One of puppet-maker Geppetto's creations comes magically to life. This puppet, Pinocchio, has one major desire and that is to become a real boy someday. In order to accomplish this goal he ... See full summary »
When a small spark of magic escapes from the Blue Fairy's home, it travels down toy maker Gepetto's chimney, bringing one small log to life. Then, when Gepetto's toys stop being sold ... See full summary »
This is the story of a little robot known as Pinocchio 3000 whose greatest wish is to become a real boy. The year is 3000. Geppetto, with the help of his faithful assistant, Spencer the ... See full summary »
A college student experiences difficulty in getting home for Christmas after being hazed by his friends. While struggling to get home in time for Christmas, he learns quite a bit about ... See full summary »
Jonathan Taylor Thomas,
One of puppet-maker Geppetto's creations comes magically to life. This puppet, Pinocchio, has one major desire and that is to become a real boy someday. In order to accomplish this goal he has to learn to act responsibly. This film shows you the adventures on which he learns valuable lessons. Written by
Peter Huiskes <email@example.com>
Wallace Shawn was originally set to voice Pepe but was taken over by David Doyle, though the trailer for the film features Pepe with Shawn's voice and Shawn is even credited in the trailer. See more »
[Pinocchio's nose is stretching really long because he is lying about punching Lampwick]
There are two kinds of lies: lies that have short legs and lies that have a long nose. And yours are clearly the kind that have the long nose.
See more »
This well-intentioned adaptation of Carlo Collodi's book has its moments but it's all a bit blah. The Pinocchio puppet, brought to life using a mixture of CGI, animatronics and stop-motion animation, is very well realised, and the costumes and cinematography give the movie a sense of class. But there's no real heart here, no sense of wonder. Director Steve Barron doesn't have the visual style necessary for a story like this and pushes his film through the plot as though he's trying to tick off the chapters as quickly as possible.
A missed opportunity, then, but a lot better than the ineptly directed sequel 'The New Adventures of Pinocchio', which features a terrible performance from Udo Kier and a typically sequelish role reversal plot in which Geppetto becomes a puppet. Devoid of inspiration.
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