Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try conceal their lifestyle and their ownership of ... See full summary »
Joe's a car salesman with a problem. He has two days to sell 12 cars or he loses his job. This would be a difficult task at the best of times but Joe has to contend with his girlfriends (... See full summary »
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out near curfew. While waiting for the German Kommondant, Jakob overhears a German ... See full summary »
Hannah Taylor Gordon,
Armand Goldman owns a popular drag nightclub in South Miami Beach. His long-time lover, Albert, stars there as Starina. "Their" son Val (actually Armand's by his one heterosexual fling, twenty years before) comes home to announce his engagement to Barbara Keeley, daughter of Kevin Keeley, US Senator, and co-founder of the Committee for Moral Order. The Senator and family descend upon South Beach to meet Val, his father and "mother." What ensues is comic chaos. Written by
Randy Goldberg <firstname.lastname@example.org>
Robin Williams was originally cast as Albert, but he wanted a change from flamboyant characters, and asked to be cast as Armand. Mike Nichols agreed, and re-cast him. See more »
There are two very obvious cuts during the beginning flyby, which is assembled to look like one long shot from the opening over the ocean to the close up of the stage inside the club. The first is when the shot pans down to the street in front of the club. Most of the cars shift to the right and some are different. Then again as the shot approaches the front door, the action inside the door cuts to a different shot. See more »
[singers are performing "We Are Family" on-stage]
[backstage, into a telephone]
Agador! Where is Starina? She goes on in 5 minutes!
See more »
First off; I can understand why people would dislike this movie; The characters are all portrayed in an extremely stereotypical way, the acting is considerably over the top most of the time, the story is rather cheesy and not very believable - I mean which gay couple would (or COULD) transform their eccentric home into a monastery-like environment in 24 hours to pretend to be a cultured family to impress the son's fiancée's parents?
...Yet I couldn't stop laughing all the way through, even after the 10th time. Why? It's BECAUSE the characters are so stereotypical, it's BECAUSE the acting is over the top, it's BECAUSE the whole thing is so unbelievable that it makes it scintillating to behold. Even though the characters are stereotypical, the script has obviously been written by someone who doesn't intend to contribute to the stereotypical view of the gay drag community, but who rather wanted to create characters that are lovable while at the same time shouting "don't take us seriously".
This isn't a movie portraying life in the gay society; and everyone who expects realistic (and hence probably rather unfunny) portrayal of such a theme is better off NOT watching a comedy featuring gays (don't most comedies thrive on making the stereotype seem funny?) It may not be politically correct all the way, but hey; society's too hung up on all this political correctness as it is,. The characters in this movie were lovable, perhaps BECAUSE they were stereotypical depictions. However they're brought to life so well by the actors playing them that it doesn't make you shake your head in frustration over yet ANOTHER movie portraying stereotypes, but rather makes you shake your head in laughter over the deadpan things they say and do, which are so obviously unreal at times that anyone who thinks this movie will promote a false picture of the gay community needs a reality check.
The script is amazing, and even though it may really be too over the top once in a while, it doesn't distract from the overall picture. The story isn't much; the focus on details is what makes this movie funny. Little gestures, frowns, face expressions and little subtleties make this movie one of the best comedies I have ever watched, and probably one of the best comedies I will ever be fortunate enough to see in my entire life. Contrary to what it may seem like at first sight, the humor is overly refined without being intellectual, instead of jumping in your face all the time.
What's more, the cast is great. Both Robin Williams and Nathan Lane are very fine comedians who have the touch it takes to play a role like this one. They make over-the-top stereotypes actually FUNNY, instead of just laughable.
And yes, I HAVE seen the original movie, not all too long ago actually, and I have to say the remake is twenty to the power of 99 times better than the original. I barely laughed, and the original version was in my eyes an utterly forgettable movie. And that coming from a person who usually hates remakes.
This movie gives the original "Birdcage" a fresh new shine and transports the story into the 90's. Well made, on all accounts, I can't think of a single criticism!
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