Australian born film maker George (Mad Max) Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and ... See full summary »
An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life. ... See full summary »
Danny has been sent to boarding school, in this sequel to The Year My Voice Broke. Against a backdrop of bullying and sadistic teachers Danny strikes up an affair with an African girl, ... See full summary »
Over the last 20 years, Africa has experienced some 15 devastating civil wars with over 20 million victims in death, injury or displacement. Yet the West has turned a blind eye. This ... See full summary »
The drama surrounding the dismissal of Mr. Gough Whitlam as the Labor Prime Minister of Australia - on 11 November, 1975 - by the then Governor-General of Australia, Sir John Kerr - and the... See full summary »
Dramatization of the 1932/33 Test cricket series between England and Australia. Played in Australia, the series gained notoriety in Australian and worldwide cricketing history for the fact ... See full summary »
Australian born film maker George (Mad Max) Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines. In extrapolating the idea of movies as song-lines he examines feature films under the following categories : songs of the land ; the bushman ; the convicts ; the bush-rangers ; mates and larrikins ; the digger ; pommy bashing ; the sheilas ; gays ; the wogs ; blackfellas ; urban subversion. He then concludes that these films can be thought of as "Hymns that sing of Australia". Written by
It begins wonderfully with a great sense of visual style and the promise of an interesting structure but the problem is that Director/Host George Miller (Mad Max, Babe: Pig in the City) just isn't a great on-camera presence and his overview begins to d..r..a..g...
I saw this on a tape paired with a Sam Neill-directed doc about New Zealand film and to my great surprise I thought Neill's film was better, so maybe this suffers in comparison.
Still, this is a good film on the subject, just not the great one I was hoping for.
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