Directed by | |||
| Alastair Reid | |||
Writing credits(in alphabetical order) | ||
| Joseph Conrad | novel | |
| John Hale | ||
Produced by | |||
| Fernando Ghia | .... | producer | |
| Maurizio Mattei | .... | associate producer | |
| James Ordonez | .... | assistant producer | |
| Michael Wearing | .... | executive producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Franco Di Giacomo | |||
Film Editing by | |||
| Frances Parker | |||
Production Design by | |||
| Francesco Bronzi | |||
| François de Lamothe | |||
Art Direction by | |||
| Massimo Razzi | |||
Costume Design by | |||
| Danilo Donati | |||
Production Management | |||
| George Adams | .... | pre-production supervisor (1996) | |
Second Unit Director or Assistant Director | |||
| Simone Frattari | .... | assistant director | |
Art Department | |||
| Sergio Tribastone | .... | assistant art director (1997) | |
Sound Department | |||
| Jim Greenhorn | .... | sound mixer (1996) | |
| Stewart Henderson | .... | dialogue editor | |
| Ben Norrington | .... | sound effects editor | |
| Marco Streccioni | .... | sound engineer | |
| Aad Wirtz | .... | sound re-recording mixer | |
Special Effects by | |||
| Giovanni Corridori | .... | special effects | |
| Alberto Minelli | .... | special effects | |
| Franco Ragusa | .... | special effects | |
Stunts | |||
| Angelo Ragusa | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Giovanni Canevari | .... | Steadicam operator | |
| Ivan Casalgrandi | .... | assistant camera (1997) | |
| Francesca D'Antoni | .... | assistant camera (1996) | |
| Francesco Di Giacomo | .... | assistant camera | |
| Ernesto Natoli | .... | assistant camera (1996) | |
| Alexander Reid | .... | clapper loader | |
Costume and Wardrobe Department | |||
| Alma Barbieri | .... | head cutter | |
Editorial Department | |||
| Jackie Vance | .... | first assistant editor | |
Music Department | |||
| Ennio Morricone | .... | conductor (1996) (uncredited) | |
| Ennio Morricone | .... | orchestrator (1996) (uncredited) | |
| Marco Streccioni | .... | music engineer (1996) (uncredited) | |
| Marco Streccioni | .... | music mixer (1996) (uncredited) | |
Other crew | |||
| Emilia Costa | .... | production coordinator | |
| Livia Giuggioli | .... | production assistant | |
| Laura Julian | .... | production representative: BBC | |
| Gaia Marotta | .... | production secretary | |
| Roberto Ornaro | .... | production auditor | |
| Franco Penna | .... | production accountant | |
| Luciano Tartaglia | .... | production accountant (1996) | |
| Luciano Tartaglia | .... | assistant accountant (1996) (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb TV section | IMDb Drama section |
| IMDb Germany section |
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....you'll probably be pleased with the result. It's reasonably faithful to Conrad's novel, and considering the abundance of different characters and the intertwining plot lines all centering on the Mina San Tome silver mine, the miniseries manages to generally keep it all on track. The performances are generally very fine, particularly by the great Albert Finney, Colin Firth, Serena Scott Thomas, Claudia Cardinale, Lothaire Bluteau, Robert Escobar, Joaquim de Almeida, and Ruben Rabasa. Claudio Amendola is excellent in the title role, conveying both the self-confident ability and the vulnerable integrity of the novel's character very believably. Finney is also superb as the cynical Dr. Monygham. About the only weak performance is that of Ruth Gabriel, who is unconvincing as Antonia Avellanos.
It is admittedly a pretty long miniseries -- there's a lot of ground to cover -- but if you're willing to invest the time it's a superb tapestry of an adventure story.