| Photos (See all 15 | slideshow) |
| Gary Bakewell | ... | Richard Mayhew (6 episodes, 1996) | |
| Laura Fraser | ... | Door (6 episodes, 1996) | |
| Hywel Bennett | ... | Mr. Croup (6 episodes, 1996) | |
| Clive Russell | ... | Mr. Vandemaar (6 episodes, 1996) | |
| Paterson Joseph | ... | Marquis De Carabas (6 episodes, 1996) | |
| Peter Capaldi | ... | Islington (5 episodes, 1996) | |
| Tanya Moodie | ... | Hunter (5 episodes, 1996) | |
| Trevor Peacock | ... | Old Bailey (5 episodes, 1996) | |
| Elizabeth Marmur | ... | Jessica (4 episodes, 1996) | |
| Tamsin Greig | ... | Lamia (3 episodes, 1996) | |
| Damien Lyne | ... | Gary (3 episodes, 1996) |
Series Directed by | |||
| Dewi Humphreys | (6 episodes, 1996) | ||
Series Writing credits | ||
| Neil Gaiman | (6 episodes, 1996) | |
| Lenny Henry | (6 episodes, 1996) | |
Series Produced by | |||
| Clive Brill | .... | producer (6 episodes, 1996) | |
| Jonathan Finn | .... | line producer (6 episodes, 1996) | |
| Polly McDonald | .... | executive producer: Crucial (6 episodes, 1996) | |
| Chris Parr | .... | executive producer: BBC (6 episodes, 1996) | |
| John Whiston | .... | executive producer: BBC (6 episodes, 1996) | |
Series Original Music by | |||
| Brian Eno | (6 episodes, 1996) | ||
Series Cinematography by | |||
| Steve Saunderson | (6 episodes, 1996) | ||
Series Film Editing by | |||
| Bryan Oates | (6 episodes, 1996) | ||
Series Casting by | |||
| Alison Chard | (6 episodes, 1996) | ||
| Audrey Helps | (6 episodes, 1996) | ||
Series Production Design by | |||
| James Dillon | (6 episodes, 1996) | ||
Series Art Direction by | |||
| Chris Coldwell | (2 episodes, 1996) | ||
Series Costume Design by | |||
| Pam Downe | (6 episodes, 1996) | ||
Series Makeup Department | |||
| Sheelagh Wells | .... | makeup designer (6 episodes, 1996) | |
| Kevin Alexander | .... | hair stylist / makeup artist (2 episodes, 1996) | |
| Beverley Binda | .... | makeup artist (2 episodes, 1996) | |
Series Second Unit Director or Assistant Director | |||
| Stephen Woolfenden | .... | first assistant director (6 episodes, 1996) | |
| Johnny Ludlow | .... | third assistant director (2 episodes, 1996) | |
| Catrin Strong | .... | second assistant director (2 episodes, 1996) | |
Series Art Department | |||
| Dave McKean | .... | title graphics / title graphics: Artemis (6 episodes, 1996) | |
| Amanda Ackland-Snow | .... | set dresser (3 episodes, 1996) | |
| Andy Beales | .... | property master (2 episodes, 1996) | |
| Dave Green | .... | construction manager (2 episodes, 1996) | |
| Dick Lunn | .... | stand-by props (2 episodes, 1996) | |
| Matthew McConnell | .... | dressing props (2 episodes, 1996) | |
| Karl Probert | .... | assistant art director (2 episodes, 1996) | |
| Steven Sallybanks | .... | scenic artist (2 episodes, 1996) | |
| Andie Vining | .... | stand-by props (2 episodes, 1996) | |
| Dennis Wring | .... | dressing props (2 episodes, 1996) | |
Series Sound Department | |||
| Robin Green | .... | sound editor / dubbing assistant (6 episodes, 1996) | |
| Mark Holding | .... | sound (6 episodes, 1996) | |
| Richard Finney | .... | boom operator (2 episodes, 1996) | |
| Bruce Gray | .... | dubbing editor (2 episodes, 1996) | |
| Phil Reed | .... | dubbing mixer (2 episodes, 1996) | |
Series Special Effects by | |||
| Adam Howarth | .... | special effects supervisor (unknown episodes) | |
Series Stunts | |||
| Colin Skeaping | .... | stunt coordinator (2 episodes, 1996) | |
Series Camera and Electrical Department | |||
| Gary Parnham | .... | electrician (6 episodes, 1996) | |
| Simon Anderson | .... | electrician (2 episodes, 1996) | |
| Raymond Gallard | .... | focus puller (2 episodes, 1996) | |
| John Haylen | .... | gaffer (2 episodes, 1996) | |
| Michael James | .... | electrician (2 episodes, 1996) | |
| David King | .... | camera trainee (2 episodes, 1996) | |
| Stuart King | .... | best boy (2 episodes, 1996) | |
| Steve Murray | .... | camera operator (2 episodes, 1996) | |
| David Scott | .... | grip (2 episodes, 1996) | |
| Julian Blom | .... | camera operator: title (unknown episodes) | |
| Ray Gallard | .... | focus puller (unknown episodes) | |
Series Costume and Wardrobe Department | |||
| Mark Foster | .... | wardrobe supervisor (2 episodes, 1996) | |
| Susan Mewton | .... | dresser (2 episodes, 1996) | |
| Julie Osborne | .... | costume assistant (2 episodes, 1996) | |
Series Editorial Department | |||
| Michael Harrowes | .... | assistant editor (2 episodes, 1996) | |
| Finlay Milne | .... | on-line editor (2 episodes, 1996) | |
| Julian Blom | .... | editor: titles (unknown episodes) | |
Series Other crew | |||
| Simon Fraser | .... | production coordinator (6 episodes, 1996) | |
| Dee Gregson | .... | location manager (6 episodes, 1996) | |
| Nichol Hoye | .... | script supervisor (6 episodes, 1996) | |
| Sarah Trowse | .... | production accountant (6 episodes, 1996) | |
| Naimi Arton | .... | production runner (2 episodes, 1996) | |
| Carole Brooks | .... | accounting assistant (2 episodes, 1996) | |
| Ian Harry | .... | production runner (2 episodes, 1996) | |
| Ken Hawkins | .... | location manager (2 episodes, 1996) | |
| Finn McGough | .... | production runner (2 episodes, 1996) | |
| Emily Stillman | .... | production assistant (2 episodes, 1996) | |
| Jim Threapleton | .... | production runner (2 episodes, 1996) | |
| Dave McKean | .... | director: opening sequence / graphic artist: titles (unknown episodes) | |
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| Breakfast on Pluto | Photographing Fairies | "The 10th Kingdom" | "The Prisoner" | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe |
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I loved this series. Sure, it's not a Hollywood production budget or anything, but that almost works more in its favor than against it. The world that this series creates is bizarrely believable. From the first few moments when the innocent-bystander hero Richard gets sucked into the adventure to the couldn't-be-more-perfect ending, we get transported into a world of people as real as they are strange, of terrifying beasts and myth-like quests and ordeals, of twists, turns, tricks, and surprises. The book version is, of course, a little better just because it allows you to go deeper into Neverwhere by seeing it all from inside these characters' heads, but that isn't meant as any slam on this series. In fact, this is probably the best filmed version of a story that's also a book that I've ever seen. Totally worth seeing, buying, treasuring. Gaiman is a master of storytelling, and this is one of his first and greatest masterpieces.