Nick Beam's life couldn't get any worse. He discovers he has been living a lie and is on the verge of a nervous breakdown. So when T. Paul, a carjacker, attempts to rob him, it is the last ... See full summary »
John C. McGinley
Our intrepid adolescent heroes wake up to find their beloved television stolen, and embark on an epic journey across America to recover it, and, who knows, maybe even score. On the way they encounter a murderous smuggler of a deadly virus and his treacherous wife, an FBI agent with a predilection for cavity searches, a couple of rather familiar looking ex-Motley Crue roadies, Mr. Van Dreesen singing "Lesbian Seagull", a little old lady and of course Mr. Anderson and his trailer. Can the Great Cornholio save the day? Uh-huh. Huh-huh. Written by
Martin H. Booda <email@example.com>
The version of "Walk on Water" on the official soundtrack is not the version that is heard in the movie. The version you hear in the movie is actually the 'demo' version, and it appears on Disc 2 of Ozzy Osbourne's 'Prince of Darkness' boxed set. See more »
When Beavis looks out the window when the plane is taking off, the old woman next to him vanishes. A few seconds later, she reappears. See more »
Boy, I tell you what, it really makes ya proud. I could stay in here all day.
Sir, I'm gonna have to ask you to leave.
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The opening credits sequence is done in a style that spoofs 70s cops shows, and features an Isaac Hayes song, which could be considered a style parody of the theme to Shaft. See more »
Beavis and Butthead Do America is as funny (if not funnier) than the television show. It looks at the two morons like never before (with intelligence). The plot involves the duo on a cross-country odyssey to "score". Along the way, we overhear the voices of Robert Stack, Cloris Leachman, Eric Bogosian, Demi Moore, Bruce Willis, Greg Kinnear and David Letterman. And of course, Mike Judge (who directed, co-wrote and voiced 5 characters) who created this (God help me for saying) satirical masterpiece brings this film to a fine edge that isn't lost years later. For it's fans it's entertaining, in spots hysterically funny, and even cool to an extent; it's a film that, in a way, should get more credit than it got, but as a film on a level of 'cult' status it ranks in the background of other comedy peaks from the X-ers of the 90s. Where else will you get Dave Letterman playing former Motley Crue roadies turned drifters?
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