Blake Pellarin is on the campaign trail to become governor of the state of Missouri. While making a stop in St. Louis, a chance encounter brings his past back to haunt him. Will the truth ... See full summary »
John came to Hollywood to get that one big break in life. Years have passed since and all he has to show for are a menial job, unpaid bills and airhead friends and he's getting sick of it all. Is there a way out of this downward spiral?
In addition to declaring that Katharine's (Lynn Redgrave) head and heart line are hopelessly fused into one "simian line", eccentric palm reader/fortune-teller Arnita (Tyne Daly) makes a ... See full summary »
Harry Connick Jr.
A period film, set around an English country house whose owners want to arrange a marriage of convenience between their elder daughter and an aristocratic heir of a hard-up noble family. ... See full summary »
People and life can be cruel, and in their face, Fannette is cool: toward an old acquaintance, to her daughter, to colleagues. Beneath the surface, she roils with passion for a lost love, ... See full summary »
Bernard Le Coq
In 1986, David Whitman came home, contaminated his wife and child, and watched them die. Years later, he leads a hazmat team investigating an industrial accident near Budapest. One ... See full summary »
Blake Pellarin is on the campaign trail to become governor of the state of Missouri. While making a stop in St. Louis, a chance encounter brings his past back to haunt him. Will the truth ruin his chances for office or will he land the "Big Brass Ring"? Written by
The "big brass ring" of the title is a reference to the high brass rings found in old fashioned gyms and swimming pools, which one was supposed to jump up to and grab. As such it is a metaphor for that which is difficult to attain or at least hard to keep hold of. See more »
Despite both gubernatorial candidates apparently being from Missouri, they sport deep south accents. This is never explained. See more »
Abraham Lincoln said it best: it is common enough that we triumph under adversity, but if you truly wish to test a man's character, give him power.
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This film's one source of interest is that it is based on a screenplay co-written by Orson Welles. Sadly it is quite simply a bad script - convoluted, pretentious, and unmoving. There is nothing here to dispel the fact that in his latter years Welles was a tragic figure who had long since lost the brilliance he had exhibited in the first half of his life. The script, bad acting, and low-budget conspire to give this film turkey status.
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