The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
Respected liberal Senator Joe Tynan is asked to lead the opposition to a Supreme Court appointment. It means losing an old friend and fudging principles to make the necessary deals, as well... See full summary »
A drama exploring the romantic past and emotional present of Ann Grant and her daughters, Constance and Nina. As Ann lays dying, she remembers, and is moved to convey to her daughters, the defining moments in her life 50 years prior, when she was a young woman. Harris is the man Ann loves in the 1950s and never forgets.
When teenage son Jacob is being accused of murdering his girlfriend, the well-respected and close-knit Ryan family is in turmoil. Jacob flees, father Ben destroys possible evidence, the village community turns hostile and mother Carolyn is forced to temporarily close her doctor's practice. Then Jacob gets arrested and soon finds himself and his family entangled in a web of truth, trust and lies, all on his way to court. Written by
Swie Tio <email@example.com>
In the scene where Meryl Streep enters a court room to appear in front of the grand jury in the front row (in the middle of the frame) sits a young Paul Giamatti as an extra his head turned around to have a look at her. See more »
When Ben and Jacob pull to the side of the road and get out of the car to talk, the right blinker is on. When they get back in, the blinker is off. See more »
[Jude visits her and Jake's tree house]
Jake? I know you don't wanna talk, but I just need to see you. Can I come up? Please?
[No response. Jude turns away, dejected. Then, the ladder falls down. Jude climbs up]
Can I just ask you one question?
[Jake says nothing]
Did you ever really go anywhere, Jake?
[Jake still says nothing]
Okay. That's cool. I understand. But, just so you know, when you were in that jail, I tried to come. They wouldn't let me. Jake, I really wanted to see you. They act like ...
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A middle-class New England family is forced to confront a range of difficult issues when the eldest child (Edward Furlong) is accused of murdering his girlfriend (Alison Folland).
Barbet Schroeder's earnest drama looks and feels like a big-screen TV movie, toplined by A-list stars and filmed with professional elegance on wintry New England locations. Schroeder struggles to avoid melodrama and mawkishness, resulting in a lack of tension, as parents Meryl Streep and Liam Neeson become torn between protecting their son and telling the truth about his possible involvement in Folland's death. Frustrated lawyer Alfred Molina makes the point that 'truth' has little or no bearing on the criminal justice system, where defence and prosecution teams become engaged in brinkmanship designed to sway the jury one way or another. Ted Tally's screenplay makes a number of similar points, but the narrative begins to drift around the halfway mark and never really recovers. Some will be won over by the cast and production values, others won't be so forgiving.
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