While escaping from a foiled robbery attempt, three thieves find themselves surrounded by police at a New Orleans bar--only they're not the people the police are searching for.
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Corky, a tough female ex con and her lover Violet concoct a scheme to steal millions of stashed mob money and pin the blame on Violet's crooked boyfriend Caeser.
Directors:
Andy Wachowski,
Lana Wachowski
Stars:
Jennifer Tilly,
Gina Gershon,
Joe Pantoliano
A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is an addict.
Director:
Steven Soderbergh
Stars:
Benicio Del Toro,
Jacob Vargas,
Michael Douglas
The sheriff of a suburban New Jersey community populated by New York City policemen slowly discovers the town is a front for mob connections and corruption.
Director:
James Mangold
Stars:
Sylvester Stallone,
Harvey Keitel,
Ray Liotta
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in LA. He must find a way to save both himself and one last victim.
Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.
Director:
Joel Coen
Stars:
William H. Macy,
Steve Buscemi,
Peter Stormare
When three blue collar acquaintances come across millions of dollars in lost cash they make a plan to keep their find from the authorities but find complications and mistrust weaving its way into their plan.
Director:
Sam Raimi
Stars:
Bill Paxton,
Bridget Fonda,
Billy Bob Thornton
After a prank goes disastrously wrong, a group of boys are sent to a detention center where they are brutalized; over 10 years later, they get their chance for revenge.
A young punk drifter heading to Vegas to pay off his gambling debt before the Russian mafia kills him, is forced to stop in a Arizona town where everything that can go wrong, does go wrong for him.
Director:
Oliver Stone
Stars:
Sean Penn,
Billy Bob Thornton,
Jennifer Lopez
Three petty thieves who the police believe to be major criminals are chased into a basement bar where they take five hostages including all the bar employees. The rest of the movie deals with the cops lurking outside the bar while the trio try to get hold of the situation inside. Written by
Danny Paikov <deepee@netvision.net.il>
With so much talent aboard this could have been great cinema. That it's not is due to an unsure screenplay, lacking in credibility, though not lacking in promise. The story in itself, if tightened up, could have been riveting. But despite the actor's efforts, "Albino Alligator" fails to deliver the goods. By the end (which in itself is powerful), one has become a bit tired of it all.
Spacey was obviously drawn to the clear theatricality of much of the action taking place on one set, in effect on one stage. It's hence very talky and stagy, though Spacey is careful to keep the camera moving in interesting ways. The few outdoors scenes too are shot with great visual style. Combining a keen eye, together with his understanding of actors and acting, Spacey will probably at some point bring his directorial talents to fruition. Hopefully he will be more fortunate as far as a suitable screenplay is concerned.
Matt Dillon in the lead does a fair job. As is often the case with him, he manages some moments of excellence, but on the whole is capable rather than brilliant. (He sustained an exceptional performance is the "Saint of Fort Washington" and surprised many with "Drugstore Cowboy".). It's as if there is a depth to him which he seems to have a lot of trouble reaching. There is a brief scene in "Albino Alligator" in which he talks to himself in a facing mirror. It's a moment which reveals those depths which so often seem to elude him.
The other players do as well as one would expect. Gary Sinise is superb as Dillon's elder brother, William Fichtner is truly edgy and sinister and Faye Dunaway's bartender has a ring of truth to it.
Despite all this talent and a story with possibilities, this is not one to seek out.
4 of 5 people found this review helpful.
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With so much talent aboard this could have been great cinema. That it's not is due to an unsure screenplay, lacking in credibility, though not lacking in promise. The story in itself, if tightened up, could have been riveting. But despite the actor's efforts, "Albino Alligator" fails to deliver the goods. By the end (which in itself is powerful), one has become a bit tired of it all.
Spacey was obviously drawn to the clear theatricality of much of the action taking place on one set, in effect on one stage. It's hence very talky and stagy, though Spacey is careful to keep the camera moving in interesting ways. The few outdoors scenes too are shot with great visual style. Combining a keen eye, together with his understanding of actors and acting, Spacey will probably at some point bring his directorial talents to fruition. Hopefully he will be more fortunate as far as a suitable screenplay is concerned.
Matt Dillon in the lead does a fair job. As is often the case with him, he manages some moments of excellence, but on the whole is capable rather than brilliant. (He sustained an exceptional performance is the "Saint of Fort Washington" and surprised many with "Drugstore Cowboy".). It's as if there is a depth to him which he seems to have a lot of trouble reaching. There is a brief scene in "Albino Alligator" in which he talks to himself in a facing mirror. It's a moment which reveals those depths which so often seem to elude him.
The other players do as well as one would expect. Gary Sinise is superb as Dillon's elder brother, William Fichtner is truly edgy and sinister and Faye Dunaway's bartender has a ring of truth to it.
Despite all this talent and a story with possibilities, this is not one to seek out.