Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone ...
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At the center of the story is Augustus Melmotte, a European-born city financier, whose origins are as mysterious as his business dealings. Trollope describes him as 'something in the city',... See full summary »
Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.
The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend.
This Masterpiece Theatre production, set at the cusp of the Industrial Revolution, chronicles the life, loves, foibles and politics of the fictional English town of Middlemarch. Adapted ... See full summary »
18th-century England and Ireland viewed through the eyes of four beautiful high-born sisters - Caroline, Emily, Louisa, and Sarah Lennox, great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers.
Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone in the village and their prying questions, she remains totally aloof until a charming neighbor farmer gets her to reveal her past through his persistence. Only then does she reveal she is hiding away from a womanizing, belittling husband. Written by
John Sacksteder <email@example.com>
Anne Bronte was in the shadow of her sisters Charlotte and Emily and The Tenant of Wildfell Hall less well-known than Jane Eyre and Wuthering Heights. Charlotte and Emily Bronte are great writers and their books classic but Anne does deserve more credit than just "the other Bronte sister", and The Tenant of Wildfell Hall does deserve to be up there with Jane Eyre and Wuthering Heights as it does have all the ingredients of a classic. The book is hugely atmospheric and emotionally impactful and what further makes it a classic is how direct Anne Bronte's writing was and how she really understood her characters and people around her at that time. This dramatisation is just excellent with its only detriment being the ending feeling rather rushed. It is evocatively shot and the scenery is both beautiful and stark, the mist and rocks really giving setting the tone of the book. The costumes and the rest of the production values are incredibly well-done too. The music is haunting and unobtrusive with a real melancholic beauty to it too, some have deemed it anachronistic, I thought it blended with the mood with no problem and actually enhanced it. The script has Anne Bronte's writing style all over it and just as harrowing and heart-wrenching, and while details-wise it is not the most faithful adaptation there is the gritty and affecting spirit of the book is absolutely there and with a great passion also. Regarding other adaptations of any of the Bronte Sisters' work the 1983 Jane Eyre comes closest to evoking that feeling exactly. The direction is sensitive and lets things flow smoothly, if a little hurried at the end. The acting is without complaint, the supporting turns especially Pam Ferris turn in great work but it is the three leads that captivate. Rupert Graves has the juiciest character as Arthur Huntingdon and he is incredible, he shows an initial charming side to Arthur but later becomes brutish and tormented, making it easy for us to really hate him with an ounce of sympathy too. Tara Fitzgerald is appropriately stoic, determined and passionate, you can tell how into the role of Helen she was with what she does physically(ie. no makeup, making her perhaps less attractive than she actually is), people may be frustrated with how too saintly Helen may seem later on but considering the situation Helen was in it's understandable. Toby Stephens gives one of his better performances here too, giving a tender and magnetic performance with ruggedly handsome charm too. In conclusion, the book is a classic and while not quite as good the adaptation is excellent, recommended highly. 9/10 Bethany Cox
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