Nick Beam's life couldn't get any worse. He discovers he has been living a lie and is on the verge of a nervous breakdown. So when T. Paul, a carjacker, attempts to rob him, it is the last ... See full summary »
John C. McGinley
Our intrepid adolescent heroes wake up to find their beloved television stolen, and embark on an epic journey across America to recover it, and, who knows, maybe even score. On the way they encounter a murderous smuggler of a deadly virus and his treacherous wife, an FBI agent with a predilection for cavity searches, a couple of rather familiar looking ex-Motley Crue roadies, Mr. Van Dreesen singing "Lesbian Seagull", a little old lady and of course Mr. Anderson and his trailer. Can the Great Cornholio save the day? Uh-huh. Huh-huh. Written by
Martin H. Booda <firstname.lastname@example.org>
The white trash hoodlums that steal Beavis and Butt-Head's TV are not unique to the movie. Their names are Ross and Harlan, and they previously appeared on the series robbing Stewart's house. See more »
When the ATF storms Dallas' hotel room and Fleming threatens Dallas with a cavity search, Agent Hurley's hair changes from red to black to red again from each shot. See more »
[in a church confession booth]
I'm sorry. How many Hail Marys?
A thousand. And I want you to hit yourself, right now.
Yeah. Do it.
[the man hits himself]
Yeah, yeah, yeah. Harder.
See more »
The opening credits sequence is done in a style that spoofs 70s cops shows, and features an Isaac Hayes song, which could be considered a style parody of the theme to Shaft. See more »
I know a lot of you who have never seen Beavis and Butthead probably think very little of the show based on the low-brow nature of it (I was one of them), but if you give this movie a chance you'll see that it's actually as well written and at times as, dare I say, subtle as King of the Hill.
Beavis and Butthead have their TV stolen and when trying to get it back are mistaken for hit men by drunken drunk Muddy Grimes (Bruce Willis, as I was rather shocked to find out once the credits rolled), who sends them on a mission to 'do his wife' Dallas. Misinterpreting this as any horny teenagers would, B+B head to Las Vegas to carry out the terrible act. But we discover (they don't, however) that Dallas and Muddy are part of international weapons conspiracy and our two teen-aged heroes are being set-up to take the blame.
So, as they take off across the country, causing absolute mayhem wherever they go, the ATF closely follow, giving full body cavity searches to everyone and anyone they meet at the order of head honcho Agent Flemming (the late Robert Stack), who comes out with some brilliant, deadpan one-liners. The set-pieces are wonderful and the mushroom-induced dream sequence by Rob Zombie looks amazing.
Mike Judge's animation style also brilliant. Avoiding bright, primary colors used in shows such as The Simpsons, Family Guy and Futurama, he uses mainly softer colors, pencil-effect scenery and water-color backgrounds. It's a sort of calming, easy-going animation style that he's totally made his own.
You should totally check-out this movie. Don't be put off by what you may have heard or may think of Beavis and Butthead. You'll be conning yourself out of loads of laughs if you do.
And look-out for Daria Morgendorfer in the 'Lesbian Seagull' scene.
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