One of puppet-maker Geppetto's creations comes magically to life. This puppet, Pinocchio, has one major desire and that is to become a real boy someday. In order to accomplish this goal he ... See full summary »
When a small spark of magic escapes from the Blue Fairy's home, it travels down toy maker Gepetto's chimney, bringing one small log to life. Then, when Gepetto's toys stop being sold ... See full summary »
This is the story of a little robot known as Pinocchio 3000 whose greatest wish is to become a real boy. The year is 3000. Geppetto, with the help of his faithful assistant, Spencer the ... See full summary »
A college student experiences difficulty in getting home for Christmas after being hazed by his friends. While struggling to get home in time for Christmas, he learns quite a bit about ... See full summary »
Jonathan Taylor Thomas,
One of puppet-maker Geppetto's creations comes magically to life. This puppet, Pinocchio, has one major desire and that is to become a real boy someday. In order to accomplish this goal he has to learn to act responsibly. This film shows you the adventures on which he learns valuable lessons. Written by
Peter Huiskes <firstname.lastname@example.org>
The puppet of Pinocchio took Jim Henson's Creature Shop 9 months to perfect. It was operated by 12 people. See more »
[Pinocchio's nose is stretching really long because he is lying about punching Lampwick]
There are two kinds of lies: lies that have short legs and lies that have a long nose. And yours are clearly the kind that have the long nose.
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Beautifully done, but I do prefer the Disney film.
Don't get me wrong, I really like this movie. The star is Pinnocchio himself, with a very likable voice over by Jonathan Taylor Thomas, with very careful design by Angus Bickerton. Also superb is Martin Landau as Geopetto, who brought charm and sadness to the role. The only things that weren't so well done were Jiminy Cricket, though David Doyle voiced him with spirit,(it's just his character animation was a bit mechanical) and Udo Keir's villain did little for me, but that is just me being picky. The film is lavishly designed, especially with the scenes with the puppets with the sets that look like something out of an opera or vaudeville. Also Rachel Portman's score was beautiful, very dynamic and sometimes moving in the more slower bits. Comparing this to the Disney film, this is a lot more faithful to the book by Carlo Callodi, but the Disney film has charm and a certain darkness that isn't quite there here, but it is evident. All in all, a highly underrated and beautiful film. 7/10 Bethany Cox.
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