| Photos (See all 45 | slideshow) | Videos |
| Matt Dillon | ... | Tommy 'Birdman' Rowland | |
| Noah Emmerich | ... | Michael 'Mo' Morris | |
| Annabeth Gish | ... | Tracy Stover | |
| Lauren Holly | ... | Darian Smalls | |
| Timothy Hutton | ... | Willie Conway | |
| Rosie O'Donnell | ... | Gina Barrisano | |
| Max Perlich | ... | Kev | |
| Martha Plimpton | ... | Jan | |
| Natalie Portman | ... | Marty | |
| Michael Rapaport | ... | Paul Kirkwood | |
| Mira Sorvino | ... | Sharon Cassidy | |
| Uma Thurman | ... | Andera | |
| Pruitt Taylor Vince | ... | Stanley 'Stinky' Womack | |
| Anne Bobby | ... | Sarah Morris | |
| Richard Bright | ... | Dick Conway | |
| Sam Robards | ... | Steve Rossmore | |
| David Arquette | ... | Bobby Conway | |
| Adam LeFevre | ... | Victor (as Adam Le Fevre) | |
| John Carroll Lynch | ... | Frank Womack | |
| Sarah Katz | ... | Kristen Rossmore | |
| Camille D'Ambrose | ... | Sharon's Mother | |
| Martin Ruben | ... | Chip | |
| Tom Gibis | ... | Peter the Eater | |
| Allison Levine | ... | Waitress at Moonlight Mile | |
| Earl R. Burt | ... | Bartender | |
| Greg Dulli | ... | Lead Singer, Afghan Whigs (as Gregory Dulli) | |
| Trent Nicholas Thompson | ... | Michael Morris, Jr (as Trent Nicholas Thompson 'TNT') | |
| Nicole Ranallo | ... | Cheryl Morris | |
| Joyce Lacey | ... | Reunion Classmate #1 | |
| Matthew Nathan Castens | ... | Reunion Classmate #2 | |
| Anne W. Erickson | ... | Coffee Shop Waitress | |
| Oliver Osterberg | ... | Drinker #1 (as Ollie Osterberg) | |
| Sterling Robson | ... | Drinker #2 | |
| Edward Kaspszak | ... | Drinker #3 | |
| John Scurti | ... | Ticket Agent | |
| Herbie Ade | ... | Bar Owner (as Herbert Ade) | |
| Ben Gooding | ... | Customer | |
| Frank Anello | ... | Irv | |
| Lucky the Saint Bernard | ... | Elle MacPherson | |
| rest of cast listed alphabetically: | |||
| Tammara Melloy | ... | Bowler (uncredited) | |
| Lori J. Ness | ... | Women on the Street (uncredited) | |
| Rachel Oliva | ... | High School Alumna (uncredited) | |
| Tomas Settell | ... | Male Nurse (uncredited) | |
Directed by | |||
| Ted Demme | |||
Writing credits(WGA) | ||
| Scott Rosenberg | (written by) | |
Original Music by | |||
| David A. Stewart | |||
Cinematography by | |||
| Adam Kimmel | (director of photography) | ||
Film Editing by | |||
| Jeffrey Wolf | |||
Casting by | |||
| Margery Simkin | |||
Production Design by | |||
| Dan Davis | |||
Art Direction by | |||
| Peter Rogness | |||
Set Decoration by | |||
| Tracey A. Doyle | |||
Costume Design by | |||
| Lucy W. Corrigan | |||
Makeup Department | |||
| Mustaque M. Ashrafi | .... | second makeup artist (as Mustaque Ashrafi) | |
| Deborah Ann Piper | .... | key hair stylist | |
| Martie Schribner | .... | body makeup artist | |
| Roxanne Wightman | .... | hair stylist | |
| Cindy J. Williams | .... | key makeup artist | |
| Deborah Lake | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Judith Lyn Brown | .... | post-production supervisor | |
| Richard J. Gelfand | .... | unit production manager (as Richard Gelfand) | |
| Meryl Poster | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Marcei A. Brown | .... | second assistant director (as Marcei A. Brubaker) | |
| Philip Elins | .... | second second assistant director | |
| Josh King | .... | first assistant director | |
Sound Department | |||
| Tim J. Carroll | .... | stereo sound consultant: Dolby Stereo (as Tim Carroll) | |
| Missy Cohen | .... | assistant adr editor | |
| William G. Flick | .... | boom operator (as Billy Flick) | |
| Peter Giebink | .... | cable person | |
| Tod Holcomb | .... | assistant dialogue editor | |
| Kenton Jakub | .... | adr editor | |
| Hal Levinsohn | .... | foley editor | |
| Stuart Levy | .... | supervising sound editor | |
| Bill Nisselson | .... | studio manager | |
| Melanie Ryder | .... | assistant sound editor | |
| James Thornton | .... | production sound mixer | |
| Magdaline Volaitis | .... | dialogue editor | |
| Peter Waggoner | .... | sound re-recording mixer | |
| Stuart Emanuel | .... | sound editor (uncredited) | |
| Tod Holcomb | .... | dialogue editor (uncredited) | |
| Brian Vancho | .... | foley artist (uncredited) | |
Special Effects by | |||
| Kenneth Coulman | .... | first assistant special effects | |
| Matt Eder | .... | special effects intern | |
| Allan Martin | .... | special effects intern | |
| Aron D. Peterson | .... | special effects intern (as Aron Peterson) | |
| Jason Pinksy | .... | special effects intern | |
| Dieter Sturm | .... | special effects coordinator | |
| Yvonne Sturm | .... | special effects foreman | |
Visual Effects by | |||
| Daniel Leung | .... | digital compositor | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator | |
| John Copeman | .... | stunts | |
| Norman Douglass | .... | stunts | |
| Denney Pierce | .... | stunts | |
| Keith Siglinger | .... | stunts | |
Casting Department | |||
| Lynn Blumenthal | .... | casting: Minneapolis | |
| Nancy Briggs | .... | casting assistant: Minneapolis | |
| Lilly Choroles | .... | extras casting (as Lilly Chorolec) | |
| Carol McCormick | .... | extras casting assistant | |
| Eric Zuckerman | .... | casting assistant: New York | |
Costume and Wardrobe Department | |||
| Anna Abbey | .... | set costumer | |
| Jeannine Bourdaghs | .... | set costumer | |
| Kathy Kiatta | .... | wardrobe supervisor (as Kathleen Kiata) | |
| Trina Mrnak | .... | assistant costume designer | |
| Danielle Valenciano | .... | wardrobe assistant | |
Editorial Department | |||
| John Gilroy | .... | associate editor | |
| Mark Ginsberg | .... | color timer | |
| Sonia Gonzalez-Martinez | .... | assistant film editor (as Sonia N. Gonzalez) | |
| Todd Woody Richman | .... | apprentice film editor (as T. Woody Richman) | |
| Debra C. Victoroff | .... | assistant film editor | |
| Joe Violante | .... | dailies advisor | |
| Tom San Martin | .... | negative matcher (uncredited) | |
| Arnold Shuster | .... | negative matcher (uncredited) | |
| Patricia Sztaba | .... | negative matcher (uncredited) | |
| Stan Sztaba | .... | negative matcher (uncredited) | |
Music Department | |||
| Andy Brown | .... | orchestra contractor | |
| Terry Disley | .... | musician: piano and keyboards | |
| Hannah Eichler | .... | assistant music coordinator: Eligible Music Ltd. | |
| Nida Fernandez | .... | assistant music coordinator: Eligible Music Ltd. | |
| Matthias Gohl | .... | conductor | |
| Matthias Gohl | .... | music arranger | |
| Matthias Gohl | .... | orchestrator | |
| Matthias Gohl | .... | score co-producer | |
| Eileen Gregory | .... | music coordinator: Eligible Music Ltd. | |
| Brian Harrison | .... | assistant music coordinator: Eligible Music Ltd. | |
| Todd Kasow | .... | music editor | |
| Stephen McLaughlin | .... | score co-producer (as Steve McLaughlin) | |
| Stephen McLaughlin | .... | score engineer (as Steve McLaughlin) | |
| Jill Meyers | .... | music clearances | |
| Heather Mullen | .... | assistant music editor | |
| Lise Price | .... | assistant music coordinator: Eligible Music Ltd. | |
| Amanda Scheer-Demme | .... | music supervisor | |
| Chris Sharrock | .... | musician: drums | |
| Alex Silva | .... | music programmer | |
| David A. Stewart | .... | musician: guitar | |
Transportation Department | |||
| Curtis Wade Anderson | .... | driver | |
| William Beamish | .... | driver | |
| David 'Grover' Cleveland | .... | driver | |
| Andy DeNicholas | .... | driver (as Andy Denicholas) | |
| Fulton 'Greg' Gilson | .... | transportation captain (as Greg Gilson) | |
| John Harrington | .... | driver | |
| Don Johnson | .... | driver | |
| Jim Kelly | .... | driver | |
| Stephen Kenney | .... | driver | |
| Kevin Robert Kisch | .... | driver | |
| Mike LaBorde | .... | driver | |
| William LaBorde | .... | driver | |
| Joe LaHood | .... | driver | |
| Greg Mattson | .... | driver | |
| Jerome McGrew | .... | transportation co-captain | |
| Doug Nelson | .... | driver | |
| Wayne Nelson | .... | transportation coordinator | |
| Gary Olander | .... | driver | |
| Linda Olson | .... | transportation co-captain | |
| James Rodgers | .... | driver | |
| Denny Schusted | .... | driver (as Dennis Schusted) | |
| Mike Shannon | .... | driver | |
| Jerry Shore Jr. | .... | driver (as Jerry Shore) | |
| Leo Skudlarek | .... | driver | |
| Bradley D. Vars | .... | driver | |
Other crew | |||
| Nick Addison | .... | additional scoring engineer | |
| Davin Anderson | .... | location projectionist | |
| Craig Bankey | .... | unit publicist | |
| Dan Bedard | .... | coach: ice skating | |
| Melanie Bell | .... | assistant: Mr. Blomquist | |
| Debra Blondeau | .... | welfare worker | |
| Ben Bowman | .... | set production assistant | |
| Chad Brokaw | .... | office assistant | |
| Lisa Cofini | .... | post-production accountant | |
| Andrew Cohen | .... | location scout | |
| Jill S. Coverdale | .... | production secretary | |
| Martha Fox | .... | publicity intern | |
| Adam Geiger | .... | location production assistant | |
| Gary Gratz | .... | piano instructor: Mr. Hutton | |
| Jim Gregory | .... | catering: Hall of Fame Catering | |
| Chris Hall | .... | stand-in | |
| Gretchen Hatz | .... | office assistant | |
| Anne Healy | .... | assistant location manager | |
| Matthew Heien | .... | location production assistant | |
| Robbi Lynn Hiltz | .... | animal trainer | |
| West Humphries | .... | catering: Hall of Fame Catering | |
| Nancy Kaufman | .... | coach: ice skating | |
| Tim Kinzy | .... | set production assistant | |
| Eli Kujolic | .... | craft service | |
| Nick Lauren | .... | stand-in (as Nick Sherfranski) | |
| Karen Manion | .... | set production assistant | |
| Donna McLeer | .... | assistant: Mr. Demme (as Donna Cintorrino) | |
| Julie McMahon | .... | stand-in | |
| Neil Meyer | .... | legal services: Alexander, Hallorand, Nau & Rose | |
| Gina Mingacci | .... | assistant: Ms. Konrad | |
| Catherine Moad | .... | set medic | |
| Rachel Morse | .... | second assistant auditor | |
| Peter L. Mullin | .... | set production assistant | |
| Rosemary Orlando | .... | assistant production coordinator | |
| Andrew Peterson | .... | location manager | |
| Wendy Lee Roberts | .... | script supervisor (as Wendy L. Roberts) | |
| Billy Rose | .... | legal services: Alexander, Hallorand, Nau & Rose | |
| Peggy Rosson | .... | production accountant (as Peggy Ann Rosson) | |
| Alyce Sande | .... | craft service | |
| Cas Schwabe | .... | assistant: Mr. Woods | |
| Lizzie Schwartz | .... | assistant: Mr. Woods | |
| Charles Smith | .... | stand-in | |
| Amy L. Sundby | .... | craft service assistant (as Amy Lee Sundby) | |
| Joshua Sundby | .... | location production assistant (as Joshua A. Sundby) | |
| Michael Swafford | .... | first assistant auditor | |
| Shelly A. Tanning | .... | publicity intern (as Shelly Tanning) | |
| Steve Thomason | .... | travel: Sundance Travel | |
| Ron Wechsler | .... | assistant: Mr. Woods | |
| Teresa M. Yarbrough | .... | production coordinator | |
| Randall Balsmeyer | .... | title designer (uncredited) | |
| Nathaniel Bonini | .... | location manager: New York (uncredited) | |
| Kurt W. Gensmer | .... | set medic (uncredited) | |
| David H. Kramer | .... | adr loop group (uncredited) | |
| Shelly A. Tanning | .... | stand-in (uncredited) | |
| Bill Timoney | .... | adr voice group (uncredited) | |
| Zach Wolf | .... | adr loop group (uncredited) | |
Thanks | |||
| Randy Adamsick | .... | special thanks | |
| Mary Bohmbach | .... | special thanks | |
| Douglas Haugland | .... | special thanks | |
| Jackie Haugland | .... | special thanks | |
| Randy Jackson | .... | special thanks | |
| Nile Kriesel | .... | special thanks | |
| Kelly Pratt | .... | special thanks | |
| Jackie Saustrom | .... | special thanks | |
| Russ Saustrom | .... | special thanks | |
| Dan Stern | .... | special thanks | |
| Nana Stern | .... | special thanks | |
| Janet Zahn | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
(Maybe you should read this after watching the movie. I don't know if reading it before will spoil it for you--I doubt it, in fact, but you never know.)
Being the typical unmarried man, I rented "Beautiful Girls" because of its attractive title. I had no idea it could be so moving or endearing. I may be just getting soft, but it was one of the few films I have thought about for more than 72 hours after I saw it.
Aside from all the sexual content, swearing, etc., the dialogue between Marty (the now beautiful Natalie Portman) and Willie (my favorite actor, Timothy Hutton) is nothing short of astounding. Willie is enchanted and attracted to this little 13-year old girl next door. As they exchange more and more conversation, he realizes her great potential and even dreams about how he might just be able to wait ten years and maybe marry her.
The scene in which Willie discusses his feelings with Mo, his married friend was the turning point of the story. Willie realizes that, even if she had a love-at-first-sight crush on him, she would drift away as she matures; she would find someone closer to her own age, and Willie would become just some silly old man she met when she was young and had a ridiculous, immature attraction to. He realizes that by just being her friend, he will be able to keep her in a much more real way than if he tries to wait for her to be his lover.
But the one scene I will remember forever, the most perfect scene in the entire movie, in which the dialogue seemed neither forced nor over-elongated, was the scene in the ice-skating rink with Marty and Willie. Marty tells Willie all the things he would have liked to hear before his talk with Mo. She would marry him after they waited five years, etc. The association Willie makes with Winnie the Pooh and Christopher Robins is so beautiful it almost made me cry. (Not really, but you get the point). He gives her a good taste of reality, and she seems mature enough to understand.
In a later scene, Willie tells Marty that he would like to continue being a friend, even a mentor to her, and he has total confidence that whatever she does will be amazing.
There are about three other stories intertwined into the movie, but the Portman-Hutton line stands out as the superior.
Overall, a wonderful movie to which they should have given a title that would attract people with the ability to be moved.
P.S. The funniest part of the entire movie is the confused look Willie and Paul exchange after Mo gives unusually-phrased threats to Steven, who beat up their friend. You have to have seen the movie to understand