Five conversations frame a flawed marriage in this film written by Ingmar Bergman about his parents. Guilt-ridden wife Anna (Pernilla August) divulges an extramarital affair to a priest, ... See full summary »
Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "... See full summary »
A sensitive exploration of the tragic irony of the psychiatrist suffering with mental illness. Dr. Jenny Isaksson is a psychiatrist married to another psychiatrist; both are successful in ... See full summary »
Maggi meets David after having missed her train, and they spend the night together. Penniless, the young lovers break into a summer cottage. The owner, Håkansson, offers to rent it to them,... See full summary »
Ingmar Bergman's The Serpent's Egg follows a week in the life of Abel Rosenberg, an out-of-work American circus acrobat living in poverty-stricken Berlin following Germany's defeat in World... See full summary »
The film switches back and forth between the adventures of Pu on a summer holiday in Norrland in Sweden and and the adult Pu visiting his father who lives in an old people's home. Little Pu... See full summary »
Five conversations frame a flawed marriage in this film written by Ingmar Bergman about his parents. Guilt-ridden wife Anna (Pernilla August) divulges an extramarital affair to a priest, her uncle Jacob (Max von Sydow). He presses her to confess her sins to her husband, Henrik. As the film moves back and forth in time, the notion of truth is tested. Tomas, the lover, and Henrik will find that Anna's confessions do not absolve anyone, and have the power to inflict more pain. Source: Rotten Tomatoes Written by
Any film with Bergman involved promises much, and in delivery Private Confessions does not disappoint
Apart from a couple of long-winded moments and an ending that feels a little forced, this is a most excellent film and very intriguing in so many ways. Long-term Bergman collaborator Sven Nykvist is responsible for the cinematography and every shot and frame has a hauntingly beautiful atmosphere and realism to it that it is almost hypnotising to watch. The director this time round is not Bergman, but Liv Ullman, one of his best regular actresses and among the best that Sweden ever had. The directing is done very intelligently, from collaborating with Bergman for so long there is definitely an influence but it never resorts to imitation. Like Bergman as well, she does a fine job in keeping the characters and situations as compellingly real as possible, whether you're fascinated by or indifferent to them is a matter of opinion. Bergman does have a hand in it, as a writer. The structure is very autobiographical and personal, and it so incredibly honest, often painfully so, and thought provoking. The story is insightful, dealing with complex issues with such realism, and while you mayn't consider the characters likable anybody familiar with Bergman's style and know enough about what he intends in every one of his movies will argue that they weren't meant to be, and I agree. Pernilla August gives a masterful lead performance, she says little but her gestures and expressions really resonate with you, for me in that regard like a female Max Von Sydow. Sydow also stars and I can't find anything to fault him whatsoever, like August he tells much without having to do so verbally. In conclusion, an excellent film and doesn't disappoint in what it promised. 8/10 Bethany Cox
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