In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
After his gay cousin dies from hepatitis, young Laurent, who lives with his best friend Carole, falls in love with Cedric, a plant scientist. He's afraid to inform his conservative parents that he is gay.
A tender love story set during a hot summer on a South-East London housing estate. Jamie, a relatively unpopular lad who bunks off school to avoid football, lives next door to Ste, a more popular athletic lad but who is frequently beaten up by his father and older brother. Such an episode of violence brings Jamie and Ste together: Sandra (Jamie's mum) offers refugee to Ste, who has to 'top-and-tail' with Jamie. Hence, the story tells of their growing attraction for one another, from initial lingering glances to their irrefutable love, which so magnificently illustrated at the end of the film. In deals with the tribulations of coming to terms with their sexuality and of others finding out, in light of Sandra's unwavering loyalty and defence of Jamie and the fear of repercussion should Ste's family find out. The plot is set against sub-texts of Sandra's desire to manage her own pub, and thus escape the estate, and of her new relationship with her hippy boyfriend Tony; and of Leah, the ... Written by
Mark Edwards <email@example.com>
When Ste and Jamie are talking outside at the party, it's cold enough that you can see thin fog from their breath, even though it's supposed to be set during a heatwave. Occasionally, other almost-invisible puffs of fog appear behind Ste (probably from crew members), even though they're supposed to be alone. See more »
What happened? School burned down, did it?
What was it this time? IRA bomb?
Fundamentalist Muslim pyromaniacs.
Oh, funny, that. Looked all right when I walked past it.
See more »
Never have I seen such a simple film that was so satisfying. The screenwriter dealt with the issue of homosexuality among teenagers in a realistic and smart manner. Every time the film becomes a little too dramatic, the director has something funny happen to lighten the atmosphere, which makes for a sweet and touching film. Also, all the characters are complex, so that bad characters do good things and good characters do bad things. Nobody is perfect and nobody is all bad, which makes the film even more realistic. It's similar to the more recent Get Real, but Beautiful Thing is definitely better. This is without a doubt my favorite gay film. Only the British can make a film this good!
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