Daniel Feeld is a screenwriter with pains in his gut and a new screenplay called "Karaoke", about a girl named Sandra who works in a seedy Karaoke bar and is murdered by a lowlife named ... See full summary »
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1  
1996  
1 nomination. See more awards »

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Cast

Complete series cast summary:
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 Ben Baglin 4 episodes, 1996
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 Peter (Movie) 4 episodes, 1996
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 Oliver Morse 3 episodes, 1996
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 Mrs. Baglin / ... 3 episodes, 1996
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 Waiter (Movie) 3 episodes, 1996
Arturo Venegas ...
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 Mrs. Haynes 2 episodes, 1996
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 Staff Nurse 2 episodes, 1996
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 Lady Ruth Balmer 2 episodes, 1996
Paul Raffield ...
Katy Carmichael ...
 2nd Hostess 2 episodes, 1996
Jody Saron ...
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 Club Barmaid 2 episodes, 1996
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Storyline

Daniel Feeld is a screenwriter with pains in his gut and a new screenplay called "Karaoke", about a girl named Sandra who works in a seedy Karaoke bar and is murdered by a lowlife named Arthur "Pig" Mallion. But whenever Daniel looks around, real people seem to be speaking his dialogue in real situations that mirror the script, including a beautiful young girl named Sandra who works in a Karaoke bar owned by a Mr. Mallion. Meanwhile, Balmer, the film's director, is in a spot of trouble with the leading lady of the film. Written by Kathy Li

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Drama

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2 June 1997 (USA)  »

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(3 episodes) | (1 Episode)

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Did You Know?

Trivia

Ewan McGregor: The passer-by whom Daniel Feeld overhears quoting lines from his script is an un-credited McGregor who had appeared in another Dennis Potter play, Lipstick on Your Collar (1993), 5 years earlier. See more »

Quotes

Arthur 'Pig' Mallion: I don't give a pint of horse piss about your private life! This is where you get paid, this is where you bring your pretty little arse, on time!
See more »

Connections

References Heavenly Creatures (1994) See more »

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User Reviews

 
where will the young reality tellers come?
21 January 2000 | by See all my reviews

Dennis Potter, who passes before these works, "Karaoke and Cold Lazarus" could be produced, asked in his last interview with Melvyn Bragg, "Where will the writers who want to tell stories about life as it truly is, beneath the hype and glitter, get their opportunity as I did in the 60's, in our current world of Rupert Murdoch sensibilities?" Karaoke is a tale of personal responsibility that reaches deeper than "E-network" can imagine in its most profoundly affected moments of easy sanctimony and sentimentality. This play should be at the peak of viewing assignments for all students of what TV can really do and be in a democracy that is real, not just a convenient platitude. Dennis Potter may have been the "Shakespeare" of our times. We will be lucky if such integrity and eloquence graces us again.


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