| Photos (See all 22 | slideshow) |
Directed by | |||
| Penelope Spheeris | |||
Writing credits(WGA) | ||
| Fred Wolf | (written by) | |
Produced by | |||
| C.O. Erickson | .... | executive producer | |
| Lorne Michaels | .... | producer | |
| Dinah Minot | .... | co-producer | |
| Eric Newman | .... | associate producer | |
| Robert K. Weiss | .... | executive producer | |
Original Music by | |||
| William Ross | (music by) | ||
Cinematography by | |||
| Daryn Okada | (director of photography) | ||
Film Editing by | |||
| Ross Albert | |||
Casting by | |||
| Deborah Aquila | |||
| Jane Shannon-Smith | (as Jane Shannon) | ||
Production Design by | |||
| Peter Jamison | |||
Art Direction by | |||
| Chris Cornwell | |||
Set Decoration by | |||
| Linda Spheeris | |||
Costume Design by | |||
| Jill M. Ohanneson | (as Jill Ohanneson) | ||
Makeup Department | |||
| Candida Conery | .... | hair stylist | |
| James Lee McCoy | .... | makeup artist (as James L. McCoy) | |
| Francisco X. Pérez | .... | assistant makeup artist | |
| Danny Valencia | .... | hair stylist | |
Production Management | |||
| C.O. Erickson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Maria K. Battle | .... | dga trainee | |
| Matt Earl Beesley | .... | second unit director | |
| David D'Ovidio | .... | second assistant director: second unit | |
| Christian P. Della Penna | .... | second assistant director (as Christian P. Dellapenna) | |
| Jason Roberts | .... | second second assistant director | |
| Artist W. Robinson | .... | first assistant director (as Artist Robinson) | |
| David N. Schrager | .... | first assistant director: second unit | |
Art Department | |||
| Ross Anderson | .... | production painter | |
| Evelyn Barbier | .... | set designer | |
| Doug Barnard | .... | production illustrator | |
| Robert A. Blackburn | .... | construction coordinator | |
| Timothy Burgard | .... | storyboard artist (as Tim Burgard) | |
| Clete Cetrone | .... | propmaker foreperson (as Clete F. Cetrone) | |
| Cosmas A. Demetriou | .... | set designer | |
| R. Scott Doran | .... | lead person | |
| Don Elliott | .... | set dresser | |
| Glen R. Feldman | .... | assistant property master | |
| Ildefonso Goris | .... | greensperson (as Ildefonso Lanz Goris) | |
| John Holcombe | .... | propmaker foreperson | |
| Jonas Kirk | .... | construction foreperson (as C. Jonas Kirk) | |
| Chuck McSorley | .... | set dresser | |
| Marc Meisels | .... | set dresser | |
| Efren N. Perez | .... | set dresser | |
| Gary Seybert | .... | assistant property master | |
| Daniel Smith | .... | construction medic | |
| Douglas M. Vaughn | .... | set dresser | |
| Dean Wilson | .... | property master | |
| Abby Yaloff | .... | assistant property master (as Abby Rayve) | |
| Richard Crain | .... | propmaker (uncredited) | |
| Daniel R. Jennings | .... | set designer (uncredited) | |
Special Effects by | |||
| Guy Faria | .... | special effects foreperson | |
| Richard Zarro | .... | special effects coordinator (as Richard M. Zarro) | |
| Ronald Zarro | .... | special effects foreperson (as Ronald E. Zarro) | |
Visual Effects by | |||
| Mat Beck | .... | visual effects supervisor | |
| David Sosalla | .... | visual effects supervisor | |
| Colin Strause | .... | 3D effects artist: Pixel Envy (uncredited) | |
Camera and Electrical Department | |||
| Patric J. Abaravich | .... | first company grip | |
| Patric J. Abaravich | .... | rigging electric | |
| John Boccaccio | .... | first assistant photographer | |
| Greg Cantrell | .... | rigging chief lighting technician (as Gregory M. Cantrell) | |
| Louie DeMarco | .... | loader (as Lou DeMarco) | |
| Bob Hall | .... | first assistant photographer | |
| Mike Hodges | .... | first company grip | |
| Casey Hotchkiss | .... | camera operator | |
| Paul Hughen | .... | camera operator | |
| Richard Kuhn | .... | dolly grip | |
| Marcos O. Lopez | .... | second assistant photographer (as Marcus O. Lopez) | |
| E. Scott Mayhugh | .... | chief lighting technician | |
| John McEveety | .... | second assistant photographer | |
| Daniel P. Moore | .... | video supervisor | |
| Tracy Neftzger | .... | second company grip (as Tracy Alan Neftzger) | |
| Charles J. Schray | .... | dolly grip | |
| Raymond Stella | .... | director of photography: second unit (as Raymond N. Stella) | |
| Francis X. Valdez III | .... | assistant chief lighting technician | |
| Merie Weismiller Wallace | .... | still photographer (as Merie W. Wallace) | |
| Sid Lucero | .... | grip (uncredited) | |
| Steven J. Mikolas | .... | video assist (uncredited) | |
| Douglas Pellegrino | .... | camera operator (uncredited) | |
| Eric Sagot | .... | rigging electrician (uncredited) | |
Casting Department | |||
| Karen Miller | .... | casting associate | |
| Alex Wald | .... | casting assistant (as Alex Rosenberg) | |
| Tricia Wood | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Cindy Evans | .... | key set costumer | |
| Alix Friedberg | .... | costumer | |
| Kelly Lindquist | .... | costume supervisor | |
| Matt Reitsma | .... | costumer | |
| Deborah Slate | .... | costumer | |
| Adrienne Wait | .... | costumer | |
| Kanani Wolf | .... | costumer | |
Editorial Department | |||
| Peter Fandetti | .... | assistant editor | |
| Phil Hetos | .... | color timer | |
| Michael Matzdorff | .... | lightworks assistant | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Ann Trulove | .... | first assistant editor | |
Music Department | |||
| Bob Bornstein | .... | music preparation | |
| Anita Camarata | .... | music supervisor | |
| Matthew Della Polla | .... | music scoring coordinator | |
| Robert Fernandez | .... | music mixer | |
| Robert Fernandez | .... | music recordist | |
| Steve Mccroskey | .... | supervising music editor (as Steve Mc Croskey) | |
| William Ross | .... | orchestra conductor | |
| William Ross | .... | orchestrator | |
| Steven Scott Smalley | .... | orchestrator | |
| Patti Zimmitti | .... | orchestra contractor | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| Kevin Crehan | .... | assistant music editor (uncredited) | |
| James Thatcher | .... | musician: French horn (uncredited) | |
Transportation Department | |||
| Howard Brady Davidson | .... | transportation coordinator | |
| Jim Frear | .... | picture car coordinator | |
| Gary Paulsen | .... | transportation captain | |
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| Southland Tales | No Cure for Cancer | Bulworth | Primary Colors | Definitely, Maybe |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
After the enormous success of TOMMY BOY, it was expected that Chris Farley and David Spade would star in another movie together. What wasn't expected was that the two movies would be so similar. In TOMMY BOY, Richard Hayden (David Spade) must look after the sweet, but clumsy Tommy Callahan (Chris Farley) so he doesn't mess up the family business. In BLACK SHEEP, Steve Dodds (David Spade) is hired by Mike Donnelly's (Chris Farley) brother to look after the sweet, but clumsy Mike so he doesn't mess up an upcoming campaign. While the plots of the two movies aren't exactly identical, they are similar enough to give the feeling that BLACK SHEEP was somewhat rushed into theaters in order to capitalize on the popularity of the duo.
Opening on February 2, 1996, just eleven months after the March 1995 release of TOMMY BOY, BLACK SHEEP received dismal reviews (Gene Siskel said that this was the first film he walked out on in 26 years of reviewing movies). However, the dismal reviews weren't enough to keep audiences away from the theaters and the movie made a decent $32 million, which isn't necessarily a hit, but good nonetheless.
As a major fan of both Chris Farley and David Spade, I find this movie to be one of the funniest comedies from the 1990s. I used to like it even more than I liked TOMMY BOY although I now see that TOMMY BOY is certainly the better movie. Both TOMMY BOY and BLACK SHEEP have some of the most memorable moments in comedy history, though TOMMY BOY has a lot more of them.
Watch TOMMY BOY and BLACK SHEEP back to back and prepare to laugh like you have never laughed before. Chris Farley and David Spade are, in my opinion, the funniest duo ever to appear onscreen. It's a shame they didn't get to make a more movies together before Farley's death.
My rating: ***1/2