Blake Pellarin is on the campaign trail to become governor of the state of Missouri. While making a stop in St. Louis, a chance encounter brings his past back to haunt him. Will the truth ... See full summary »
John came to Hollywood to get that one big break in life. Years have passed since and all he has to show for are a menial job, unpaid bills and airhead friends and he's getting sick of it all. Is there a way out of this downward spiral?
Graham Holt is a lonely middle-aged man who runs a postal substation in a small village in England. He decides to adopt a son. James is the troubled youth he gets with the assistance of ... See full summary »
In addition to declaring that Katharine's (Lynn Redgrave) head and heart line are hopelessly fused into one "simian line", eccentric palm reader/fortune-teller Arnita (Tyne Daly) makes a ... See full summary »
Harry Connick Jr.
In Russia, in 1907, a rich lenient husband of a loose unfaithful woman is brutally murdered. She and her two lovers are suspects, but what about the stranger she met just before the murder? With no friends left, she and the stranger bond.
Blake Pellarin is on the campaign trail to become governor of the state of Missouri. While making a stop in St. Louis, a chance encounter brings his past back to haunt him. Will the truth ruin his chances for office or will he land the "Big Brass Ring"? Written by
The "big brass ring" of the title is a reference to the high brass rings found in old fashioned gyms and swimming pools, which one was supposed to jump up to and grab. As such it is a metaphor for that which is difficult to attain or at least hard to keep hold of. See more »
Despite both gubernatorial candidates apparently being from Missouri, they sport deep south accents. This is never explained. See more »
Abraham Lincoln said it best: it is common enough that we triumph under adversity, but if you truly wish to test a man's character, give him power.
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Why do a film from an Orson Welles' script and then change it so much that it might as well be a regular bad film only it now looks worse, if that's possible, because it will be compared to Welles real films. Nothing about it feels like Welles so what was it they found in the material that made them excited about making a film of it. It doesn't hold a candle to any "real" Welles film on any level. William Hurt and the rest of the cast seem to have been encouraged to make as little of every scene as possible. Boring, listless, pointless film that should earn it's writer and director special places in hell for blowing the opportunity for a famously un-produced script to get made.
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