5.8/10
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14 user 5 critic

Back to Back (1996)

An ex-cop finds himself caught up in a battle between Japanese mobsters and local gangland thugs and discovers that he was framed for wrong-doings by a corrupt cop.

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(as Lloyd Keith),
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Cast

Cast overview, first billed only:
...
Bob Malone
...
Koji
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Chelsea
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Dussecq
Kô Takasugi ...
Hideo
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Psycho
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Leonardo
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Jimmy
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Thomas
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Loan Officer
Frank D'Amico ...
Delorenzo
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Wheelchair Guy
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Officer Jones
Yasushi Kojima ...
Joe Snapper
...
Deviant
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Storyline

An ex-cop finds himself caught up in a battle between Japanese mobsters and local gangland thugs and discovers that he was framed for wrong-doings by a corrupt cop. Written by John Sacksteder <jsackste@bellsouth.net>

Plot Summary | Add Synopsis

Plot Keywords:

yakuza | hitman | escape | mafia | revolver | See All (49) »

Taglines:

It's time to clean house

Genres:

Action | Drama

Motion Picture Rating (MPAA)

Rated R for strong violence | See all certifications »

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Details

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Release Date:

29 August 1996 (Germany)  »

Also Known As:

Back to Back: American Yakuza 2  »

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Did You Know?

Trivia

Was released as "American Yakuza 2" in the UK. See more »

Connections

References Star Trek (1966) See more »

Soundtracks

Every Time You Touch Me
Performed by Patti Page (as Patty Page)
Written by Finley Duncan
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User Reviews

 
Not great, but plenty violent
17 June 2008 | by See all my reviews

That terrific character actor Michael Rooker stars in the poorly titled BACK TO BACK, about a perpetually angry ex-cop caught up in a feud between the Japanese and American mobs. Against his better judgment, he teams up with a Yakuza killer (Ryo Ishibashi) to take down a capo who owes money to the Yakuza. The ex-cop's teen daughter (Danielle Harris of HALLOWEEN sequels fame) is along for the ride, and some of the best parts of the movie are the constant bickering between dad and daughter. Shot locally in L.A. and filled with Hollywood types in unnecessary cameos (Tim Thomerson, Bobcat Goldthwait, Fred Willard), the film leans heavily on Rooker, and he comes through as a divorced, aging dad with extreme anger management issues. Whatever the movie may lack otherwise, like a budget and a script, is at least partially made up for in the frequent, John Woo-style shootouts and fistfights, all of which are gorgeously bloody and well-staged. Good for insomniacs, like me. All others, approach with caution.


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