23 user 14 critic

The Big Brass Ring (1999)

R | | Drama | 23 June 2000 (Spain)
1:54 | Trailer

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Blake Pellarin is on the campaign trail to become governor of the state of Missouri. While making a stop in St. Louis, a chance encounter brings his past back to haunt him. Will the truth ... See full summary »


(earlier screenplay), (earlier screenplay) | 2 more credits »
Nominated for 1 Golden Globe. Another 1 win & 2 nominations. See more awards »



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Cast overview, first billed only:
Cela (as Irene Jacob)
Sheldon Buckle
Pacxy Barragan
Thomas Patrick Kelly ...
Mack Harrell ...
Homer Dix
B.C. Dix
F. Joseph Schulte ...
Senator Jack Moorehead
Peggy Freisen ...
Gigi Moorehead (as Peggy Friesen)


Blake Pellarin is on the campaign trail to become governor of the state of Missouri. While making a stop in St. Louis, a chance encounter brings his past back to haunt him. Will the truth ruin his chances for office or will he land the "Big Brass Ring"? Written by Michael Presky

Plot Summary | Add Synopsis


In pursuit of power, the only thing worse than denying the truth - is telling it. See more »



Motion Picture Rating (MPAA)

Rated R for some graphic sexuality, and for language and some violence | See all certifications »




| |

Release Date:

23 June 2000 (Spain)  »

Also Known As:

A nagy rézgyûrû  »


Box Office


$7,000,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

,  »
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Technical Specs


Sound Mix:


Aspect Ratio:

1.37 : 1
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Did You Know?


Orson Welles had hoped to direct the film himself in the early 1980s, and to play the role of Minnaker, not least as he has been a "New Deal" Democrat close to Franklin D. Roosevelt, but he was unable to attract enough funding. He had been given a list of six "bankable" stars who could play Pellarin, including Clint Eastwood, Jack Nicholson, Robert Redford and Burt Reynolds, and was told by investors that if he could sign up one of them, then the film could be made; but all six actors refused for various reasons - according to Welles's partner Oja Kodar, Redford was unavailable, Nicholson asked for too much money (he would not work for less than $2 million, which was the entire proposed budget of the film), while both Eastwood and Reynolds were uncomfortable with the film's homosexual subtext, fearing its potential effect on their screen image, and Eastwood in particular feeling that it was at odds with his conservative values. See more »


Despite both gubernatorial candidates apparently being from Missouri, they sport deep south accents. This is never explained. See more »


[first lines]
Kim: Abraham Lincoln said it best: it is common enough that we triumph under adversity, but if you truly wish to test a man's character, give him power.
See more »


Remake of The Big Brass Ring (1997) See more »


Love in June
Composed by Sam Fonteyn
Courtesy of KPM Library (ASCAP)
See more »

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User Reviews

Good plot poorly presented
8 February 2000 | by See all my reviews

This is a murky story of politics, scandal, sex and deception. Sounds like it should have been a great film, but it wasn't. The basic plot was sound as we might expect from Orson Welles. But the way it was presented was too disjointed and abstruse. Without reading the original script, it is hard to tell if the responsibility for this lies with Welles, Oja Kodar (who did the adaptation) or George Hickenlooper, the director. I suspect it is the latter two.

The biggest problem I had was character development. By the end of the film one should reasonably expect the pieces to fit together. Good character development should give us insight into the characters' motivation. I found this lacking. The flashbacks didn't really help us to understand the motivations of the characters as much as they should have. It seems that the brothers voluntarily switched identities, since Billy was wearing a name tag that said "Romero" on his uniform when he left to go to war. So, Blake really didn't steal his brother's identity as it appeared. This wasn't made very clear.

There were lots of loose ends here. What motivated the limo driver to do what he did? Was it a need to be close to power, or some personal vendetta? Who knows?

From a directorial and cinematography point of view, the film was far too dark, that is, underexposed. I'm certain they were trying for that look, but it made the photography look as if it were shot on 30 year old film of poor quality. Also, the audio was very bad. It was very difficult understanding a lot of the dialogue.

William Hurt was miscast in this role. For certain films, his puling, self tortured style of delivery are appropriate to the character (Big Chill, Broadcast News, Children of a Lesser God). However, in this film his character required a more dynamic and confident portrayal, which he was unable to deliver.

Nigel Hawthorne gave the best performance as Kim Mennaker, the Senator who brought the boys up. His ability to portray the old political warhorse, seduced by the trappings of power was excellent.

Irene Jacob gave a good performance as Cela, the reporter with an obsession for the candidate and the truth behind him.

Overall, the whole was less than the sum of the parts. The presentation was ponderous and uneven and the direction mediocre at best. Worth a 5/10. If you are looking for political campaign stories, there are better choices (Primary Colors, The Candidate, with Robert Redford).

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