedding. A turn of events causes her to ... See full summary »
A young female intern at a small magazine company becomes involved with a drug-addicted lesbian photographer, both of whom seek to exploit each other for their respective careers, while slowly falling in love with each other.
It is 1950s Nevada, and Professor Vivian Bell arrives to get a divorce. She's unsatisfied with her marriage, and feels out of place at the ranch she stays on, she finds herself increasingly... See full summary »
Corky, a lesbian ex con hired to work in an apartment as a plumber, meets neighbors Caesar, who launders money for the Mafia, and his girlfriend Violet. The two women have a love affair and decide to steal $2,000,000 that Caesar has in custody before he gives them back to Mafia boss Gino Marzone. Caesar is set up by the two scheming women as a scapegoat but things start to go wrong when he reacts in an unexpected way... Written by
Giancarlo Cairella <firstname.lastname@example.org>
The film was financed with the understanding that Jennifer Tilly was to play the role of Corky. The actress playing Violet dropped out of the project shortly before shooting began, however. At this point Gina Gershon became available to do the film. At first she was to play Violet; but since she was better suited to Corky, she and Tilly switched roles. See more »
When Corky drinks coffee there is one tattooed triangle on her right hand. When she is opening the case there is two. When she dumps the money in the paint there is one again. See more »
[Caesar is aiming his gun at Corky, who is tied up - 'bound' as the title has it]
God. I should have seen this coming the minute I met you. Everybody knows your kind can't be trusted. Fucking queers make me sick. But you made a fatal mistake. You tried fucking the wrong guy. And I swear to you that I'm going to kill you for it. Where's my money?
Don't tell him.
Shut up, Violet!
He can't kill you.
[He aims the gun at Violet]
Not until he has the money.
[...] See more »
Bound is a film for which I have mixed feelings: it looks and feels amazing, the cinematography, acting, directing, costumes, wardrobe, props, colors, moods, etc. feel like a graphic novel brought to life. Yet on the other hand there is something that smacks of "aren't we cool for doing x?" - I guess the lesbian scenes and camera work were what did this so as to give it a punk/hip feel (then again, this is not long after Pulp Fiction came out so everyone was doing it).
Having seen the Matrix 1-3 I can understand and appreciate the camera work on second viewing, but it feels like the Wachowski brothers were pushing the lesbian eroticism for the sake of shock and males in the audience. It definitely seems to be directed by males insofar as the sex scenes go (the female body is both fetishist and problematized as a threat to men throughout the film too, but that's a different subject altogether), but these are more artsy than "Skinemax" night flicks in that there is very little nudity, it was tastefully shown for the most part and a lot was told with sounds and shadows. (Personally, I think the lesbians were there for shock since a male lover would have worked just as well, but in general I think some more subtlety could have been used in the sex scenes myself since imagining it is sexier IMHO).
That said, the first half, which establishes character, does seem to drag quite a bit, but once the caper gets going it never stops. You also feel for all of the characters - surprisingly, I felt the most for Cesar, the "villain" of the piece (perhaps because of an amazing shot when he opens the briefcase and then the world seems out of whack as we look up at him).
I can't really find anything "wrong" with this film per se and it is a good film although I could have easily fast forwarded the first half and got roughly the same effect. Still I could watch this film over and over again for the way it was shot since it is amazing and there are a lot of techniques and style one can learn from it, plus the story is great too. So for this I give the film
8 out of 10 stars. Definitely worth a watch, although some of you more conservative folks might be a little put off by the lesbian scenes.
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