Blake Pellarin is on the campaign trail to become governor of the state of Missouri. While making a stop in St. Louis, a chance encounter brings his past back to haunt him. Will the truth ... See full summary »
Jean-Pierre is a hit man in Paris. He wants to stop; an incentive is reconnecting to Michelle, a childhood friend. He's ready to commit himself to her, but she has her own secrets: she ... See full summary »
John came to Hollywood to get that one big break in life. Years have passed since and all he has to show for are a menial job, unpaid bills and airhead friends and he's getting sick of it all. Is there a way out of this downward spiral?
Axel Heyst lives on a secluded island near the Dutch East Indies port of Surabaya. The year is 1913. While on personal business to the port, he visits the hotel owned by racist German ... See full summary »
Harry Donovan is an art forger who paints fake Rembrandt picture for $500,000. The girl he meets and gets into bed with in Paris, Marieke, turns out to be an arts expert Harry's clients are... See full summary »
Blake Pellarin is on the campaign trail to become governor of the state of Missouri. While making a stop in St. Louis, a chance encounter brings his past back to haunt him. Will the truth ruin his chances for office or will he land the "Big Brass Ring"? Written by
The "big brass ring" of the title is a reference to the high brass rings found in old fashioned gyms and swimming pools, which one was supposed to jump up to and grab. As such it is a metaphor for that which is difficult to attain or at least hard to keep hold of. See more »
In the scene just after Blake (Hurt) and Brandini (Jacob) make love, she is still in bed and is trying to encourage Blake to come public with the truth. She suggests that she might expose him if he doesn't. Blake then yanks the bed covers off exposing her completely naked body. But in the next second, closeup, she is seen with something covering her from the waist down. See more »
Abraham Lincoln said it best: it is common enough that we triumph under adversity, but if you truly wish to test a man's character, give him power.
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This film's one source of interest is that it is based on a screenplay co-written by Orson Welles. Sadly it is quite simply a bad script - convoluted, pretentious, and unmoving. There is nothing here to dispel the fact that in his latter years Welles was a tragic figure who had long since lost the brilliance he had exhibited in the first half of his life. The script, bad acting, and low-budget conspire to give this film turkey status.
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