Mayor Stiles' daughter Donna is killed the night after a lousy date with the shy Mitch. Of course this makes him the main suspect. When Mitch gets free on bail, Styles hires ex-cop Mace to ... See full summary »
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21st century. USA. The second civil war. The whole country is in a state of emergency. What was formerly called the American Congress now rules with fascistic methods. There is only one free city left, Steel Harbor, headquarter for the resistance. This is the hometown of Barb Wire, owner of the night club Hammerhead. As times aren't good, Barb has a second job. She's a bounty hunter and you probably wouldn't want her after you. Barb's credo is to never take sides for anybody and that's the only way to survive these days. As her former lover Axel Hood appears asking for a favour, Barb suddenly finds herself to be key player on high political stage. Now she has to take sides... Written by
Although the film seems to contradict itself about what year it is set in (the year is twice said to be 2017 but later given as 2019) it is of course possible that over a year could have passed between the scene of Barb looking out at the city from the car and the torture scene. See more »
As the girl is being electrocuted on the table, her hair, which is spread out on the table, keeps changing position. See more »
Colonel Pryzer. Alexander Willis, Director of Police Operations. Welcome to Steel Harbor.
Wipe that smile off your face, Willis! This burned-out hellhole is the last place on Earth I want to be right now. And if it wasn't for your almost complete incompetence, I wouldn't be here in the first place. Would I?
Yes, well needless to say I intended to have both Krebs and Cora D extraditcated and sent back to Washington by now. However, due to circumstances...
Listen carefully, if Cora D...
[...] See more »
The opening credit sequence is one of the most famous in exploitation film history as Barb does a topless wet and wild dance as the credits roll. See more »
Feed her after midnight, get her wet, but, whatever you do, don't call her "Babe"!
Pamela Anderson Lee will certainly never be mistaken for a talking pig, especially in the outfits she gets to wear in Barb Wire. Pamela has cascading blonde hair down to there, acres of cleavage and plenty of clingy leather getups cut up to here. If you get distracted and call Ms. Wire the dreaded "B" word, you may find yourself dealing with her nasty-tempered Rottweiler, Camille, a sidekick with bite. This highly anticipated comic-book action/adventure, starring the pinup star of Baywatch, lasted only a short time in theaters before going bust, so to speak. I'm sure the backers couldn't care less, as their investment was made back in advance by tremendous worldwide sales. Barb Wire was sold on the star's face and form long before there was a story concept or anything resembling a script. Good thing, too. Yes, the futuristic plot does bear some parallels to Casablanca, but the family resemblance is strictly skin-deep. Barb is a nightclub owner who helps an old flame, now a freedom fighter, and his wife escape from a corrupt police official and some neo-Nazi types. Of all the gin joints in the world, Axel had to walk into Barb's. Barb has just been hosed down while performing a torrid dance onstage and is feeling, well, charitable. The movie gets off to a pretty good start, with tongue well in cheek, but grows wearisome when it forgets to laugh at itself. The explosions, shoot-outs and chases are eventually numbing. Must say, however, I did love the death-by-spike-heel scene which comes early on. Steve Railsback, as the head meanie, Colonel Pryzer, comes across as Tommy Lee Jones-lite. Ms. Anderson Lee, as Barb the Buxom, is game, however, firing oversized weapons and kicking fanny without mussing her makeup. Too bad they couldn't afford some better wigs for her stunt doubles.
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