Based on the novel of the same name by Edith Wharton, it is about a husband and wife (Ethan and Zeena), who need an extra hand around the house due to Zeena's debilitated body and constant ... See full summary »
When Bessie Faro's husband Johnny dies in a plane crash in Veracruz, Mexico, she finds that his air cargo business is deeply in the red. When she visits the airline's terminal in Veracruz, ... See full summary »
In 1959 Brighton, disgraced cop turned private detective Tony Aaron works largely on falsifying adulteries for use as evidence in divorce cases. He involves his wife as the fictional ... See full summary »
Laura San Giacomo,
When teenage son Jacob is being accused of murdering his girlfriend, the well-respected and close-knit Ryan family is in turmoil. Jacob flees, father Ben destroys possible evidence, the village community turns hostile and mother Carolyn is forced to temporarily close her doctor's practice. Then Jacob gets arrested and soon finds himself and his family entangled in a web of truth, trust and lies, all on his way to court. Written by
Swie Tio <email@example.com>
In the scene where Meryl Streep enters a court room to appear in front of the grand jury in the front row (in the middle of the frame) sits a young Paul Giamatti as an extra his head turned around to have a look at her. See more »
When Ben and Jacob pull to the side of the road and get out of the car to talk, the right blinker is on. When they get back in, the blinker is off. See more »
[Jude visits her and Jake's tree house]
Jake? I know you don't wanna talk, but I just need to see you. Can I come up? Please?
[No response. Jude turns away, dejected. Then, the ladder falls down. Jude climbs up]
Can I just ask you one question?
[Jake says nothing]
Did you ever really go anywhere, Jake?
[Jake still says nothing]
Okay. That's cool. I understand. But, just so you know, when you were in that jail, I tried to come. They wouldn't let me. Jake, I really wanted to see you. They act like ...
[...] See more »
The locations are pleasing to the eye, and Meryl Streep is effortlessly convincing as the mother. But Liam Neeson's performance doesn't ring true for a moment, Edward Furlong appears to be less shocked by the gruesome events than simply stoned, and the outcome of the plot is awkward and unconvincing. "Before and After" is basically a small-scale family melodrama that belongs on the TV screen; without these high-profile actors, I wonder if it would ever have gotten theatrical distribution. (**1/2)
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