Wang Bianlian is an aging street performer known as the King of Mask for his mastery of Sichuan Change Art in a true story. His wife left him with and infant son over 30 years ago. The son ...
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Wang Bianlian is an aging street performer known as the King of Mask for his mastery of Sichuan Change Art in a true story. His wife left him with and infant son over 30 years ago. The son died from illness at age 10. This left Wang a melancholy loner aching for a male descendent to learn his rare and dying art. A famous master performer of the Sichuan Opera offers to bring him into his act, thus giving Wang fame and possible fortune, but Wang opts for staying the simple street performer. Then, one night after a performance he is sold a young boy by a slave trader posing as the boy's parent. "Grandpa" finds new joy in life as he plans to teach "Doggie" (an affectionate term often used for young children in China) his art. All is well until Doggie is found out to really be a girl. Written by
Steve Uptegraft <firstname.lastname@example.org>
This movie reminded me of Mulan- only because I saw Mulan first. It was a great film, and as an Asian female and a first-generation American, I found myself relating to "Doggie" (the little girl; by translation). I usually don't cry during movies (and I don't think being 8 and watching The Land Before Time counts), but I do admit my eyes did water up. I was impressed at the production quality of this film and I appreciated the accuracy of its set period. It's imagery was hauntingly beautiful and throughout the film I was questioning this film's budget (The Red Violin as well)- I was contemplating how they were able to afford props and costumes and still be able to release, promote and distribute the film at the same time. The King Of Masks is one of those wonderful pieces of International Cinema that almost everyone can agree on.
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