Wang Bianlian is an aging street performer known as the King of Mask for his mastery of Sichuan Change Art in a true story. His wife left him with and infant son over 30 years ago. The son ...
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Hans Petter Moland
Gard B. Eidsvold,
A town in Fengjie county is gradually being demolished and flooded to make way for the Three Gorges Dam. A man and woman visit the town to locate their estranged spouses, and become witness to the societal changes.
A woman married to the brutal and infertile owner of a dye mill in rural China conceives a boy with her husband's nephew but is forced to raise her son as her husband's heir without ... See full summary »
A-yuan and A-yun are both from the small mining town of Jio-fen. In the city, A-yuan is an apprentice by day and goes to night school, and A-yun works as a helper at a tailors. Everyone ... See full summary »
On Dry Well Lane in Beijing in 1953, Chen Shujuan and Lin Shaolong marry. A year later their son, nicknamed Tietou (Iron Head), is born. The Party is everywhere: Mao's photograph, ... See full summary »
Wang Bianlian is an aging street performer known as the King of Mask for his mastery of Sichuan Change Art in a true story. His wife left him with and infant son over 30 years ago. The son died from illness at age 10. This left Wang a melancholy loner aching for a male descendent to learn his rare and dying art. A famous master performer of the Sichuan Opera offers to bring him into his act, thus giving Wang fame and possible fortune, but Wang opts for staying the simple street performer. Then, one night after a performance he is sold a young boy by a slave trader posing as the boy's parent. "Grandpa" finds new joy in life as he plans to teach "Doggie" (an affectionate term often used for young children in China) his art. All is well until Doggie is found out to really be a girl. Written by
Steve Uptegraft <email@example.com>
I just saw this movie today with my children (son, 10 and daughter, 4.5) at the 3rd Annual Roger Ebert Overlooked Film Festival. After the film the children in the audience were allowed to ask questions to the Director, Tian-Ming Wu. He (through a translator) told several stories about his life and the making of the film.
All tangents aside, both of my children really enjoyed this movie. Of course, I had to paraphrase many of the subtitles for my daughter, but much of the film is visually self-explanatory.
I won't give anything away, but the bottom line is that this film is SO MUCH better than 95% of the Hollywood crap (especially children's films) out there.
p.s. There is a "real"/original King of Masks who can/could do 12 masks at once. The actor in the movie trained and learned to do up to 4 masks at a time (then they would cut and change to 4 new masks).
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