A corrupt local official, Xi Men Qing, who lusts after women and money, pursues his brother's young wife, Lee Ping Er. Ping finds Men attractive, and under her drunken husband's nose, she ... See full summary »
A special agent assigned to protect a wealthy business magnate. However, when the businessman is kidnapped in a daring ambush, he teams up with a seasoned detective to crack the case. But soon he discovers the case isn't that simple.
In the 1970s, the Hong Kong government enacted a policy that granted each male heir of New Territories villagers the privilege to build a house without paying any dues to the government. ... See full summary »
Set in 1920s Shanghai, Ma Zouri and Xiang Feitian establish a notorious beauty pageant called the Flowers Competition. All of the city's elite attend the gala event, but when Wanyan Ying ... See full summary »
Sayaka is a housewife living in an apartment complex. Her husband Yuji is always busy with work and they rarely have communication, let alone sex. Sayaka is surrounded by various neighbors ... See full summary »
ALL OF A SUDDEN (dir. Herman Yau) Although the film delivers a fairly innovative storyline, the production values and stagecraft skills are abysmal. The film opens with a man drunk driving through a metropolitan area looking for women to pickup, and he rear-ends another automobile. Suddenly, and without warning, a naked woman falls from an upper floor of an adjacent apartment building and lands on the roof of his car. All of this occurs within the first five minutes of the movie. No one in this opening scene is important to the story except the naked and very dead woman. The plot becomes inexplicably convoluted and slightly far-fetched, but the film evolves into the story of a man who is seeking retaliation for his wife's infidelity. She (the naked woman) was having an affair with her boss, and her husband is looking for retribution. Unfortunately, the script is nearly unintelligible because the subtitles seem to be interpreted by someone with only a passing knowledge of the English language. These subtitles are ridiculously and absurdly inexact and provide an unintentional comedic subtext to the film. Also, the text is difficult to read, takes up far to much of the screen, and the Mandarin translation is presented first, and then the English . This might have been a passable 'Potboiler Noir', but the overall execution is just too clumsy and unconvincing to take the finished product very seriously.
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