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Bastard Out of Carolina (1996)

 -  Drama  -  15 December 1996 (USA)
7.4
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Ratings: 7.4/10 from 3,152 users   Metascore: 75/100
Reviews: 59 user | 14 critic | 11 from Metacritic.com

Difficult tale of poor, struggling South Carolinian mother & daughter, who each face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, ... See full summary »

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Title: Bastard Out of Carolina (1996)

Bastard Out of Carolina (1996) on IMDb 7.4/10

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Won 1 Primetime Emmy. Another 5 wins & 13 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Glen Waddell
...
Aunt Ruth
...
Wade
...
...
Lyle Parsons
...
...
...
Aunt Raylene
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Alma
...
Richard Todd Sullivan ...
Travis
...
Mr. Waddell
...
Reese
Jamison Stewart ...
Grey
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Storyline

Difficult tale of poor, struggling South Carolinian mother & daughter, who each face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, grow both closer and farther apart: Anney sees Glen as her last chance. Written by Lew Jacobs <titus@idirect.com>

Plot Summary | Add Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for strong depiction of sexual and violent abuse, including a rape scene involving a young girl | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 December 1996 (USA)  »

Also Known As:

Abuso a la inocencia  »

Filming Locations:


Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Ron Eldard spent a lot of time playing sports with Jena Malone so they would both feel comfortable performing the scenes in which he is physically abusing her. He claimed that in no scene did inappropriate contact with Malone take place, and that for scenes in which he appears to grab her by the throat, he is actually only holding her by his fingertips. Eldard was adamant that the graphic depiction of sexual abuse and rape was a necessity for the film. See more »

Goofs

(00:12:57) Dermot Mulroney's character (Lyle Parsons) is driving along a road past a modern looking house with a very modern looking red truck parked in the driveway. See more »

Quotes

[first lines]
Narrator: "People pay for what they do, and still more for what they allow themselves to become. And they pay for it simply; by the lives they lead." James Baldwin.
See more »

Soundtracks

I Want To Be With You Always
Written by Jim Beck and Lefty Frizzell
Performed by Lefty Frizzell
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Messy Southern Gothic with too many characters and a lumpy narrative...
13 May 2008 | by (las vegas, nv) – See all my reviews

Anjelica Huston, an unequivocally wise and intuitive actress, takes on a dark, rambling Southern tale for her first directorial effort, an adaptation of Dorothy Allison's book with so many peaks and valleys it plays like a chopped up TV mini-series, the CliffsNotes version. Story centers on an illegitimate young girl (Jena Malone) in the South during the 1950s and her woebegone waitress-mother (Jennifer Jason Leigh), who has had terrible luck with men. Seems her third husband (Ron Eldard) has a violent streak when provoked, and when he begins lashing out at the child in both violent and sexual ways, relatives step in to help her. Rare to find a cast so full of solid acting talent, yet this script takes great pains to introduce characters without giving them anything to do (some of the relatives, like the uptown cousin played by Christina Ricci or Dermot Mulroney's doomed Husband #2, appear and disappear in record time). The central performances are fine, with pre-teen Malone doing some very nice work; a child actress with a solemn reserve and faraway eyes, Malone is perhaps too studied in her approach (she isn't an untrained natural), yet Huston handles her gently and some of the strongest moments are the ones where Malone is allowed to take a breath and emote. However, this film, a failed theatrical effort which was sold instead to cable television, is packed (or padded, as it were) with short-hand tragedy, and the editing is so poor and the narrative so confusing you might need a scorecard to keep up with all the melodrama. Despite her sensitivity in staging some shattering scenes, Huston doesn't allow the picture to flow, to absorb the audience. It's jagged and piqued, and one recoils from it instead of being drawn into the plot. ** from ****


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why wasnt the director arrested? biggnidogg
Did the mom go back to the molestor??? brooks2165
Disgusting! Ron kisses poor Jena !! inconvulsions
The only problem I have MariaDeluca
Birth Certificate pinchhitter1234
unclear about first molestation scene.... Xxsgt_pepperxX
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