The film has three stories. First is about local village idiot Paletta, who can not afford the services of a whore and so steals a locket from a holy shrine belonging to local mafia don. ... See full summary »
In the Sicily of the late 40's, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream and set up a Sicilian production company, thanks to the ... See full summary »
Luigi Maria Burruano,
Palermo in the 1970s. The Ciraulos are modest scrap dealers whose uneventful lives are turned upside down the day their youngest daughter is accidentally killed by clumsy killers. Their ... See full summary »
Joe This richly symbolic film is really impossible to understand without some knowledge of 20th Century Italian history, and particularly the power of the Roman Catholic Church. The Lateran... See full summary »
A story set in the 90s and in the outskirts of Rome to Ostia, the same places of the films of Pasolini. His characters, in the '90s, seem to belong to a world that revolves around hedonism.... See full summary »
Vincenzo, a 30 years old apathetic and lazy man who still lives with his mother, has no job and no desire to improve. He meets Anna and fell in love with her but to keep the relationship alive he has to learn to accept more responsibility.
Giuliana de Sio,
Armando, a 50 year man, seeks young men in Caracas and pays them just for company. One day he meets Elder, a 17 years boy that is the leader of a criminal gang, and that meeting changes their lives forever.
The best italian film of the 90's, the most extreme and radical work since SALO', a ruthless representation, in a surreal-metaphorical key, of a civilization condemned to worshipping its own blindness. The two sicilian directors use a language free from compromise and from the traditional storyline rules: the movie is photographed in a sharp and very contrasting black & white, with no beautiful pimp music, and lacks a logical story. There are no women (the ones we see are actually men), and the language is strict sicilian dialect. The directing style is characterized by long fixed shots on a post-atomic world, which is really present-day Palermo, inhabited by fat people in socks and underwear who burp and fart while roaming around smelly alleyways and waste dumps. And above all, there is the black humor of the two "cinics", acute, ruthless, and very intelligent. An extraordinary essay of surrealistic cinema in perennial confinement between drama and irony, between disconcertment and a liberatory laugh, the whole mixed with a profound sense of squalor and discomfort that accompanies the viewer even after the film is over. A film that shows the loss of certainty and moral values in today's world, the absence of order and sense: God is dead and man is alone in this abyss, this is what Cipri and Maresco seem to be reminding us of with a resonant blow.
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