Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is "...
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Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is "discovered" by Andy Warhol's art world and becomes a star. But success has a high price, and Basquiat pays with friendship, love, and eventually, his life. Written by
Martin Lewison <firstname.lastname@example.org>
Benicio Del Toro wanted to appear in the movie so much, he did the movie for scale, but offered the producers the chance to not pay him for his role. See more »
When Jean Michel discovers that Andy Warhol has died (which occurs in the mid-'80s) there is the store X-Large in the background. X-Large, (created by Mike D from the Beastie Boys) did not open or have clothing until the early nineties. See more »
Everybody wants to get on the Van Gogh boat. There's no trip so horrible that someone won't take it. The idea of the unrecognised genius slaving away in a garret is a deliciously foolish one. We must credit the life of Vincent Van Gogh for really sending this myth into orbit. I mean, how many pictures did he sell, one? He couldn't give them away. He has to be the most modern artist, but everybody hated him. He was so ashamed of his life that the rest of our history will be ...
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At the very end of the credits, a short clip showing a surfer riding on a wave is displayed. It's very similar to the surfing/wave shots that Basquiat keeps seeing whenever he looks up to the sky during the movie, but it's in full color instead of being blue-tinted. See more »
of Jean Michel Basquiat and the art world of the 80's. Granted, the film is a bit abstruse, and some viewers have complained about the music tracks (actually Basquiat's own music from his band); but it does serve to show the disaffected life of an artist, who seemed to gain fame, money, and fair-weather friends, despite himself.
Jeffrey Wright is very understated, but believable as Basquiat. Apparently he and his father were estranged, until he became famous. Then everyone wanted something from him. Not just another story of fame and its vices, however; because the film does NOT show his life as glamorous, indeed once he has "made it" we still see him dining at Lutece, people critiquing, being unaccepting of him as a person. Perhaps in real life this was one of the sources of his insecurities, and reason for his drug addiction. Certainly, if one believes even half of what is written about the NY art world- it cannot have been a forgiving place.
That aside, the film also has some interesting cameos, David Bowie as Warhol is excellent, Dennis Hopper as the Zurich art dealer, Bruno Bischofsburger is very believable. An amusing cameo with Christopher Walken as a James Lipton character; a pretentious interviewer. The only annoying performance was Parker Posey, as gallery owner Mary Boone, who perhaps portrayed this person too close to the mark.
Keeping in mind that Basquiat was under age 30 when he died, this story is credible. An artist who rose too fast, was used and discarded- apparently in real life Basquiat had a tendency to be generous, and gave away many of his paintings. There is one scene where he is beaten up so two street people can take steal a "SAMO" inscription on a piece of metal.
The visuals are also noteworthy, while an earlier review critiqued the surfboarding sequence, I find that a preferable segue to Basquiat's need to escape; apparently he owned a good deal of property in Hawai'i and spent time there as well.
The scenes with Claire Forlani are also effective, Basquiat's some-time girlfriend, we see her as a waitress, then a junkie, then a cleaned-up version, going to Columbia. The NY street sequences are realistic, It is not glamorous (though the accompanying jazz music is). It shows the schizophrenic nature of NY; Lutece, a homeless person sleeping outside, a man selling stuffed animals on the street, and Bruno Bischofsberger(Hopper) who mistakes Basquiat for a homeless person, trying to clean the windows on his Mercedes. Very realistic.
I highly recommend this film; it does not glamorize the story, and while it may not be completely accurate, it rings true, and portrays a life many artists may wish for, until they get it. 9/10
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