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Bottle Rocket (1996)

R  |   |  Comedy, Crime, Drama  |  21 February 1996 (USA)
7.1
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Ratings: 7.1/10 from 48,344 users   Metascore: 65/100
Reviews: 180 user | 80 critic | 22 from Metacritic.com

Focusing on a trio of friends and their elaborate plan to pull off a simple robbery and go on the run.

Director:

Writers:

(as Owen C. Wilson) ,
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Title: Bottle Rocket (1996)

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Cast

Cast overview, first billed only:
...
...
Dignan (as Owen C. Wilson)
Ned Dowd ...
Dr. Nichols
Shea Fowler ...
...
Bernice
...
...
Future Man
Brian Tenenbaum ...
H. Clay Murchison
Jenni Tooley ...
Stacy Sinclair
Temple Nash ...
Temple
Dipak Pallana ...
Bookstore Employee
...
Bookstore Manager
Stephen Dignan ...
Rob
...
Julie Mayfield ...
Wife in Motelroom
Edit

Storyline

Upon his release from a mental hospital following a nervous breakdown, the directionless Anthony joins his friend Dignan, who seems far less sane than the former. Dignan has hatched a hare-brained scheme for an as-yet-unspecified crime spree that somehow involves his former boss, the (supposedly) legendary Mr. Henry. With the help of their pathetic neighbor and pal Bob, Anthony and Dignan pull a job and hit the road, where Anthony finds love with motel maid Inez. When our boys finally hook up with Mr. Henry, the ensuing escapade turns out to be far from what anyone expected. Written by Marty Cassady <martyc@bev.net>

Plot Summary | Add Synopsis

Plot Keywords:

texas | caper | motel | escapade | robbery | See All (22) »

Taglines:

They're not really criminals, but everybody's got to have a dream.

Genres:

Comedy | Crime | Drama

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

21 February 1996 (USA)  »

Also Known As:

(O)organiserad kriminalitet  »

Box Office

Budget:

$7,000,000 (estimated)

Gross:

$1,040,879 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

According to the The Royal Tenenbaums (2001) DVD's director's commentary, Wes Anderson wanted the final scene to be set to Bob Dylan's "Billy (Main Title Theme)" from Dylan's score to Pat Garrett & Billy the Kid (1973), but could not afford the rights to use it. (Anderson later used the song in The Royal Tenenbaums (2001) in the scene where Royal is kicked out of the house.) See more »

Goofs

When Anthony and Inez are in the pool, Anthony's hair is down in one shot, but behind his ear in the next. See more »

Quotes

[first lines]
Anthony: Hey, Dr Nichols, I was just coming down to say goodbye...
See more »

Connections

References Zorro (1975) See more »

Soundtracks

7 & 7 Is
Written by Arthur Lee
Performed by Love
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Special Products
Published by Trio Music Co., Inc./Grass Root Productions
See more »

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User Reviews

 
Bottle Rocket, good launch pad for ANDERSON.
24 September 2006 | by (United States) – See all my reviews

The first and weakest of Wes Anderson's films, Bottle Rocket, is by no means a weak film. Co-written by then credited Owen C. Wilson, the screenplay is very intelligent and shows how the screen writing duo (Wes Anderson and Owen Wilson) has evolved. Starring the Wilson brothers, Owen and Luke Wilson, this small-budget comedy has what most large budget comedies lack, a perfect mix of drama and comedy. The film, about two friends that both were patients at a mental ward, portrays how innocent fun can sometimes hurt people. Rocket never becomes over-dramatic or slapstick in its comedy. It is clear that Anderson was experimenting with his style, and would not perfect it until his next film, Rushmore. The characters are clearly dysfunctional and like to take unnecessary risks at their own expense to make the script move along. This is not a fault in the script, but a blessing as this keeps the comedy and serious moments perfectly balanced. The cinematography is sometimes amateur with its unnecessary close-ups and wide angle panning. The soundtrack, done by Mark Mothersbaugh is excellent and just proves why he has worked an all of the subsequent films with Anderson. It seems Anderson and Wilson have an enormous talent when writing dialog for unusual, anomalous characters. This film is a testament to the fact that a good script, and a working knowledge of film work can create an original and enjoyable film.


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