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Primo and Secondo are two brothers who have emigrated from Italy to open an Italian restaurant in America. Primo is the irascible and gifted chef, brilliant in his culinary genius, but determined not to squander his talent on making the routine dishes that customers expect. Secondo is the smooth front-man, trying to keep the restaurant financially afloat, despite few patrons other than a poor artist who pays with his paintings. The owner of the nearby Pascal's restaurant, enormously successful (despite its mediocre fare), offers a solution - he will call his friend, a big-time jazz musician, to play a special benefit at their restaurant. Primo begins to prepare his masterpiece, a feast of a lifetime, for the brothers' big night... Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
When Ann arrives at the restaurant and is standing at the bar, she is wearing black heels. Then, as she walks over to look at the paintings with Primo, she is wearing flat white shoes. When she later dances with Primo, she is wearing black heels again. See more »
[offers a taste asking opinion in Italian]
Not too fine, eh? Sometimes you cut it too fine, then all you taste is the garlic!
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This movie is like a good poem: it doesn't all make sense, but you love experiencing it, and after you're done you keep thinking about it for days and days.
"Big Night" tells of two Italian brothers trying to succeed as restaurateurs in the 1960s. The bulk of the movie revolves a single "big night" in which they unleash their finest dishes in a culinary extravaganza.
The leads, Shalhoub and Tucci, are joined by Ian Holm (depicting a rival restaurateur) in a really memorable set of performances. All the minor supporting characters are equally endearing and real-to-life. There is a lot of attention given to the food and to its preparation, and the cinematography used to actually depict the meal (and the music superimposed onto it) is fantastically enjoyable. It's like the dishes are actors or characters in the play! The movie's final scene is perhaps deserving of the all-time hall of fame. It plays out over several minutes of complete wordless silence, yet it makes such a lasting impression. Ultimately the scene shows that the movie is not about the food or the striving for success, but about the relationship between these brothers, and that the relationship will outlast any of the trials they are undergoing, no matter how severe.
If you insist on a tidy ending that resolves all the issues, don't look here because the ending is completely hanging. Yet somehow I found it satisfying nevertheless. You'll find yourself recalling scenes and lines from the film for weeks to come.
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