| Photos (see all 6 | slideshow) |
| Gary Bakewell | ... | Richard Mayhew (6 episodes, 1996) | |
| Laura Fraser | ... | Door (6 episodes, 1996) | |
| Hywel Bennett | ... | Mr. Croup (6 episodes, 1996) | |
| Clive Russell | ... | Mr. Vandemaar (6 episodes, 1996) | |
| Paterson Joseph | ... | Marquis De Carabas (6 episodes, 1996) | |
| Peter Capaldi | ... | Islington (5 episodes, 1996) | |
| Tanya Moodie | ... | Hunter (5 episodes, 1996) | |
| Trevor Peacock | ... | Old Bailey (5 episodes, 1996) | |
| Elizabeth Marmur | ... | Jessica (4 episodes, 1996) | |
| Tamsin Greig | ... | Lamia (3 episodes, 1996) | |
| Damien Lyne | ... | Gary (3 episodes, 1996) |
Series Directed by | |||
| Dewi Humphreys | (6 episodes, 1996) | ||
Series Writing credits | ||
| Neil Gaiman | (6 episodes, 1996) | |
| Lenny Henry | (6 episodes, 1996) | |
Series Produced by | |||
| Clive Brill | .... | producer (6 episodes, 1996) | |
| Jonathan Finn | .... | line producer (6 episodes, 1996) | |
| Polly McDonald | .... | executive producer: Crucial (6 episodes, 1996) | |
| Chris Parr | .... | executive producer: BBC (6 episodes, 1996) | |
| John Whiston | .... | executive producer: BBC (6 episodes, 1996) | |
Series Original Music by | |||
| Brian Eno | (6 episodes, 1996) | ||
Series Cinematography by | |||
| Steve Saunderson | (6 episodes, 1996) | ||
Series Film Editing by | |||
| Bryan Oates | (6 episodes, 1996) | ||
Series Casting by | |||
| Alison Chard | (6 episodes, 1996) | ||
| Audrey Helps | (6 episodes, 1996) | ||
Series Production Design by | |||
| James Dillon | (6 episodes, 1996) | ||
Series Art Direction by | |||
| Chris Coldwell | (2 episodes, 1996) | ||
Series Costume Design by | |||
| Pam Downe | (6 episodes, 1996) | ||
Series Makeup Department | |||
| Sheelagh Wells | .... | makeup designer (6 episodes, 1996) | |
| Kevin Alexander | .... | hair stylist / makeup artist (2 episodes, 1996) | |
| Beverly Binda | .... | makeup artist (2 episodes, 1996) | |
Series Second Unit Director or Assistant Director | |||
| Stephen Woolfenden | .... | first assistant director (6 episodes, 1996) | |
| Johnny Ludlow | .... | third assistant director (2 episodes, 1996) | |
| Katrin Strong | .... | second assistant director (2 episodes, 1996) | |
Series Art Department | |||
| Dave McKean | .... | title graphics / title graphics: Artemis (6 episodes, 1996) | |
| Amanda Ackland-Snow | .... | set dresser (3 episodes, 1996) | |
| Andy Beales | .... | property master (2 episodes, 1996) | |
| Dave Green | .... | construction manager (2 episodes, 1996) | |
| Dick Lunn | .... | stand-by props (2 episodes, 1996) | |
| Matthew McConnell | .... | dressing props (2 episodes, 1996) | |
| Karl Probert | .... | assistant art director (2 episodes, 1996) | |
| Steven Sallybanks | .... | scenic artist (2 episodes, 1996) | |
| Andie Vining | .... | stand-by props (2 episodes, 1996) | |
| Dennis Wring | .... | dressing props (2 episodes, 1996) | |
Series Sound Department | |||
| Mark Holding | .... | sound (6 episodes, 1996) | |
| Richard Finney | .... | boom operator (2 episodes, 1996) | |
| Bruce Gray | .... | dubbing editor (2 episodes, 1996) | |
| Robin Green | .... | dubbing assistant (2 episodes, 1996) | |
| Phil Reed | .... | dubbing mixer (2 episodes, 1996) | |
Series Special Effects by | |||
| Adam Howarth | .... | special effects supervisor (unknown episodes) | |
Series Stunts | |||
| Colin Skeaping | .... | stunt coordinator (2 episodes, 1996) | |
Series Camera and Electrical Department | |||
| Simon Anderson | .... | electrician (2 episodes, 1996) | |
| Raymond Gallard | .... | focus puller (2 episodes, 1996) | |
| John Haylen | .... | gaffer (2 episodes, 1996) | |
| Michael James | .... | electrician (2 episodes, 1996) | |
| David King | .... | camera trainee (2 episodes, 1996) | |
| Stuart King | .... | best boy (2 episodes, 1996) | |
| Steve Murray | .... | camera operator (2 episodes, 1996) | |
| David Scott | .... | grip (2 episodes, 1996) | |
| Julian Blom | .... | camera operator: title (unknown episodes) | |
| Ray Gallard | .... | focus puller (unknown episodes) | |
Series Costume and Wardrobe Department | |||
| Mark Foster | .... | wardrobe supervisor (2 episodes, 1996) | |
| Susan Mewton | .... | dresser (2 episodes, 1996) | |
| Julie Osborne | .... | costume assistant (2 episodes, 1996) | |
Series Editorial Department | |||
| Michael Harrowes | .... | assistant editor (2 episodes, 1996) | |
| Finlay Milne | .... | on-line editor (2 episodes, 1996) | |
| Julian Blom | .... | editor: titles (unknown episodes) | |
Series Other crew | |||
| Simon Fraser | .... | production coordinator (6 episodes, 1996) | |
| Dee Gregson | .... | location manager (6 episodes, 1996) | |
| Nichol Hoye | .... | script supervisor (6 episodes, 1996) | |
| Sarah Trowse | .... | production accountant (6 episodes, 1996) | |
| Naimi Arton | .... | production runner (2 episodes, 1996) | |
| Carole Brooks | .... | accounting assistant (2 episodes, 1996) | |
| Ian Harry | .... | production runner (2 episodes, 1996) | |
| Ken Hawkins | .... | location manager (2 episodes, 1996) | |
| Finn McGough | .... | production runner (2 episodes, 1996) | |
| Emily Stillman | .... | production assistant (2 episodes, 1996) | |
| Jim Threapleton | .... | production runner (2 episodes, 1996) | |
| Dave McKean | .... | director: opening sequence / graphic artist: titles (unknown episodes) | |
|
|
|
|
|
| "The 10th Kingdom" | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | The World Is Not Enough | "The Prisoner" | Stardust |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Episode guide | Full cast and crew | Company credits |
| External reviews | News articles | IMDb TV section |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
This series will both surprise and delight you...the quality isn't the greatest, like that of a British soap opera, but you'll be hooked after the first 10 minutes. The writing is great, the characters are wonderfully written, each one with it's own personality, back round, life - you tend to feel you know them by the end, and an emotional connection is unavoidable. Perfect acting by ALL involved. Highly recommended.