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19-year-old Alice returns to the magical world from her childhood adventure, where she reunites with her old friends and learns of her true destiny: to end the Red Queen's reign of terror.
Director:
Tim Burton
Stars:
Johnny Depp,
Mia Wasikowska,
Helena Bonham Carter
In a parallel universe, young Lyra Belacqua journeys to the far North to save her best friend and other kidnapped children from terrible experiments by a mysterious organization.
Director:
Chris Weitz
Stars:
Nicole Kidman,
Daniel Craig,
Dakota Blue Richards
The Cromwell clan split their time between the real world and "Halloweentown", but the son of an old rival threatens to make the latter "real" and the real world a place of monsters.
Director:
Mary Lambert
Stars:
Kimberly J. Brown,
Judith Hoag,
Daniel Kountz
On his ninth birthday a boy receives many presents. Two of them first seem to be less important: an old cupboard from his brother and a little Indian figure made of plastic from his best ... See full summary »
A young girl discovers her father has an amazing talent to bring characters out of their books and must try to stop a freed villain from destroying them all, with the help of her father, her aunt, and a storybook's hero.
Director:
Iain Softley
Stars:
Brendan Fraser,
Sienna Guillory,
Eliza Bennett
Upon moving into the run-down Spiderwick Estate with their mother, twin brothers Jared and Simon Grace, along with their sister Mallory, find themselves pulled into an alternate world full of faeries and other creatures.
Director:
Mark Waters
Stars:
Freddie Highmore,
Mary-Louise Parker,
Sarah Bolger
The wizards behind "Merlin" and "The Odyssey" combine Lewis Carroll's "Alice in Wonderland" and "Through the Looking Glass" into a three-hour special that just gets curiouser and curiouser.
Director:
Nick Willing
Stars:
Robbie Coltrane,
Whoopi Goldberg,
Ben Kingsley
One of the most legendary adventures in all mythology is brought to life in Jason and the Argonauts, an epic saga of good and evil. As a mere boy Jason, the heir to the kingdom of Ancient ... See full summary »
Director:
Nick Willing
Stars:
Jason London,
Frank Langella,
Natasha Henstridge
All star adaptation of Jonathan Swift's satirical tale about a normal man who, after returning home following eight years of absence, relates fantastical tales about how he was thought to be giant in the Land of Lilliput, but was only six inches high in the Land of Brobdingnag. He also tells of his visit to the floating island of Laputa populated by scientists who are so obsessed with reason that they act with no common sense. Finally, he tells of his journey to the land where his disturbing likeness to the bestial Yahoos and his inferiority to the intelligent horses there makes him question the very worth of his humanity. Written by
Kenneth Chisholm <kchishol@execulink.com>
This is the first screen version of Jonathan Swift's 1726 novel "Gulliver's Travels" to adapt all four of its parts. See more »
Goofs
When Dr. Bates is tearing pages from Gulliver's journal and throwing them on the fire the pages change position between shots. See more »
Quotes
Drunlo:
[walking down the beach]
Don't despair, son. you remember when we were walking down here, it was the middle of winter, never thought we'd find anything. And then... we found a *treasure*.
Clustril:
We found one boot. With a hole in it!
Drunlo:
Well, you never know. Today we might look down and find the matching boot.
Clustril:
That was *five years ago*, Dad!
See more »
Swift's writing really has more in common with Kafka and Orwell than with fantasy-adventure writers, so it's curious that Gulliver's Travels has been deemed a children's novel. Lucky kiddies!
The same applies to this movie. There have been some really awful versions of this story, which must be why people are reluctant to look at this version. I mean, it's a TV-movie and it comes from muppetteer Jim Henson, so how should we expect anything but cuteness?
Look again - beauty turns up in the oddest places. Children love this movie enough to sit through all three hours of it, but it also takes the time to get Swift's dark vision right. I hate special effects, but here they are used to carry the story forward instead of just dazzling us. Please note that the producers took the trouble to recruit classical actors like John Gielgud and Peter O'Toole who perform their eccentric roles with perfection.
Dramatically, the romance between Gulliver and Glumdalclitch is rendered touching and poignant, as well as funny (she's a little girl, but twenty times his size). The frame-story has a theme about absent fathers that many children will relate to. And the part about Gulliver in the asylum introduces an element of horror dealing with the abuse of authority (apparently deriving from Val Lewton's "Bedlam" [1946], another forgotten masterpiece).
The VHS is always turning up in the bargain-bin for a few cents, which is an insult to the many great artists who put this thing together. I encourage audiences to recognize a good thing by getting this movie and inspiring others to watch it. Although it has a lot to offer children, grown-ups will find that it stands up nicely to such classics as Aguirre, Brazil, 1984 and other serious fantastic works.
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Swift's writing really has more in common with Kafka and Orwell than with fantasy-adventure writers, so it's curious that Gulliver's Travels has been deemed a children's novel. Lucky kiddies!
The same applies to this movie. There have been some really awful versions of this story, which must be why people are reluctant to look at this version. I mean, it's a TV-movie and it comes from muppetteer Jim Henson, so how should we expect anything but cuteness?
Look again - beauty turns up in the oddest places. Children love this movie enough to sit through all three hours of it, but it also takes the time to get Swift's dark vision right. I hate special effects, but here they are used to carry the story forward instead of just dazzling us. Please note that the producers took the trouble to recruit classical actors like John Gielgud and Peter O'Toole who perform their eccentric roles with perfection.
Dramatically, the romance between Gulliver and Glumdalclitch is rendered touching and poignant, as well as funny (she's a little girl, but twenty times his size). The frame-story has a theme about absent fathers that many children will relate to. And the part about Gulliver in the asylum introduces an element of horror dealing with the abuse of authority (apparently deriving from Val Lewton's "Bedlam" [1946], another forgotten masterpiece).
The VHS is always turning up in the bargain-bin for a few cents, which is an insult to the many great artists who put this thing together. I encourage audiences to recognize a good thing by getting this movie and inspiring others to watch it. Although it has a lot to offer children, grown-ups will find that it stands up nicely to such classics as Aguirre, Brazil, 1984 and other serious fantastic works.