A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Corky, a lesbian ex con hired to work in an apartment as a plumber, meets neighbors Caesar, who launders money for the Mafia, and his girlfriend Violet. The two women have a love affair and decide to steal $2,000,000 that Caesar has in custody before he gives them back to Mafia boss Gino Marzone. Caesar is set up by the two scheming women as a scapegoat but things start to go wrong when he reacts in an unexpected way... Written by
Giancarlo Cairella <email@example.com>
The film was financed with the understanding that Jennifer Tilly was to play the role of Corky. The actress playing Violet dropped out of the project shortly before shooting began, however. At this point Gina Gershon became available to do the film. At first she was to play Violet; but since she was better suited to Corky, she and Tilly switched roles. See more »
In the standard format home version, when Cesar first comes home and meets Corky, you can see Corky's "mark" on the floor. Even in the widescreen format, you can see her look down at it before she stands at her place for the scene. See more »
You don't wanna shoot me, Vi. Do ya. Do ya? I know you don't.
Caesar, you don't know shit.
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Corky (Gina Gershon), a lesbian ex-con hired to work in an apartment as a plumber, meets new neighbors Caesar (Joe Pantoliano), who launders money for the Mafia, and his girlfriend Violet (Jennifer Tilly). The two women have a love affair and decide to steal $2,000,000 that Caesar has in custody before he gives them back to Mafia boss Gino Marzone. Caesar is soon set up in such a way that he's fooled into whose even setting him up. Their plan is working for a while, but soon spirals into blood and disaster, as things start to go wrong and he acts in an unexpected violent way.
I am not a fan of The Matrix. Never have, never will be. But I was of the amazing visual effects it had to offer. And that's what drew me to seeing the Wachowski Brother's other movie, their directorial debut, Bound. Bound is different. Bound is bold. Bound is courageous. Bound is one of the best movies of the year. It's not your average movie. It doesn't care who it offends, or who it pleases. Its purpose is simple: to entertain the viewer, and this movie is `bound' by nothing to complete its purpose.
It starts with Corky locked in a closet, bruised and bloody, tied up. From there, we have a good idea of what has become of their plan. The film then shifts over to when the two women first meet, and then takes off from there when they plan the set-up. So for next two hours, get ready to root for the bad guy.
Acting was a major plus to Bound, as I tip my hat to Tilly and Gershon. Both female leads did well, but I just wasn't convinced that they were in love with each other as much as they and the script claimed them to be. This did bother me a little, but it doesn't detract from the fun that is to be had with this film. But the main catch of the film was Joe Pantoliano. This movie wouldn't have been the same if he weren't cast in this. His character is so dangerous and so disturbing that your eyes will become magnetic toward his every move, gesture, and dialogue. Clearly this film is not for everybody, but for those who can stand it, this is a rare treat. Definitely the most unique movie of the year, Bound receives the three and a half star rating.
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