| Sissy Spacek | ... | Pam O'Brien | |
| David Strathairn | ... | Russell Cates | |
| Arliss Howard | ... | Keith O'Brien | |
| Janet Wright | ... | Fran | |
| Lindsay Murrell | ... | Rebecca | |
| Leslie Carlson | ... | Dan (as Les Carlson) | |
| Ken James | ... | Mel | |
| Christina Collins | ... | Ruth | |
| Andrew Sardella | ... | Mark | |
| Wayne Downer | ... | Policeman #2 | |
| Diane D'Aquila | ... | Angela | |
| Christine Reeves | ... | Cop's Wife | |
| Rufus Crawford | ... | Thibodeaux | |
| Desmond Campbell | ... | Guard #1 | |
| John Pearson | ... | Guard #2 | |
| Jefferson Mappin | ... | Guard #3 | |
| Kevin Rushton | ... | Guard #4 | |
| Dov Tiefenbach | ... | Mark's Friend | |
| Craig Eldridge | ... | Policeman #1 | |
| Emily Andrews | ... | Teen Pam | |
| Ross Hull | ... | Teen Dwayne | |
| Allan Clow | ... | Inmate #1 | |
| Stephen Micalchunk | ... | Inmate #2 (as Stephen Michalchuk) | |
| Shawn Lawrence | ... | Bartender | |
| John Blackwood | ... | Regular | |
| Caleb Marshall | ... | Soldier #1 | |
| D. Garnet Harding | ... | Soldier #2 | |
| rest of cast listed alphabetically: | |||
| Jordan-Patrick Marcantonio | ... | Inmate (uncredited) | |
Directed by | |||
| Tony Bill | |||
Writing credits(WGA) | ||
| Doug Magee | (written by) | |
Produced by | |||
| Helen Buck Bartlett | .... | producer | |
| Tony Bill | .... | producer | |
| Robert W. Christiansen | .... | executive producer (as Bob Christiansen) | |
| Chris Danton | .... | line producer | |
| Doug Magee | .... | producer | |
| Rick Rosenberg | .... | executive producer | |
Original Music by | |||
| George S. Clinton | |||
Cinematography by | |||
| Jean Lépine | |||
Film Editing by | |||
| Axel Hubert | |||
Casting by | |||
| Beth Klein | |||
Production Design by | |||
| Jeff Ginn | |||
Art Direction by | |||
| Karen M. Clark | |||
Set Decoration by | |||
| Sean Kirby | |||
Costume Design by | |||
| Lynne MacKay | |||
Makeup Department | |||
| Paul R.J. Elliot | .... | key hair stylist (as Paul Elliot) | |
| Bob Harper | .... | hair stylist: Ms. Spacek | |
| Bob Harper | .... | makeup artist: Ms. Spacek | |
| Sally J. Harper | .... | hair/makeup artist: Ms. Spacek (as Sally Harper) | |
| Katherine Southern | .... | key makeup artist | |
Production Management | |||
| Chris Danton | .... | unit production manager | |
| Tim King | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| David McAree | .... | first assistant director | |
| Cathie McGaw | .... | second assistant director | |
| Michelle Michals | .... | trainee assistant director | |
| Jonathan Wright | .... | third assistant director | |
Art Department | |||
| Bev Bailey | .... | art department coordinator | |
| David Best | .... | art trainee | |
| Ken Clark | .... | assistant set decorator | |
| Peter Dwyer | .... | assistant head carpenter | |
| Mark Harman | .... | assistant property master | |
| Donal O'Donaghue | .... | head carpenter | |
| Greg Pelchat | .... | property master | |
| Reet Puhm | .... | key scenic artist | |
| David Sauder | .... | art trainee | |
| Donald Vandewater | .... | construction coordinator | |
| Michael Yerex | .... | property buyer | |
Sound Department | |||
| Denis Bellingham | .... | second boom operator | |
| Louis Creveling | .... | dialogue editor | |
| Cormac Funge | .... | sound effects editor | |
| Danielle Ghent | .... | adr supervisor | |
| Richard Goulin | .... | foley editor | |
| David Grant | .... | dialogue editor | |
| Catherine Harper | .... | foley artist | |
| Steve Heinke | .... | foley mixer | |
| Ossama Khuluki | .... | foley artist | |
| Laura Laird | .... | foley editor | |
| David Lee | .... | production sound mixer | |
| Paul Longstaffe | .... | dialogue editor | |
| Derek Marcil | .... | adr mixer | |
| Derek Marcil | .... | sound re-recording mixer | |
| Diane Marshall | .... | foley artist | |
| David Melhase | .... | sound effects editor | |
| John Ross | .... | sound re-recording mixer | |
| Steve Scoville | .... | dialogue editor | |
| Peter Shewchuk | .... | production sound mixer | |
| Lucy Sustar | .... | foley mixer | |
| Jim Thompson | .... | boom operator | |
| Marc Vanocur | .... | post-production sound supervisor | |
| James A. Williams | .... | sound effects editor | |
Special Effects by | |||
| Michael Kavanagh | .... | special effects coordinator | |
Visual Effects by | |||
| Kurt Godel | .... | digital transfer engineer | |
| Kelly Vandever | .... | digital transfer engineer | |
Stunts | |||
| Shane Cardwell | .... | stunt coordinator | |
| Shane Cardwell | .... | stunts | |
| Erin Davis | .... | stunts | |
| Danny Lima | .... | stunts | |
Camera and Electrical Department | |||
| Hugh Brule | .... | grip | |
| Jean Courteau | .... | gaffer | |
| Marni Grossman | .... | still photographer | |
| Andris Matiss | .... | Steadicam operator | |
| Christopher Nethercoat | .... | best boy grip | |
| Gottfried Pflugbeil | .... | camera trainee (as Godfrey Pflugbeil) | |
| Ron Renzetti | .... | dolly grip | |
| Bob Rodgers | .... | generator operator | |
| Dave C. Sheridan | .... | focus puller (as David Sheridan) | |
| Paul Spaven | .... | best boy electric | |
| Jeremy Tabarrok | .... | clapper loader | |
| Randy Tambling | .... | key grip | |
| Brian Woodroof | .... | electrician | |
Casting Department | |||
| Jon Comerford | .... | casting: Toronto | |
| Donna Dupere | .... | extras casting | |
| Michelle Lang | .... | casting associate | |
Costume and Wardrobe Department | |||
| Cori Burchell | .... | costume supervisor | |
| Carl Docherty | .... | costume assistant | |
| Christopher Hargadon | .... | assistant costume designer | |
Editorial Department | |||
| David Bailey | .... | post-production coordinator | |
| Liora Grimm | .... | post-production assistant | |
| Dennis McNeill | .... | color timer | |
| Maria Montoreano | .... | assistant film editor | |
| Cynthia Nicolella | .... | post-production coordinator | |
| Rob Evans | .... | colorist: dailies (uncredited) | |
| Roger La Prairie | .... | colorist (uncredited) | |
Music Department | |||
| Spencer Proffer | .... | supervising music producer | |
Transportation Department | |||
| Wilfred Bell | .... | transportation coordinator (as Wilfred C. Bell) | |
| Bill Jackson | .... | driver | |
| Stuart Mitchell | .... | driver | |
| Harry Ross | .... | driver | |
Other crew | |||
| Ross Blaufarb | .... | publicist | |
| Virginia Campbell | .... | assistant: Mr. Whitley | |
| Glenn Carter | .... | location manager | |
| Melody Comrie | .... | assistant location manager | |
| Catherine Currie | .... | controller | |
| Kristine M. Gilbert | .... | production coordinator | |
| Sonia Grazian | .... | post-production accountant | |
| Andrea H. Greaney | .... | assistant production accountant | |
| David Hall | .... | production assistant | |
| Gerald Kantor | .... | continuity | |
| Kimberly Killam | .... | accounting assistant | |
| Randy Kumano | .... | production secretary | |
| Roger La Prairie | .... | video mastering | |
| Marcia Lee | .... | assistant: Mr. Bill and Ms. Bartlett | |
| Brandon Long | .... | location production assistant | |
| Peter Monson | .... | production assistant | |
| Andrew Nicholson | .... | production accountant | |
| B.E. Sharp | .... | accounting assistant | |
| Leah State | .... | assistant: Mr. Christiansen | |
| Kirsta Teague | .... | assistant: Mr. Bill and Ms. Bartlett | |
| Christopher Welch | .... | location scout | |
| Patrick Whitley | .... | production executive | |
| Elaine Yarish | .... | script supervisor | |
Thanks | |||
| Gail Dougherty | .... | special thanks | |
| John 'Jack' Maddin | .... | special thanks | |
| Paula Mandros | .... | special thanks | |
|
|
|
|
|
| Gun Crazy | Mystic River | Feast of July | A Place in the Sun | The United States of Leland |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
"Beyond The Call" is a good example of how strong, committed actors can get mileage out of a script that is both hackneyed and occasionally unbelievable.
Sissy Spacek and the terrific David Strathairn are both in top form as a psychologically damaged Vietnam veteran on death row for the killing of a policeman, and the woman who tries to get him to plea for clemency and finds out that there's more to the "killing" than meets the eye.
Arliss Howard is also fine as her increasingly jealous husband, a Vietnam vet himself who has put much emotional energy keeping his war-related emotions under control, and feels nothing but contempt for a fellow vet who becomes a convicted criminal because he can't do the same. Yet this husband isn't quite the same by the time the film is over.
Despite these performances, the script is generally predictable and many of the scenes between Spacek and Strathairn would be mawkish in lesser hands. But these two are so attuned to each other as performers that you are moved nonetheless. The once big false note is a scene between Strathairn and Howard that may be necessary to bring about the desired changes in Howard's character, but it's completely unbelievable.