| Photos (see all 18 | slideshow) |
Directed by | |||
| Charles Sturridge | |||
Writing credits | ||
| Simon Moore | (screenplay) | |
| Jonathan Swift | (novel) | |
Produced by | |||
| Robert Halmi Sr. | .... | executive producer | |
| Brian Henson | .... | executive producer | |
| Duncan Kenworthy | .... | producer | |
| Chris Thompson | .... | associate producer | |
Original Music by | |||
| Trevor Jones | (music composed by) | ||
Cinematography by | |||
| Howard Atherton | (director of photography) | ||
Film Editing by | |||
| Peter Coulson | |||
Casting by | |||
| Celestia Fox | |||
Production Design by | |||
| Roger Hall | |||
Art Direction by | |||
| Frederic Evard | |||
| John Fenner | (supervising art director) | ||
Set Decoration by | |||
| Ethel Robins Richards | |||
| Rosalind Shingleton | |||
Costume Design by | |||
| Shirley Russell | |||
Makeup Department | |||
| Sian Grigg | .... | assistant hair stylist | |
| Sian Grigg | .... | assistant makeup artist | |
| Ivana Primorac | .... | assistant hair stylist | |
| Ivana Primorac | .... | assistant makeup artist | |
| Aileen Seaton | .... | hair designer | |
| Aileen Seaton | .... | makeup designer | |
| Karen Turner | .... | hair assistant | |
| Karen Turner | .... | makeup assistant | |
Production Management | |||
| Patricia Vieira | .... | production manager: Portugal | |
Second Unit Director or Assistant Director | |||
| Mike Hanley | .... | third assistant director | |
| Guy Heeley | .... | second assistant director | |
| João Milagre | .... | second second assistant director | |
| Stuart Renfrew | .... | co-second assistant director | |
| Rupert Ryle-Hodges | .... | first assistant director | |
Art Department | |||
| Ron Burkett | .... | supervising painter | |
| Bob Eames | .... | stand-by carpenter (as Robert Eames) | |
| Andy Evans | .... | construction manager | |
| Gary Freeman | .... | junior draughtsperson | |
| James Gemmill | .... | scenic artist | |
| John Greaves | .... | storyboard artist | |
| Ian Green | .... | supervising carpenter | |
| Bernie Hearn | .... | stand-by props | |
| Kevin Herbert | .... | dressing props | |
| Andrew Holder | .... | sculptor | |
| Margaret Horspool | .... | art department assistant | |
| Charles Ixer | .... | property storeman | |
| Jonathan Lee | .... | assistant art director | |
| Tom Lowen | .... | stand-by rigger (as Tommy Lowen) | |
| David Lusby | .... | production buyer | |
| John Palmer | .... | dressing props | |
| Peter Risi | .... | dressing props | |
| Colin Smith | .... | supervising stagehand | |
| Bob Stagg | .... | stand-by stagehand | |
| Tony Teiger | .... | dressing props | |
| Alan Tomkins | .... | art director: UK | |
| Charles Torbett | .... | property master | |
| Jason Torbett | .... | stand-by props | |
| Kevin Welch | .... | supervising rigger | |
| Paul Wiltshire | .... | stand-by painter | |
| Paulo Routier | .... | props (uncredited) | |
Sound Department | |||
| Philip Alton | .... | dialogue editor | |
| John Downer | .... | sound editor | |
| Russell Edwards | .... | sound assistant | |
| Michael Feinberg | .... | dialogue editor (as Mike Feinberg) | |
| Paul Hamblin | .... | sound re-recording mixer | |
| Simon Kaye | .... | production sound mixer | |
| John Lewis | .... | sound assistant | |
| James Manning | .... | assistant sound engineer | |
| Sarah Morton | .... | sound editor | |
| Clive Pendry | .... | sound re-recording mixer | |
| Tommy Staples | .... | boom operator | |
Special Effects by | |||
| Adam Aldridge | .... | special effects technician | |
| Jonathan Bullock | .... | special effects trainee | |
| John Clarke | .... | special effects technician | |
| Ian Corbould | .... | special effects technician | |
| Paul Corbould | .... | special effects supervisor | |
| Martin Gutteridge | .... | special effects coordinator | |
| Jeremy Hunt | .... | visual artist: Jim Henson's Creature Shop | |
| John Palmer | .... | special effects coordinator | |
| Andy Roberts | .... | animatronic designer: Jim Henson's Creature Shop | |
| Neal Scanlan | .... | project supervisor: Jim Henson's Creature Shop | |
Visual Effects by | |||
| William Bartlett | .... | effects editor: FrameStore | |
| Matthew Cope | .... | visual effects coordinator | |
| Scott Griffin | .... | effects assistant: FrameStore | |
| Tim Osborne | .... | effects editor: FrameStore | |
| Fiona Walkinshaw | .... | producer: FrameStore | |
| Timothy Webber | .... | visual effects supervisor (as Tim Webber) | |
| Jerry Andrews | .... | motion control assistant (uncredited) | |
| Lloyd Bettell-Higgins | .... | motion control second assistant (uncredited) | |
| Roma O'Connor | .... | effects production coordinator (uncredited) | |
| Richard Stammers | .... | digital compositor (uncredited) | |
| George Theophanous | .... | motion control operator (uncredited) | |
Camera and Electrical Department | |||
| Alex Bailey | .... | still photographer | |
| Trevor Brooker | .... | director of photography: second unit | |
| Steve Burgess | .... | focus puller: second unit | |
| John Clark | .... | electrician (as Johnny Clark) | |
| Nick Coward | .... | video coordinator | |
| Harry Eckford | .... | grip: second unit | |
| Alfie Emmins | .... | best boy | |
| Jeremy Gee | .... | camera operator | |
| Ray Hall | .... | grip | |
| Cedric James | .... | focus puller | |
| Paul Kemp | .... | electrician | |
| Brad Larner | .... | second focus puller | |
| Mike Lloyd | .... | focus puller: second unit | |
| Simon Lucas | .... | electrician | |
| Barry Miller | .... | gaffer | |
| Stephen Morley | .... | still photographer | |
| Neil Munro | .... | electrician (as Neil Monroe) | |
| Robert Palmer | .... | clapper loader | |
| Stuart Reid | .... | electrician (as Stewart Reid) | |
| Peter Robertson | .... | Steadicam operator | |
| Terry Townsend | .... | electrician | |
| Oliver Upton | .... | still photographer | |
| Simon Werry | .... | aerial camera operator | |
| Jason Wingrove | .... | camera trainee: FT2 | |
| Jon Wood | .... | clapper loader: second unit | |
| Paul Woods | .... | electrician | |
Casting Department | |||
| Sophie Lane Fox | .... | casting assistant | |
| Lynn Kressel | .... | casting: US | |
Costume and Wardrobe Department | |||
| Tony Hughes | .... | wardrobe master | |
| Rosemary Lis | .... | wardrobe assistant (as Rosemary Worth) | |
| Richard Pointing | .... | wardrobe supervisor | |
| Pat Williamson | .... | wardrobe mistress | |
Editorial Department | |||
| Bridgette Corbett | .... | assistant editor | |
| Steve Farman | .... | negative cutter | |
| Steve Mercer | .... | editor trainee: FT2 (as Stephen Mercer) | |
| Richard Milward | .... | assembly editor | |
| Gary Szabo | .... | telecine colorist | |
Music Department | |||
| Geoff Alexander | .... | conductor | |
| Geoff Alexander | .... | orchestrator | |
| Isobel Griffiths | .... | orchestra contractor | |
| Julian Kershaw | .... | additional orchestrations | |
| Simon Rhodes | .... | music recordist | |
| Victoria Seale | .... | music coordinator | |
| Kirsty Whalley | .... | music mixer | |
| Toby Wood | .... | assistant recording engineer | |
| Toby Wood | .... | score recording engineer | |
Other crew | |||
| Keith Addis | .... | creative consultant | |
| Chris Allies | .... | title designer | |
| Richard Bernard | .... | party band | |
| Tim Bricknell | .... | production runner | |
| Lesley Broderick | .... | location accountant | |
| Paul Cadiou | .... | production accountant | |
| Dale Clarke | .... | armorer (as Dale Clark) | |
| Wendy Dade | .... | assistant to producer | |
| Rita Dean | .... | accounts assistant | |
| Steve Dent | .... | horse master | |
| Keith Hatcher | .... | location manager: Portugal | |
| John Ketteringham | .... | utility stand-in | |
| Maggie Lewty | .... | script supervisor | |
| James Linton | .... | stand-in: Mr Danson | |
| Andrew Litvin | .... | production contact: London | |
| Simon Marsden | .... | assistant location manager: Portugal | |
| Cassius Matthias | .... | assistant to director | |
| Angus More Gordon | .... | location manager | |
| Tori Parry | .... | production coordinator | |
| Kevin Phelan | .... | producer: video to film transfer | |
| Janet Riddoch | .... | assistant location manager | |
| Patric Scott | .... | unit publicist | |
| Mary Stark | .... | floor runner | |
| June Whitaker | .... | stand-in: Ms Steenburgen (as June Whittaker) | |
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| Shrek the Third | Stardust | Shrek 2 | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | Animal Farm |
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We all know bits and pieces of Gulliver's travels. Tiny people, yeah, sure. Liliputians. Giants too, some of us may recall. Some might remember the word yahoo comes from here. That's were it stops for most people.
Swift's book is omnipresent in school libraries. That's were i first read it, and there's were a lot of people read it for the last time. It is treacherously lightly written, like many of the old adventure books. Children can read it. Still, it's dripping with satire, black and uncompromising. That's something I think most screen writers forget when they adapt this movie.
This movie remembers, however. Our hero, Ted Danson, gives a credible and serious performance as the world-adjusted man who's thrown to mysterious countries so like our own. Gulliver's travels criticizes everything. Theists, scientists, government, commonfolk, ethnicity, humanity itself. Few are spared, and most of the satire is just as fresh today.
While very faithful to the story, the movie also dares adding new angles, all which work very well. The screen writer deserves all credit for managing to balance so well between time and activity(it's not boring, that is).
Production values are way beyond a TV movie. With some marketing this movie would have done well at the box office. All of the fantastic worlds Gulliver visits are well-made, explained in detail and often very funny, much like Swift's book.
Actors are all pros, since this is a British production. Mary Steenburgen stands out, along with James Fox's Dr. Bates, the chillingly cruel doctor who, much like nurse Ratched, only wants the patient's best.
So, a modest proposal, if you ever get the chance to get this movie, do so. It's a real treat.