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Elective Affinities (1996)
"Le affinità elettive" (original title)

 -  Comedy | Drama | Romance  -  17 May 1996 (Italy)
6.1
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Ratings: 6.1/10 from 423 users  
Reviews: 8 user | 9 critic

Early in the 19th century, Edward and Carlotta, in love 20 years ago, find each other and marry. After a year's bliss at his Tuscan villa, Edward begs to invite Otto, an architect and ... See full summary »

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Title: Elective Affinities (1996)

Elective Affinities (1996) on IMDb 6.1/10

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Cast

Credited cast:
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Marchese
Laura Marinoni ...
Marchesa
Consuelo Ciatti ...
Stefania Fuggetta ...
Agostina
Gavino Bondioli ...
Guardiacaccia
Massimo Grigo ...
Cameriere
Adelaide Foti ...
Albergatrice
Giancarlo Carboni ...
Medico
Rest of cast listed alphabetically:
...
Narrator (voice)
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Storyline

Early in the 19th century, Edward and Carlotta, in love 20 years ago, find each other and marry. After a year's bliss at his Tuscan villa, Edward begs to invite Otto, an architect and friend, to join them. She has forebodings of disaster, but relents. Otto arrives, and to balance the dynamics, Carlotta invites her teenage godchild Ottilia to join them. Ottilia stirs Edward, Otto and Carlotta are attracted to each other, and these longings produce in Edward and Carlotta a night of passion that results in pregnancy. Otto leaves for Venice, Edward leaves for war, and a baby looking like Otto and Ottilia is born. Can anything be put right? Can the four return to their initial happiness? Written by <jhailey@hotmail.com>

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friend | architect | baby | foreboding | villa | See more »

Genres:

Comedy | Drama | Romance

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Release Date:

17 May 1996 (Italy)  »

Also Known As:

Elective Affinities  »

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Aspect Ratio:

1.78 : 1
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User Reviews

Worth watching for history buffs
4 July 2004 | by (Amsterdam, Holland) – See all my reviews

Much criticism is possible for this one, see the other reviews. I agree with them , partially, but am no expert on scripts, etc. I will summarize the positive aspects. This is a "period piece"as so many have been made, especially in Europe. (Italy , France). As such, not much wrong with it. Being based on an 18th century novel by the famous J.W. Goethe, of course in mentality it is far away from our present times. Young people, only familiar with modern consumer cinema (Hollywood et al.) will be apalled by this kind of movie. But me, very used to, and grown up with the cinema of the likes of Luchino Visconti, were not surprised with child drowning, hysterical women, "strange relationships". It partly reminded me of L'Innocente by Visconti. Those were different times! No, I loved it, good story, great acting, especially my favorite Isabelle Huppert, good locations, a nice film.

I don't care about state subsidies or whatever, as long as it results in some movie. Culture has to be subsidized anyway, the (mass) market mechanism, under capitalist relations, cannot supply it.


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