Based on the novel of the same name by Edith Wharton, it is about a husband and wife (Ethan and Zeena), who need an extra hand around the house due to Zeena's debilitated body and constant ... See full summary »
In 1959 Brighton, disgraced cop turned private detective Tony Aaron works largely on falsifying adulteries for use as evidence in divorce cases. He involves his wife as the fictional ... See full summary »
Laura San Giacomo,
When Bessie Faro's husband Johnny dies in a plane crash in Veracruz, Mexico, she finds that his air cargo business is deeply in the red. When she visits the airline's terminal in Veracruz, ... See full summary »
When teenage son Jacob is being accused of murdering his girlfriend, the well-respected and close-knit Ryan family is in turmoil. Jacob flees, father Ben destroys possible evidence, the village community turns hostile and mother Carolyn is forced to temporarily close her doctor's practice. Then Jacob gets arrested and soon finds himself and his family entangled in a web of truth, trust and lies, all on his way to court. Written by
Swie Tio <email@example.com>
In the scene where Meryl Streep enters a court room to appear in front of the grand jury in the front row (in the middle of the frame) sits a young Paul Giamatti as an extra his head turned around to have a look at her. See more »
When Ben and Jacob pull to the side of the road and get out of the car to talk, the right blinker is on. When they get back in, the blinker is off. See more »
A middle-class New England family is forced to confront a range of difficult issues when the eldest child (Edward Furlong) is accused of murdering his girlfriend (Alison Folland).
Barbet Schroeder's earnest drama looks and feels like a big-screen TV movie, toplined by A-list stars and filmed with professional elegance on wintry New England locations. Schroeder struggles to avoid melodrama and mawkishness, resulting in a lack of tension, as parents Meryl Streep and Liam Neeson become torn between protecting their son and telling the truth about his possible involvement in Folland's death. Frustrated lawyer Alfred Molina makes the point that 'truth' has little or no bearing on the criminal justice system, where defence and prosecution teams become engaged in brinkmanship designed to sway the jury one way or another. Ted Tally's screenplay makes a number of similar points, but the narrative begins to drift around the halfway mark and never really recovers. Some will be won over by the cast and production values, others won't be so forgiving.
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