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Beaumarchais the Scoundrel (1996)
"Beaumarchais l'insolent" (original title)

6.8
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Ratings: 6.8/10 from 815 users  
Reviews: 7 user | 14 critic

The life story of the titular Beaumarchais (Fabrice Luchini), playwright and adventurer, who gets himself into numerous different scrapes and romantic encounters in 18th Century France.

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(inspired: Librement inspiré de l'oeuvre inédite de), (scenario, adaptation and dialogue), 1 more credit »
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Title: Beaumarchais the Scoundrel (1996)

Beaumarchais the Scoundrel (1996) on IMDb 6.8/10

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Cast

Cast overview, first billed only:
...
...
...
...
Jean-François Balmer ...
Sartine
...
Abbot
...
Monsieur Lejay
Evelyne Bouix ...
...
Rosine
José Garcia ...
...
Le courtisan à Versailles
Pierre Gérard ...
...
...
Lord Rochford
Axelle Laffont ...
Mariette Lejay
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Storyline

The life story of the titular Beaumarchais (Fabrice Luchini), playwright and adventurer, who gets himself into numerous different scrapes and romantic encounters in 18th Century France. Written by Jonathan Broxton <j.w.broxton@sheffield.ac.uk>

Plot Summary | Add Synopsis

Taglines:

A most remarkable true story of love affairs, scandals and espionage.


Certificate:

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Details

Country:

Language:

Release Date:

17 October 1997 (USA)  »

Also Known As:

Beaumarchais the Scoundrel  »

Filming Locations:

 »

Box Office

Budget:

FRF 95,000,000 (estimated)

Opening Weekend:

$27,216 (USA) (24 October 1997)

Gross:

$630,269 (USA) (12 December 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Daniel Auteuil was first considered for the title role. See more »

Quotes

Pierre-Augustin Caron de Beaumarchais: By "we", I mean France.
See more »

Connections

Featured in Bouillon de culture: Beaumarchais (1996) See more »

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User Reviews

 
Where is the Sacha Guitry wit?
1 July 2010 | by (Toronto, Ontario, Canada) – See all my reviews

It's easy to understand why Guitry would write a play about Beaumarchais, a man of action, a wit and a man of the theatre he would have obviously admired. What is not as clear is how much of his original intention was wasted in this dreary production. The characters are charmless, witless and move in and out much too quickly for any of the cameo players to make any distinct impression.

Worst of all, the actors give in to the worst temptation they could have felt, which is to play in an unconvincing pedantic, precious and yet anachronistic manner, something Guitry would never have allowed in one of his plays. The worst offender is Fabrice Luchini, who doesn't look anything like the original Beaumarchais and has to be most prissy and effeminate heterosexual alive today. His "moues", "oeillades", "plissements de lèvres", egg-sucking and neck-twisting mannerisms succeed in nothing more than a rather good impression of Eric Idle playing an upper-class frump in drag.

The script doesn't spend a single minute pondering the gravity of the title character's situation as the man who wrote the play that arguably brought about the French Revolution. His motivation is never explained apart from the fact that he was left holding the bag of the expenses he incurred helping the American Revolution. In that sense, the film is extremely superficial and potentially libellous.

Its only qualities lie in its original locations (including creaky floors that should have been corrected with a little Foley work), its magnificent score by Jean-Claude Petit (Cyrano de Bergerac, 1990) and its costumes. It is unfortunate that the latter most often end up wearing the players rather than the other way around.

In short, this film is a discredit to both Beaumarchais and Guitry.


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