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21st century. USA. The second civil war. The whole country is in a state of emergency. What was formerly called the American Congress now rules with fascistic methods. There is only one free city left, Steel Harbor, headquarter for the resistance. This is the hometown of Barb Wire, owner of the night club Hammerhead. As times aren't good, Barb has a second job. She's a bounty hunter and you probably wouldn't want her after you. Barb's credo is to never take sides for anybody and that's the only way to survive these days. As her former lover Axel Hood appears asking for a favour, Barb suddenly finds herself to be key player on high political stage. Now she has to take sides... Written by
The entire "Don't call me, Babe" leitmotif of Barb Wire comes from the original advertising for the Barb Wire Dark Horse comic book, in which she said those words to differentiate herself from a buxom, slightly airy comic book heroine named Babe by John Byrne. See more »
When Barb is fighting Krebs' bodyguards she opens the refrigerator door and throws one of the bodyguards into it. He lands halfway in so she closes the door as much as she can and shoots the guy twice through the door but in the next shot the bullet holes have disappeared. A few shots later however the bullet holes return but this time there's three instead of two. See more »
Colonel Pryzer. Alexander Willis, Director of Police Operations. Welcome to Steel Harbor.
Wipe that smile off your face, Willis! This burned-out hellhole is the last place on Earth I want to be right now. And if it wasn't for your almost complete incompetence, I wouldn't be here in the first place. Would I?
Yes, well needless to say I intended to have both Krebs and Cora D extraditcated and sent back to Washington by now. However, due to circumstances...
Listen carefully, if Cora D...
[...] See more »
The opening credit sequence is one of the most famous in exploitation film history as Barb does a topless wet and wild dance as the credits roll. See more »
first of all, i rated this film a 7 but not on a normal film scale. no, i rated it this on a cheesy so-bad-it's great level and in that respect this movie is well done.
first of all, Pamela Anderson literally looks like a barbie doll in this so a little typecasting is evident. she delivers her lines like a cyborg at times, she has a hard time keeping her fantastically huge breasts in her outfit during the film's 'action' scenes and the plot is, believe it of not, a ripoff of Casablanca!!
the rest of the actors deliver their lines in a tongue in cheek fashion that suits the film's cheesy and overdone demeanor.
the good thing is is that much of the dialogue is unintentionally hilarious and the use of slow motion is used during action scenes to highlight some unusual things (rent it to find out what i mean.)
a classic in the so-bad-it's-good genre and a showcase for how if you're going to make a bad film, put all your heart into it and pile the cheese until it's extra high.
rating:7 (on a cheese level) 3 (on a legitimate movie scale)
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