A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
When three blue collar acquaintances come across millions of dollars in lost cash they make a plan to keep their find from the authorities but find complications and mistrust weaving its way into their plan.
Billy Bob Thornton,
Three petty thieves who the police believe to be major criminals are chased into a basement bar where they take five hostages including all the bar employees. The rest of the movie deals with the cops lurking outside the bar while the trio try to get hold of the situation inside. Written by
Danny Paikov <email@example.com>
Because of the city's proximity to sea level, it is difficult, if not impossible to have underground (basement) dwellings in New Orleans. See more »
[In a TV interview]
Agent Browning, can you shed some light on what's been happening here?
Well, it looks like some goddamn stupid motherfucker has decided to take some poor innocent fucks hostage. Now we've been out here all fucking night trying to deal with this goddamn situation, but there hasn't been a fucking break yet. But we're sure as shit hopeful that everyone will be safe, and that we bring this motherfucker, or motherfuckers, as the case may be, to fucking justice. How's that?
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With so much talent aboard this could have been great cinema. That it's not is due to an unsure screenplay, lacking in credibility, though not lacking in promise. The story in itself, if tightened up, could have been riveting. But despite the actor's efforts, "Albino Alligator" fails to deliver the goods. By the end (which in itself is powerful), one has become a bit tired of it all.
Spacey was obviously drawn to the clear theatricality of much of the action taking place on one set, in effect on one stage. It's hence very talky and stagy, though Spacey is careful to keep the camera moving in interesting ways. The few outdoors scenes too are shot with great visual style. Combining a keen eye, together with his understanding of actors and acting, Spacey will probably at some point bring his directorial talents to fruition. Hopefully he will be more fortunate as far as a suitable screenplay is concerned.
Matt Dillon in the lead does a fair job. As is often the case with him, he manages some moments of excellence, but on the whole is capable rather than brilliant. (He sustained an exceptional performance is the "Saint of Fort Washington" and surprised many with "Drugstore Cowboy".). It's as if there is a depth to him which he seems to have a lot of trouble reaching. There is a brief scene in "Albino Alligator" in which he talks to himself in a facing mirror. It's a moment which reveals those depths which so often seem to elude him.
The other players do as well as one would expect. Gary Sinise is superb as Dillon's elder brother, William Fichtner is truly edgy and sinister and Faye Dunaway's bartender has a ring of truth to it.
Despite all this talent and a story with possibilities, this is not one to seek out.
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