Richard Mayhew leads an ordinary life in London when one day a girl named Door falls, injured, across his path. The next thing he knows, his life is gone and he's pulled into the ... See full summary »
Based on the Terry Pratchett novel. On Discworld, (a world carried on four elephants standing on a huge turtle travelling in space), in a small country called Lancre, three witches, the ... See full summary »
Richard Mayhew leads an ordinary life in London when one day a girl named Door falls, injured, across his path. The next thing he knows, his life is gone and he's pulled into the fantastical world of London Below. Pursued by the murderous Messrs. Croup and Vandemar, Door and Richard with the help of Hunter and the Marquis de Carabas, attempt to find the Angel Islington, who knows the secret behind the murder of Door's family, and possibly a way for Richard to go home. Written by
The opening intro was done by Dave McKean, a frequent collaborator with Neil Gaiman. People were astonished when he told them he did the visuals on a Macintosh computer because of the quality of them. See more »
The opening credits are full of surreal, distorted images from London Below. And each episode opens with a different character narrating the events of the previous episode. The end credits uses surreal imagery as a backdrop. See more »
Too much pressure is being heaped onto film makers these days. The filming of "Neverwhere" on video rather than onto film was an incredibly good decision, if one made by budgetry consideration rather than one of style. Video gives one a much more intimate feel on a programme as opposed to the distance and unreality in film. So London Below had a much more realistic atmosphere with its filthy corners and occasional bright patch.
"Neverwhere" is a stunning idea, stylishly filmed, confidently written and (for the most part) perfectly acted. Exquisite performances by Hywell Bennett and the Marquee - dreadful, appalling, hideous acting by Richardrichard Mayhewdick. Bad, bad, baaaaaaaaaad casting decision there. Laura Fraser's alien distance giver her performance a truly detached and often unhuman feel, whilst retaining attraction and (dare I say) cuteness with her huge shimmering eyes. If she ever needs rescuing again, I'd give up *my* credit cards.... =)
Nice ending, not a surprise as such, but a very satisfactory closing to the story.
7/10 (it would've gotten 10/10 if it hadn't been for the lead man's crap acting.......)
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