| Photos (see all 26 | slideshow) |
| Meryl Streep | ... | Dr. Carolyn Ryan | |
| Liam Neeson | ... | Ben Ryan | |
| Edward Furlong | ... | Jacob Ryan | |
| Julia Weldon | ... | Judith Ryan | |
| Alfred Molina | ... | Panos Demeris | |
| Daniel von Bargen | ... | Fran Conklin | |
| John Heard | ... | Wendell Bye | |
| Ann Magnuson | ... | Terry Taverner | |
| Alison Folland | ... | Martha Taverner | |
| Kaiulani Lee | ... | Marian Raynor, Prosecutor | |
| Larry Pine | ... | Dr. Tom McAnally | |
| Ellen Lancaster | ... | Panos' Assistant | |
| Wesley Addy | ... | Judge Grady | |
| Oliver Graney | ... | T.J | |
| Bernadette Quigley | ... | T.J.'s Mom | |
| Pamela Blair | ... | Dr. Ryan's Assistant | |
| John Wylie | ... | Dr. Trygve Hanson | |
| John Deyle | ... | Doctor #1 | |
| Timothy Patrick Cavanaugh | ... | Young Policeman (as Tim Cavanaugh) | |
| John Webber | ... | Hardware Clerk | |
| Jay Potter | ... | TV Reporter | |
| Sharon Ullrick | ... | Female Bailiff | |
| Robert Westenberg | ... | Journalist #1 | |
| Susan Pratt | ... | Journalist #2 | |
| rest of cast listed alphabetically: | |||
| Nino Del Padre | ... | Court Defendant (uncredited) | |
| Paul Giamatti | ... | Courtroom Audience (uncredited) | |
| Jordan Lund | ... | Bailiff (uncredited) | |
| Erin Liz Peck | ... | Protester (uncredited) | |
| Kevin Craig West | ... | Photo journalist (uncredited) | |
Directed by | |||
| Barbet Schroeder | |||
Writing credits(WGA) | ||
| Rosellen Brown | (book) | |
| Ted Tally | (screenplay) | |
Original Music by | |||
| Howard Shore | |||
Cinematography by | |||
| Luciano Tovoli | |||
Film Editing by | |||
| Lee Percy | |||
Casting by | |||
| Howard Feuer | |||
Production Design by | |||
| Stuart Wurtzel | |||
Art Direction by | |||
| Steve Saklad | |||
Set Decoration by | |||
| Gretchen Rau | |||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Jean Ann Black | .... | makeup artist | |
| Lori Guidroz | .... | hair stylist | |
| Craig Lyman | .... | key makeup artist | |
Production Management | |||
| Chris Brigham | .... | unit production manager | |
| Denise Pinckley | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Henry Bronchtein | .... | first assistant director | |
| Michael DeCasper | .... | second assistant director | |
| Amy Lauritsen | .... | second second assistant director | |
Art Department | |||
| Joseph Alfieri | .... | carpenter foreman | |
| Jonathan Arkin | .... | assistant art director | |
| Ray Fisher | .... | set dresser | |
| John R. Ford | .... | assistant property master | |
| Charles Guanci Jr. | .... | assistant property master | |
| Denise Gurkas | .... | camera scenic artist | |
| Paul D. Kelly | .... | assistant art director | |
| Jessica Lanier | .... | assistant set decorator | |
| Eugene Pope | .... | carpenter | |
| Raymond M. Samitz | .... | construction coordinator | |
| Theodore Suchecki | .... | construction foreman | |
| Dave Weinman | .... | lead man | |
Sound Department | |||
| Tim J. Carroll | .... | consultant: Dolby Digital | |
| Kevin Cerchiai | .... | boom operator: Florida | |
| Benjamin Cheah | .... | assistant sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Julia Gardner-Patsos | .... | utility boom | |
| Tom Nelson | .... | sound mixer | |
| Nicholas Renbeck | .... | first assistant sound editor | |
| Fred Rosenberg | .... | dialogue editor | |
| Stuart Stanley | .... | foley editor | |
Special Effects by | |||
| William 'Billy Jack' Jakielaszek | .... | special effects technician | |
| John D. Milinac | .... | special effects | |
Visual Effects by | |||
| Craig A. Mumma | .... | digital effects producer: Robert Greenberg & Associates | |
| Janek Sirrs | .... | visual effects | |
Stunts | |||
| G.A. Aguilar | .... | stunts (as George Aguilar) | |
| Richard L. Blackwell | .... | stunt coordinator (as Richard Blackwell) | |
| Doug Coleman | .... | stunt coordinator | |
| Blaise Corrigan | .... | stunts | |
| Ned Corrigan | .... | stunts | |
| Douglas Crosby | .... | stunts (as Doug Crosby) | |
| Danny Downey | .... | stunts | |
| Roy Farfel | .... | stunts | |
| David M. Graves | .... | stunts (as David Graves) | |
| Donald John Hewitt | .... | stunts | |
| Bob Marrocco | .... | stunts | |
| Jim Vickers | .... | stunts | |
| Deborah Watkins | .... | stunts | |
Camera and Electrical Department | |||
| Jonathan Askew | .... | rigging grip | |
| David E. Baron | .... | second assistant camera | |
| Garrett Brown | .... | steadicam operator | |
| Petr Hlinomaz | .... | assistant chief lighting technician | |
| Joel Holland | .... | video assist operator | |
| Jerry Holway | .... | steadicam operator | |
| John R. Kaplan | .... | grip | |
| David Knox | .... | steadicam operator | |
| Michael 'Flash' McDonald | .... | electrician | |
| Tom Prate | .... | key grip | |
| Herb Silverman | .... | electrician | |
Casting Department | |||
| Matt Bouldry | .... | location casting assistant: Boston | |
| Carolyn Pickman | .... | location casting | |
| Meredith Tucker | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sue Gandy | .... | associate costume designer | |
Editorial Department | |||
| Marty Levenstein | .... | second editor | |
| Tom San Martin | .... | negative matcher | |
| Arnold Shuster | .... | negative matcher | |
| Patricia Sztaba | .... | negative matcher | |
| Stan Sztaba | .... | negative matcher | |
| Todd Zongker | .... | assistant editor: lightworks | |
Music Department | |||
| Jeff Atmajian | .... | orchestrator | |
Transportation Department | |||
| Michael Avallon | .... | driver | |
Other crew | |||
| Josue Aguilar | .... | set production assistant: Miami | |
| Laura Berning | .... | location assistant | |
| Robert Dawson | .... | title designer | |
| Ned Dowd | .... | head of production: Caravan Pictures | |
| Eric Fisher | .... | production assistant | |
| Alan Grazioso | .... | production assistant: Massachusetts | |
| Scott Hornbacher | .... | location manager | |
| Elayne Keratsis | .... | production coordinator: Florida | |
| Diana E. Latham | .... | assistant production coordinator | |
| Lori A. Lopes | .... | construction accountant | |
| Etienne Martine | .... | production assistant | |
| Steve McCullaugh | .... | animal wrangler | |
| Tim Monich | .... | dialect coach | |
| Macall B. Polay | .... | payroll accountant | |
| Cornelia 'Nini' Rogan | .... | script supervisor | |
| Kelly Safrit-Jones | .... | assistant to cast | |
| Sherrill Smith | .... | assistant location manager | |
| Bruce Winant | .... | looping group | |
| Mark Schane-Lydon | .... | projectionist (uncredited) | |
| Bill Timoney | .... | adr voice group (uncredited) | |
![]() |
![]() |
![]() |
![]() |
![]() |
| Cry-Baby | The Living and the Dead | American Beauty | Science des rêves, La | House of Sand and Fog |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
BEFORE AND AFTER
Aspect ratio: 1.85:1
Sound format: Dolby Digital
A middle-class New England family is forced to confront a range of difficult issues when the eldest child (Edward Furlong) is accused of murdering his girlfriend (Alison Folland).
Barbet Schroeder's earnest drama looks and feels like a big-screen TV movie, toplined by A-list stars and filmed with professional elegance on wintry New England locations. Schroeder struggles to avoid melodrama and mawkishness, resulting in a lack of tension, as parents Meryl Streep and Liam Neeson become torn between protecting their son and telling the truth about his possible involvement in Folland's death. Frustrated lawyer Alfred Molina makes the point that 'truth' has little or no bearing on the criminal justice system, where defence and prosecution teams become engaged in brinkmanship designed to sway the jury one way or another. Ted Tally's screenplay makes a number of similar points, but the narrative begins to drift around the halfway mark and never really recovers. Some will be won over by the cast and production values, others won't be so forgiving.